2,370 Royalty-Free Audio Tracks for "Tracks"

Variations on an Old Welsh Air performed by the Concert Band of the United States Air Force Band of the Golden West. Track 3 from Holiday Fantasies (2000). Captain Douglas Monroe, conductor.[1]

Go Falcons performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

O Little Town of Bethlehem performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track from the ensembles' 2020 album The Spirit of the Season.

John Philip Sousa's 1908 march "The Fairest of the Fair" as performed by the United States Marine Band. Track 66 from the band's 2018 album entitled The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conductor: Lieutenant Colonel Jason K. Fettig

Drum Cadence (6/8 time) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 46 from disc 1 of Ceremonial Music (2005).

National Emblem (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Joy to the World performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 4 from the ensembles' 2020 album The Spirit of the Season.

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band of the West. Track 30 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

National Emblem performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from disc 2 of Ceremonial Music (2005).

Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]

Panama performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 12 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

Go Tell It on the Mountain (jazz version) performed by the Diplomats of the United States Air Force Band. Track 7 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).

This is a "recreation" of the sounds heard at the beginning of the "alice in wonderland" superbowl tv spot. I used jobro's cinematica 7 in reverse and timbre's bass drum and discordant bells. The ticking sound i made by tapping a pen. I recorded the full "ticking track" (up to :17 in the spot) but didn't have the string hits to make it sound good.

Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).

Futuristic mechshop atmosphere created inside flstudio with filtered white noise generators, flstudio wasp, pitch envelopes, channel gain automation plus lashings of reverb for effect. Each one of the nonsensical announcements at the start are entirely synthetic. They're text to speech, done on-the-fly, with pre-fader pitch modulation embedded in automation track. No synths were harmed in the making of this cacophany.

Here is an advanced melody for you! i will be using this for my own track so remember that. Look me up and hear my stuff! www. Soundcloud. Com/thedasilva i would love it if you sent me a link to the sound to show me that my stuff is worth listening to!. Made in logic x with sylenth1.

Drum Cadence (2/4 time) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 45 from disc 1 of Ceremonial Music (2005).

Invictus performed by the Concert Band of the United States Air Force Band. Track 15 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2]

Small stream with some natural dam and big stones. Water flowing and gurgling. Relaxed meditativelight background bird-sounds at some parts in the recording. At the very end there is a bumblebee flying by. Recorded with zoom h4n internal mic at 90°. Early morning, south germany. Record made at the same time asmorning_stream_1_close_mono. Flac(used 4-track mode).

John Philip Sousa's "The Boy Scouts of America" (1916) as performed by the United States Marine Band. Track 75 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Four ruffles and flourishes and "Hail to the Chief" performed by the Concert Band of the United States Air Force Band. Track 23 from Esprit de Corps (1997).

Der Heyser Bulgar (The Hot Bulgar) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 6 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Two stroke diesel engine on a narrow boat on the river weaver cheshire - running at normal cruising speed. Audio track separated from a video. Camera was just in front of cabin - filming for most of the time towards the bow. The sound was captured when the camera was turned to film the two boaters at the helm.

The American Legion March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 67 from disc 1 of Ceremonial Music (2005).

Dance the Night Away performed by the Silver Wings of the United States Air Force Band. Track 4 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

Taps (solo, dotted eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 22 from disc 1 of Ceremonial Music (2005).

Scotland the Brave performed by the Pipe Bands of the United States Air Force Reserve Band and the United States Air Force Band. Track 17 from Glorious Past, Boundless Future (2002).

w:John Philip Sousa's w:The Thunderer, performed in 1896 by the w:United States Marine Corps Band, From Fife and Drum (1988, track 3). This is a Columbia Phonograph Company cylinder recording under the band directorship of Francesco Fanciulli.

Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).

A rather lengthy sound byte that i heavily edited to the point of being unrecognizable. It sustains a flat note with varying bass levels causing an unnerving effect or the listener or player. I had designed this track for a roleplay plot involving a cursed train station, the plot came out kinda rough and it fell through midway. . . But, the audio track i made came out good enough to post here like my first sound involving my transformers oc!. It's free to use as long as you credit me, and it can be used in a wide variety of fields that is deemed appropriate. From suspense to horror, or even background noise in a lighter field; it can be altered and edited as needed due to it's broad and simple design. I made the volume low to prevent any extreme bass causing ear bleeds. Hope you enjoy! <3.

Here are the audience bits from a jazz concert i recorded using an olympus field recorder. The auditorium was intimate and acoustically excellent. In the first section if applause you will here a mild rumble. There was a standing ovation, and that's what that rumble is. I also included some quiet bits of the band on stage getting ready for a song, and some subtle crowd walla as well. There is plenty to play with if you need to loop. You may here some bits of the mc or sax player in the background near the end, but nothing you can't work around if you need to. Check my other up-loads for an extended walla track from this same show. Hope this track works out for you!.

This is a clothing rubbing foley sound, emulates the sound of couch moving, chair adjust, writing on table, moving around in clothing. This in efforts of bringing you easy to use sound that is both editable and low in noise. Thank you and feel free to adjust,cut and boost the track. Some credit wouldn't hurt. Good luck filming. :).

A fast train is going to pass yelahanka train junktion. It is blowing the horn to make space on the rails and to warn people not to walk to close or to cross the track. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Simple dminor pad created by layering two minimalistic custom waldorf blofeld patches and a bit of faint korg monotribe. U-he's satin tape emulation on every track. Recorded in cubase 6. 5. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Recorded above a go kart race track with fairly heavy kart traffic and minimal crowd noise. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Recorded next to a go kart race track with moderate kart traffic and sparse crowd noise. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

This a spare recording from a short film i was making. It's a stereos track but all sounds are recorded to the left channel. This was recorded on a zoom h4n and a sennheiser me67. The sound is of a woodland near liskeard, cornwall, uk. There are occasionally cars passing, but mostly it's quite clean - and the cars might be useful for somebody.

This is the new traffic signal in town. We watched the stephen hawking show on pbs last night as they tried to filter out voices from space and i thought this would make a good alien voice trying to contact us. Recorded on my yamaha pocketrak with one track duplication and edited with sony vegas. Please comment on what you may use it for. Thanks. :^).

Spoken word recording of be good sounds like take that through audacity with the distortion effect applied to full distortion amount and half harmonic brightness from the first track of the second hour of the war table role-play session in giving and gifting a woman my music.

Spring at noon time, a russian olive tree is swarmed by bees gathering the nectar of the tiny yellow flowers. You can hear a distant motor, magpies, and a wind chim. Recorded with an alesis palm track with the recorder placed directly in the tree, resting on a branch. Processed with soundbooth. Nothing added except gain.

I recorded the end of a rain storm with water running off of the house and multitudes and species of frogs in the background. I used my phone to record a mono track and then used audacity to simulate spatial stereo. It made the traffic in the distance sound like spirits moaning. I thought it was pretty cool. (-;.

Swimming Pool Summer Ambiance recorded at indoor aquatic center. Sound recorded by Stephan and is in the public domain.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

I went out back to record the robin and also noticed a smaller pileated woodpecker right over on the wood pile. Listen hard and you'll hear it peck the wood. That's the first sound you hear along with the robin and my neighbors kids. Recorded on my yamaha pocketrak and edited on sony vegas with two track duplications. Please comment on what you might use it for. Thanks. :-).

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

The track was taken of a swiftair boeing 734-400 freighter flew over when landing at leipzig-halle airport (germany) on march 06, 2021. Equipment used for recording was a zoom h5 stereo field recorder + 2 rode ntg2 shotgun mics. Registration of the plane was ec-nml. The slight background noise comes from a nearby motorway. . . If you like it, i would appreciate your comment. Thanks!.

A synthesized sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

A loud orchestral stab for a horror reveal. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

The sound of thunder rumbling followed by rain. Additional sounds include: an air conditioning unit, wind, birds, a distant train horn, passing cars, the dinging of a flagpole (at 4:05), and cicadas (at 10:54). A zoom h1n and 3dio fs binaural microphone (with wind muffs) were to used to record this track at approximately 4:00 p. M. On 7/17/19.