24,828 Royalty-Free Audio Tracks for "Tos"

Working on a project to take speech files and automatically edit them to sound like ghosts.

A softer, yet punchy? snare that i made. I decided to add a kick to it because, why not?.

Sound originally created by jean-claude risset to create an auditory illusion of an endless glissendo from high to low.

From modular to tape to computer. . . Sounds degraded, murky and. . .

Sound of a telephone calling someone. Great to have in your podcast to tell your listeners that you called someone for an interview.

My attempt to recreate the snare sound used in "ocean eyes" by billie eilish. Add reverb to taste.

A redbone coonhound who would very much like to be let outside to chase a squirrel, but sadly will not be.

Time to go to town; clown town, that is. Now you too can party down with multiple clowns.

If you've resolved not to lie, stick to it.

An emergency eas message. Feel free to support me by subscribing to my youtube channel: youtube. Com/developerjake.

The phrase "what a beautiful world to live in" converted to tones.

Recorded with sennheiser ambeo smart headset 48khz/24 bitstotally free to use. You do not need to credit me.

The entire countryside of surrey wakens to life to the sounds of a unhumanly howl from the martian machines.

Tapped both hand on the table to create two different noises from the beginning to the end.

Circuit bent speak n spell toy (so much fun. . . So easy to make. ) simply recorded into computer thanks to the headphone output.

This is a very weird sound that combines robot and little girl noises. Echo added to add to effect.

If you want to use sound in your project, please note to me in credits and let me now.

An unsatisfactory attempt to change klankbeeld's voice to three different witches voices. It might be of use.

Made this to sound like someone going "row row" to a bunch of viking slaves on a viking ship lol idk.

Well i used it as a sound to support a medium fast transition. . . Feel free to use it, too! ;).

Elevator button sound with filters applied to make an alarm-sounding product. Designed to be played as a loop.

All of these snoring audio clips on my profile are real recordings of my husband’s snoring!. This one is very loud snoring from the get-go! could be a great sound to use for chewwie! or in a horror film, whichever one comes first. This is the first instalment, recorded from my ipad to play it back to my husband and decided to make use of the audio. You don’t have to credit me, but i will restrict my sounds if people start to take the biscuit and try and sell them on. I want to help other creators. Please do comment your thoughts though!.

A short scary stabbering violin-part i did in garageband for something called victors crypt. I think this would fit perfectly to something old-shool scary. Like a horror-scene or maybe a cool intro to a creepy podcast. . . Fantasy will set you free. Feel free to use it to whatever. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Br cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Recreating a radio reception sound with alien female voices modulationsexomusicology"though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Please comment on where you intend to use the sound, and feel free to post a link to the work where you used it if you want. You don't have to worry about crediting this sound if you are using it for non-commercial projects unless you want to (e. G. Educational or non-profit activities), but if you use the sound for a commercial project you must credit the sound. If you would prefer to not have to give attribution for commercial projects, then take a look at the attribution-free license. The sound was recorded using a "dr-40 tascam".

It's me saying some words. I've recorded my speech and then used ardour's (http://ardour. Org) looping funtionality (which have proven to be rock-solid) to perform theese glitches. I used my mouse to select random ranges in the session, then used the "]" key to set tre selected region as a loop range. And also used "l" key to start looping if i accidentaly clicked on the playhead (which makes it stop playing). I also used space bar to break the loop into normal playback. There was a limiter in ardour. Recorded the performace using jack_capture cli program. I cut out some silence using audacity and converted the recording to flac.

Please comment on where you intend to use the sound, and feel free to post a link to the work where you used it if you want. You don't have to worry about crediting this sound if you are using it for non-commercial projects unless you want to (e. G. Educational or non-profit activities), but if you use the sound for a commercial project you must credit the sound. If you would prefer to not have to give attribution for commercial projects, then take a look at the attribution-free license. The sound was recorded using a "dr-40 tascam".

Country, four small dogs barking, heavy to sparse, medium close-up, reverberant, village, poland. Stereo mixdown of an ms recording, using sennheiser 416 (m) and some small diaphragm figure of 8 akg.

Any thursday, 12:00 am more or less. I was sitting down in a bench, looking to the buildings opposite me, with the road at my back. My handy recorder zoom h4n in my hands. Some people was chatting next to a car and then they got inside and they left (you can hear that on the left channel. Got it? "left" channel :d). You can hear people passing from one channel to another, cars and motorbikes. It was in c/ bravo murillo (madrid, spain). In that part, it is a one way street for vehicles, so all of them go from right to left channel.

In this sound i am leaving the office, opening a set of doors and walking outside to the sound of rush-hour traffic going by. You can hear the sound change from the reception area indoors to the loud outdoor sound of traffic. This was recorded in-person with a tascam dr-40 stereo recorder. Public domain: i have released this audio file into the public domain. It is free for anyone to download, modify, or use without my consent and without attribution - like all freesound audio files should be. Enjoy!.

On a stopped train somewhere in central java, middle of the night, distant singing from a nearby village. March 1994.

Chewing: crunching hard food in closed mouth, slower pace. Crunching ice or other larger, harder food. Edited from the sound of a salt grinder intermittently crushing rock salt (tempo increased 15%, high cut eq applied to simulate closed mouth). Recorded using a tascam dr-40x and processed in audacity.

Another collection of carefully recorded sounds for the morphagene. 1. Crank2. Spray paint3. Alumunium can4. Reel ro reel(rewinding)5. Shower(interior recording)5. Squeaky metal door in an empty room6. Winding up an old clock.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

George Frideric Handel: Messiah

The Perfect Fool, Op. 39: "Dance of Spirits of Fire" performed by the Stellar Brass of the United States Air Force Academy Band. Track 2 from Fireworks for Brass and Organ (2007).

George Frideric Handel: Messiah

Simple knock on the wooden doorrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

Http://i. Imgur. Com/9uvisga. Jpglighting a matchrecorded using zoom h1. You are free to use it anywhere and mix it with anything. No credits required. If used, feel free to leave a link to your product in comments :).

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

Capturing the sounds of castanuelas, played subliminal, filigrained,recorded in different ways, feel free to resample && reuse. The problem is to mike certain wood percussion instruments to sound organic, natural and identifiable. Humanized with small microtiming variations.