84 Royalty-Free Audio Tracks for "Warble"

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01:46
Modifications of a weird tone that might fit into some science-fiction context or another.
Author: Richerlandtv
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00:20
Recorded on an australian farm, with magpies warbling and cows mooing.
Author: Terri C
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02:11
Finch twittering in the evening. First minute loud, second minute quiet.
Author: Pulswelle
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02:26
Recording of a vhs tape while fiddling around with the tracking.
Author: Raymonster
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00:16
My stainless steel coffee mug, half full of coffee, being struck by my knuckle. :).
Author: Mmaruska
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00:04
These are trap warbles that i made by using my dad's sound testing equipment i tried using them for a beat but it didn't work out this is my 1st pack uploaded to here! enjoy! i will upload all work from my failed projects from here on out i do a lot more than just trap i rap to all kinds of beats! you do not have ti credit me but please message me your project so i can check it out! thanks!.
Author: Awolf
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03:12
Alien birds warbling.
Author: Funkymuskrat
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00:31
Australian magpie (western) 'gymnorhina tibicen dorsalis', family group carolling warbling in kings park perth western australia. Magpies call in family groups to locate each other, acert dominance and too defend their territory. (recorded august 2016, trimmed to 30s).
Author: Dbache
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00:46
Experiment weaving objects in to the banjo strings creating a echo-like effect. Recorded with cheap pc microphone.
Author: Mistertood
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00:41
Budgie chirping her little song - this is sunny, a yellow budgerigar, who loves singing.
Author: Squashy
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00:47
A chaotic sample of barking dogs and meowing cats from an animal shelter in the morning. Doppler effect makes sample warble like magnetic tape at the beginning.
Author: Cognito Perceptu
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00:39
Experiment weaving objects in to the banjo strings creating spookyvibration effect. Some low popping noises; recorded with cheap pcmicrophone.
Author: Mistertood
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00:36
Bought a piece of 12"x24"x22awg copper sheet metal last week and was fascinated by the warble noises it made when i picked it up out of the box. Recording: easy voice recorder (android) on a samsung s7. Post-processing: 2-pass noise removal with audacity due to fluorescent light hum and other background noise.
Author: Depwl
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00:05
Some synth sound i created for a hardcore techno track i'm doing. Please enjoy use. . . And re-manipulate nicely.
Author: Untitled
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00:07
I recorded a bluejay interacting with a small group of mockingbirds in the woods of a residential townhouse complex using an olympus vn-480pc digital voice recorder and uploaded with audacity for osx.
Author: Morainium
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02:12
Sci-Fi Soundtrack Could also be an opening theme. This is a warbling mono synth. Pretty dark... not super unpleasant. Second section is more staccato, and can be used on its own. - Kevin MacLeod
Author: Kevin MacLeod
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02:42
This is a recording taken out my bedroom window early in the morning. You will hear doves, mynah birds, shama thrushes (the beautiful warbly one) and of course our "beloved" wild chickens.
Author: Alchemical
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01:16
Warbled jingle from distant passing ice-cream truck, park outside. Stereo spaced em172s.
Author: Trp
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00:10
Experiment weaving objects in to the banjo strings creating spookyvibration and hum effect. Some low popping noises; recorded with cheappc microphone.
Author: Mistertood
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00:28
Bird song recorded in my back yard. One particular bird with a quite complex song steals the show. Includes moderate background noise from distant traffic.
Author: Alienistcog
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01:30
Bird song recorded in my back yard. Mostly a texture of birds chattering rather than any single distinct bird. Includes moderate background noise from distant traffic.
Author: Alienistcog
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02:33
Hairy warbling to a dark step rhythm beat. O-ctrl used to make it squeal a little. Harmonaig generates triad chords, slightly offset.
Author: Jim Bretherick
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01:08
A sound montage of my own creation. It incorporates sounds i recorded in a garage (heavily edited) as a base, before building up various synthesizer beeps and warbles on top of it.
Author: Soundsodd
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00:33
Experiment weaving objects in to the banjo strings creating spooky vibration and hum effect. Very scifi/horror. Some low popping noises, dog bark at beginning, chatter in middle; recorded with cheap pc microphone.
Author: Mistertood
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00:34
Bouncing two throwing knives off each other. It sounds kind of like those magnet toys that you throw up in the air and they make a warbling sound when they come together. Recorded with a tascam dr-40.
Author: Anthousai
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00:05
An abstract sound created with bosca ceoil and audacity. The sound has been pitched shifted repeatedly. It is noise, but hopefully you'll find it to be a pleasant sort of noise. If memory serves, some forms of (non-audio) computer data can produce sounds like this if imported into an audio processor.
Author: Jerimee
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02:41
Weird e-piano/synth ditty, used a few times in tracks over the years. Has a peculiar moody quality. Anyway i'd probably just process the hell out of it with distortion/granulation/slicing and using it as a droney texture because it's sloppy and weird.
Author: Syni
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00:04
Bird chirp sfx made in labchirp. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.
Author: Danlucaz
00:00
02:08
A collection of sounds i recorded and subsequently mixed together in a composition. Here they are in their raw, unprocessed form. They include:. --continuous clicking from turning a removable screwdriver head--whispered breathing and grunting (recorded at a very high volume for intensity and boomy room tone)--a metal trash can clanging--a warbling falsetto climbing in pitch--faint taps--a plastic pill bottle being shook and twisted.
Author: Housedj
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00:19
This sample was created by layering short, improvised passages on a yamaha psr-275 into a boss dd-20 in sound on sound mode. Loop was played into a boss me-30 on harmonizer and pitch shifter settings, processed in real time, then faded out. Audio was further processed in goldwave (compression, added hiss, vibrato, etc. ) to give it a more believeable "old vhs tape" sound. I cut it to only include the most convincing segment of audio. (it's not perfect, but it's only an emulation!) 24 kbps, stereo.
Author: The Semen Incident
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05:05
Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".
Author: Yfjesse
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02:02
Electro-magnetic interference from the colorino talking color identifier and light probe when held near the internal ferrite antenna on the back right of a 13-year-old boombox near the bottom of the am broadcast band, from 530 to 580 khz. You first hear the device inactive being brought near the radio. This gives a low buzz of stacato clicks. At about 00:23 the light probe button is briefly pushed, you hear a quick boop of the light probe with low light level combined with the beginning of the white noise of the device active. If you put your ear near it after you use it, you will hear a slight hiss from the audio amplifier carrier idling for about a minute after last use. On the am radio this translates to white noise. At 00:26 there is a double click and a distorted voice says black. The voice is being picked up by the am radio. 10 seconds of white noise and i press the color button again and it says black. I put something else over the color sensor and it says a few more things. At 00:51 i hold down the light probe button and try to point it at the light above my desk while still holding it close enough to the radio to pick up the emi signal. You hear a warbling tone at 00:59 as the light reaching the sensor increases and decreases in brightness depending on how it's pointed. The signal fades in and out as the device is moved around. This has all happened at 530 khz. At 01:37 i step the radio up to 580 khz where you get a stronger signal. Wibw from topeka competes with the noise throughout the rest of the file. At 01:51 you hear the distorted error beep as i press the color button without anything but air and light in front of the color sensor. It must be pressed up against the thing you want the color of, or it gets in too much ambient light and errors out with a loud protesting beep.
Author: Kbclx
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13:10
A peaceful ambiance of some pine trees in early, early spring. The predominant, lower-pitched background is the strong south wind blowing through the tops of healthy pine trees. . . An unwavering "swooshing" that cuddles and curls around the flexible, thick-resin-filled pine needles. Also, from time to time, you hear the sound of the wind rattling some dead and brown oak leaves; oak leaves which are still stubbornly hanging on to their parent tree. I purposely did only a very bare minimum of post-processing on this sound so as to keep it as realistic as possible. Yes, there are quite a few wind rumbles that i toned down just a little bit. I did not totally get rid of the wind rumbles. I did this on purpose so you the true feeling of " being there " on that mild, but still raw cold day of spring could still be felt. At 4:35 into the soundscape the trilling of a pine warbler is heard---a warble of warm-sounding notes fighting back stubborn winter. At 9:33 that hardy year-round resident, black-capped chickadee starts tweeting about. Recording made on saturday march 25, 2023 using a sound devices mixpre-3 series ii and only one microphone. I used a sennheiser mkh 8070. Enjoy this soundscape of winter slowly losing its grip, as told by pine trees and brown, crackly oak leaves.
Author: Kvgarlic
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02:45
This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).
Author: Niedec
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