59 Royalty-Free Audio Tracks for "Transcript"

MIDI transcription of the folk song Old MacDonald Had a Farm. MIDI-Transkription des Volksliedes Old MacDonald Had a Farm.

MIDI Transcript of listening to the song "Down by the Riverside". Additionally copied correct rhythm from an outdated schoolbook. Transkription des Lieds "Down by the Riverside". Korrekte Rhythmen aus einem extrem alten Schulbuch kopiert.

VIVALDI-BACH; Concerto in D Major 3.Allegretto, BWV. 972

VIVALDI-BACH; Concerto in D Major 1. Allegro, BWV. 972

MIDI transcription of the traditional spiritual Kum ba yah, my Lord. MIDI-Transkription des traditionellen Spirituals Kum ba yah, my Lord.

VIVALDI-BACH; Concerto in D Major 2. Larghetto, BWV. 972

L'Apprenti sorcier sound sample from Sorcerer's Apprentice; organ transcription by Josh Perschbacher

Mississauga transit bus announcement. Transcription: "(bell) stop requested. Please exit, rear door. ".

The intermezzo from Enrique Granados's Goyescas, played in an transcription by the U.S. Marine Band for the album Director's Choice.

Movement VI of "The Planets" by Gustav Holst, Uranus, the Magician. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. Frontiers

The Polka from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

The "Intermezzo" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

How would a frightened galaxy feel when coming to close to a black hole? well, i can imagine it if i am 1 mm tall and am sitting on the edge of the washing bowl in my kitchen and see and listen to this sound.

The Dance of the Comedians from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

Movement III of "The Planets" by Gustav Holst, Mercury, the Winged Messenger. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. FrontiersFrançais : Troisième mouvement des Planètes, Mercure, le messager ailé, composé par Gustav Holst. Performance du US Air Force Heritage of America Band selon une transcription de Merlin Patterson, éditée par les Capt. Lang et MSgt Aldo Forte lors de la publication en 1998 de leur CD Frontiers. (Durée : 4 m 23 s)

Movement IV of "The Planets" by Gustav Holst, Jupiter, the Bringer of Jollity. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. Frontiers

The "Warrior's Dance" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

The "Menuetto" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

The "March of the Mogul Emperors" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Police ordering crowd to disperse using bullhorn. Heavy reverb. Reading the riot act based on a transcript of actual riot act reading at in canada. I know, hard to believe but it happens sometimes. This would be played on a loop prior to and during police dispersal of a crowd this is a re-creation.

The "Introduction and Dance of the Nautch Girls" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament

I used audacity and text-to-speech to recreate a voice line spoken by the cybermen from the 1967 doctor who episode "the moonbase". The video clip is available in the public domain. Transcript:. Cyberman 1: they have blown up the accessways to the moon base. Cyberman 2: the machine from earth must first be destroyed. There are 14 minutes left.

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

This is a small clip which i made playing the original video on my laptop and recording it on my cell phone. There is a noise machine on and a voice distortion tool being used and foreground dialog as well. It's the whispered dialog that is crucial in my quest for justice. The sample is to offer up proof that this is very real to those who may be questioning if i am indeed serious. Please reply with transcription of background dialog, or a cleaned up sample. Your help is so appreciated.

The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Corps Band, and performed by the Concert Band of the United States Navy Band

The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Band, and performed by the Marine Band conducted by Lt. Col. Cline at Van Wezel Hall, Sarasota, Florida in 1977

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.