Countdown from ten to zero (included). Male voice, created using ev re20 dynamic mic and pro tools interface. Aif, 44100 hz, 16 bit, stereo file, 60 bpm.
The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."
Making funny voice in catalan saying "escolta'm josep, tens un nou fàrmac?" which could be translated to something like "listen, josep, you got a drug*?" but not in the bad drug sense, in the pharmaceutical product sense.
The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."
I recorded myself scratching a rock with an oyster shell. This sound was recorded off ten mile creek in hume, ca using a hand held digital recorder and has only been trimmed using audacity. On september 4th 2014.
This was recorded on a poor on laptop microphone, and was supposed to be an applause track, but the microphone quality and the fact that we layered ten clapping noises all over each other combined to make this.
For this track, i used a rhythm pist for ten seconds. Then in the middle i created a sound that i put the sound down to show that sometimes time can flies so fast for someone and slower for someone else.
A small bass drum sound i whipped up in about ten or fifteen minutes; this one with a techno/hardcore vibe. Made in audacity using tone generators and various effects.
The Tale of the Seashell, performed by Sousa's Band with cornet solo by Walter B. Rogers. Number 2470 on the Victor Monarch label. Ten-inch disc with matrix B-314.
Author: The Victor Talking Machine Company, John Philip Sousa, Walter B. Rogers
I literally dropped pieces of bark onto a rock in the sequoia national forest. This was recorded september 4th 2014 on ten mile creek in hume, ca on a digital hand recorder (sorry i don't remember which type) only trimming has been done in audacity, not other editing.
Early morning, crossing the bay of biscay in a force ten gale, the whole cabin (high up in the ship) creates a symphony of sounds. Engine noise in the background, plus a cacophony of different stresses on the woodwork and fittings of the cabin.
It's a supermarket that is a five / ten-minute walk from my house. Although it was a bit crowded, the atmosphere remained very quiet. The file is loopable, recorded with olympus ls-p4 onboard microphones.
A train starting it's engine at scarborough station. (see train leaves station. Wav) for the other half of this sound. I didn't see the point in including the middle bit, as it sat there for about ten minutes making the same sound. - recorded with my zoom h2 -.
There are plenty of new xkicks still sitting on my computer here… and i mean tens of thousands of now-hq distorted kicks just waiting to be released for free.
After reading about how the winstons’ drummer never got a penny in royalties for the tens of thousands of times the amen break was sampled, i created this tribute in hydrogen and audacity using a free kit. Have fun!.
