2,370 Royalty-Free Audio Tracks for "Tracks"

I steve reiched a 'tune' i made with the celeste sample from my edirol orchestral plug-in and i think it makes good atmospheric music for a variety of things, depending on where you are in the track. It only really gets going from about 1:35 but after that i think it makes good fairy tale, horror, meditation, relaxation and mystical/cosmic soundtracks.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

Part 7 (four ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 4 (one ruffle and flourish and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 14 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Tale of Tsar Saltan, Op. 57: "Flight of the Bumblebee" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Hands Across the Sea (2007).[1][2][3]

Hail to the Spirit of Liberty performed by the Concert Band of the United States Air Force Heritage of America Band. Track 19 from disc 2 of Ceremonial Music (2005).

Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

Part 5 (two ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 15 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Battle Hymn of the Republic (with poetic narration) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Part 10 (a drum cadence followed by "National Emblem") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 20 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 9 ("The Star-Spangled Banner") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 19 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 6 (three ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

This track was developed in east harlem new york city during the 2nd quarter of 2018. It was developed via apple's logic pro x via a macbook pro 2017. The mixing process employed the usage of stictly logic pro x plugins (e. G. Compressors, equalizers). Monitoring the audio was performed via the presonus eris e4. 5 monitors in a bedroom home studio. This developement was actually a practice mix session. You may reach the engineer via twitter: @harlemdaw.

An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).

I needed a sound fx of a dog scratching itself for a 3d animation, so i did this foley recording. First i tapped a bunch of keys to simulate the tags jingling. Then i scratched my pants to the timing of first track. Feel free to use this for any purpose, including commercial use. Don't forget to leave a comment if you like it, and tell us about your project. Enjoy!.

You guys are probably wondering why i haven't been posting many sounds for the last month well number one so i can upload a lot of sounds at once and two i have been pretty busy with track and play practice. So now here is a bunch of sounds that were created by me either covering up or bumping my mic which i hope you will enjoy.

I live next to a car repair place and they have a couple of hot rods that they fire up now and then. This is a '55 chevy and to me the idle sounds like a dragon breathing. He does a couple of slight burnouts and you can hear the echo off the buildings. Recorded with my yamaha pocketrak and edited with sony vegas with one track duplication. Please comment on what you may use it for. :-).

By manuel de falla. Not the complete song. I love this song on a classical guitar,(and i love to fish) but wanted to try it my way. No set tempo with some fermatas. Recorded with my squire telecaster and squire mini-bass through the focusrite interface and walrus slo pedal on 'dream setting. 'guitar is triple tracked and bass is single track. Edited in reaper. Please comment on what you may use it for. Thanks. :-).

I really needed something that sounded like a group of horses galloping in the distance and couldn't find anything. So i busted out my zoom h6 and set it on my futon comforter and then just tapped my fingertips on the surface right next to the stereo mics. Then i put that track in premiere and made four layers, all offset to get different rhythm and i thought it turned out pretty good so wanted to share it.

Electromagnetic noise recorded with olympus lsp4 and elektrousi from lom. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electromagnetic-noise-003. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.

Electromagnetic noise recorded with olympus lsp4 and elektrousi from lom. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electromagnetic-noise-004. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.

Electromagnetic noise recorded with olympus lsp4 and elektrousi from lom. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electromagnetic-noise-005. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.

First Suite in E-flat for Military Band, Op. 28, No. 1: III. March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Alice in Wonderland performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 11 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeants Debra Jamison, vocalist Staff Sergeant Scott Vignassi, trumpet

Similar to my popular 2016 recording. Many birds are audible, as well as distant dogs. This clip is highly processed, for a much less processed version, check out the raw version of this track. Recorded during the 2019 world series of birding competition in nj. Feel free to use in commercial projects. --------------------------two em172 mic capsules -> zoom h1 recorder -> high-pass filter -> noise reduction.

Wachet auf, ruft uns die Stimme ("Awake, calls the voice to us" or "Sleepers, Wake"), BWV 140, performed by the Galaxy Brass of the United States Air Force Band of the Rockies. Track 5 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

Celebration of Carols (a medley of "Joy to the World", "Hark the Herald Angels Sing", and "O Come All Ye Faithful") performed by the Concert Band of the United States Air Force Band of the Rockies. Track 14 from Christmas from the Rockies (1993).

Carols of the Season (a holiday medley of "Silent Night", "Joy to the World", "Hark! The Herald Angels Sing", and "O Come All Ye Faithful") performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 13 from Christmas on Stage and Screen (1996).

While creating an ambient haunted house track, i created 4 slightly different versions of a grandfather clock chime by layering tube bells, hand bells, and a vibraphone at varying dynamics and articulations in musescore 2. 0. The chime rings at a b2. I obviously had a clock in mind when creating these sounds, but you could also use this as a singing bowl, a bell or gong, or as any number of sound effects.

Ambiance of a shopping mall or crowded store. Great for shopping or retail sound effects. This sound is in the public domain so its a bonus.

Hey, guys, i know it's been a while, but i'm making up for it with another cool sound effect - this one is a field recording during a rain storm. This track is good for ambience, and loops fairly seamlessly. Have fun with it!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Second Suite in F for Military Band IV. "Fantasia on the Dargason" performed by the 553rd United States Air National Guard Band of the Northeast. Track 5 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Second Suite in F for Military Band "III. Song of the Blacksmith" performed by the 553rd United States Air National Guard Band of the Northeast. Track 4 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Process: a while ago i worked on a game and recorded several sound effects, one track after another. With the session set up the way it was, i opened all the channels and selected a section and exported it. After exporting, i threw it into paulstretch, and rendered that at the default settings. This is the result. If you use it, shoot me a message with a link to the project! i'd love to see how it's used!.

Here's my first field recording and first upload on here. I recorded my friend's fireplace in his apartment for a theater production through my college for which i was the sound designer and sound board operator. I used a zoom q3hd with its built-in stereo xy microphones at about a foot or so away from the fire (on the bricks directly encasing the fireplace) with some make-shift baffling around the fireplace (safe, i know). This track is an edited version, a sort of "best of".

Surround recording of a hiking track in the biokovo mountain national park in croatia. Good, clean mediterranian summer-atmo, ideal for motion-picture or broadcast work. It is noon, very hot and sunny and millions of crickets are chirping. In the distance, some goat-bells can be heard, otherwise the place is deserted. Recorded with a zoom h2. This file contains the rear channels, recorded with 120° dispersion.

I recorded this with my yamaha pocketrak at the paramount theater in seattle on feb. 29th, 2016 with one track duplication. This is the applause for stewart copeland and the seattle rock orchestra. Copeland scored the music for the silent version of 'ben hur' and the show was great as you can hear from the final applause. You can hear my friend brian at the end asking for some coffee. :^) please comment on what you may use it for. Thanks.

This high quality recording is of a cargo logistics train leaving the port of fremantle, pulling many, at least 50, sea containers on rail-cars through a railway crossing on a bend, curve of the line. You can hear the signal bell on the drop gate with flashing red lights and the steel rail-car wheels screeching on the curved track.

This is the new talking traffic signal in town. I got the idea to speed it up from listening to some radio commercials where the person talks a mile a minute to cram as many words into the commercial as possible. They really are damned annoying when they do it, but i get a laugh out of my version. Recorded on my yamaha pocketrak with one track duplication and edited in sony vegas. Please comment on what you will use it for. Thanks. :^).

Marsian « toc toc ». Générer un click track. Garder une seule partie en sélectionnant les notes identiques. Effet « répéter » pour avoir six notes, et couper entre les deux répétitions pour ne pas avoir trop de blancchanger la hauteur à 113%changer la vitesse, pourcentage de modification : 10%. Typologie : x’’, itération complexe. - masse:son répété, identique, avec une pause entre chaque note. - timbre harmonique:clair. - grain:un léger grain sur le début de chaque note. - allure:un léger vide entre chaque note. Cinq répétitions de la première. - dynamique:entrée du son douce. .

This is one of my favorite sounds to open my live sets with and is featured in my track water's bomb, as well as in the intro to the digital juggernauts album, "giant killer robots. " to make it, you use a sample of a plane flying over, i used a 707, and a djm-500's pitch shifter fx. As the sample gets longer, turn the pitch to the high end, then to the low end. Hope you all love and use this sound!.

This sound is a pitched down recording of a metal knife striking the prongs of a metal fork. I added some reverb and adjusted the eq to make it sound like distant swords striking each other. This was used to simulate the ambient sounds of cutlasses in a pirate battle. In addition to clashing swords, this track could be adjusted to mimic the sounds of a blacksmith working at his anvil or flint and steel in lighting a fire, among other sound effects.

Machine composed electronic music. The track made me think of insects. Searched for a sound to mix it with. Found this lovely sound recorded by mikelrnieto. It could be insects. . . Interstitial space » espais intersticials # 17https://freesound. Org/people/mikelrnieto/sounds/209449/inspelat av mikelrnietomachine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.

Machine composed electronic music - or experimental generative atonalelectronic music made with an analog modular synth. Some results from two machine composition recording sessions. The modular is a machine. I compose the patch. The modular/machine composes the music. I don't want to call it auto composition, algorithmic compositionor generative. This is machine composition!. Track list1) känner igen2) form3) nästan 194) symetri5) växlingar. Https://www. Youtube. Com/watch?v=xhv0rkdjzg0.

Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.