159 Royalty-Free Audio Tracks for "Straight"

This started out as a good idea for one of my projects but began to have a life of it's own as i rolled up my sleeves and fussed over every detail. As you will hear, this sound file/track embraces panning like their is no tomorrow. You should be able to fold your sounds into it. Either snaking through it with your own panning sounds, or laying your sounds straight down the middle. - you should find several looping points within the 2:28 runtime. Most of the sounds i upload are from songs where i have lost my direction. In sharing them here, i hope someone can pick them up and make them part of something beautiful. I would love to hear what you make of them as it will be a source of inspiration to me. To see the possibilities beyond my own horizon. Everything starts off as a soundbridge project. I occasionally use aria maestosa for midi composition as the sounds are basic and pure. Audacity can't be beat when it comes to clipping. Engine dj is my library manager.

A peaceful, droning, relaxing summer soundscape of the midwestern forest. For starters, in the background you hear a river of wind steadily swirling around the oaks, and the maples and the sycamore trees. A blessed northeast wind-friend. The insects take over, and on top of that, a single, solitary bird, i think a flycatcher, softly calls his one-note. Even though this is the time of year that the visitors, those beautiful neo-tropical migrants, fill the woods, after several months of raising of raising a family, they are quiet, resting now. . . Letting the insects signify the passage of time and the slow march to autumn. In about 6 weeks from now, most of our visitors will have left. . . Back down south, their job of raising the next crop of insect-eaters done. . . And the woods, the forest, the nearly-dry creekbed will be packing it in. Recording done on saturday july 29th, 2017 at 11:30am in the forest near a creek with sound devices 702 and a rode ntg-2 shotgun microphone pointed straight up into the trees.

echoes from an age of misery is made in garageband for a thing called victors crypt. I wanted something massive and huge sounding with a certain groove and swag to it. But instead of going straight to the fat bass / big drums-part i made a quiet little intro before it kicks off. I made the drums with both sampled drums and a drum-machine to make it big. And i use 3 different basses. For a little extra spice i put some strings and stuff on it. Would fit anything big, dramatic and scary!!!. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Here in the midwest we were treated to a nice preview of autumn here in the northern hemisphere. Both the temperature and humidity were nicely lower than usual and this soundscape was recorded featuring the beautiful northern breezes and a few of the birds that still live here. Since this ambience was recorded during the work-week, there are hardly any man-made internal combustion engine noises. Just the wind lifting and swirling through the tired forest and the blue jays, crows and insects. Recording made at 2:30pm on september 13 2022. Equipment used: recorder-sound devices 702microphones- left channel- sennheiser mkh 416right channel - sennheiser mkh 8070. The right channel, the very low-noise direction shotgun microphone, was pointed just about straight up at the leaves and branches of a huge cottonwood tree whose dry leaves were putting on a show. Hope you can hear this. Recorded and edited in stereo so either good studio monitors or headphones will make you feel you are in the forest surrounded by the gentle breezes swirling through oaks and cottonwood trees and insects and birds.

This is the first recording in this pack from inside a traditional, working old dutch windmill, called de lelie - the lily - in the picturesque dutch village of eenrum. This mill was used to grind grain. There was a strong northwesterly breeze straight from te sea, so the sails of the windmill were in full swing, this morning on saturday may 14th. The dominant sound you hear is the sound of the so called “schuddebak”, litterally translated as “shaking bin”. This is a device in the form of a large wooden shovel which is tapping against the turning millstone in order to distribute the grain equally along the millstone. On the background you hear the millstone itself. On the second recording in this pack, the millers had detached the schuddebak, so the sound of the millstone is more dominant in that recording. This windmill is now a small museum. Admission is free, so everyone can admire this proud dutch windmill heritage which reclaimed half our country from the sea and gave us our daily bread. Thanks to the millers fort heir hospitality and cooperation!. (i used an iphone with a zoom iq5).

A stockholm, sweden commuter rail x60 train (alstom coradia nordic) on the then j35 (bålsta - nynäshamn) line arriving at and leaving from the älvsjö station. It was a cold day, if i recall correctly between -10 to -20°c (-5 to 15°f) and there was about 1 or 2 centimeters (1/4 to 1/2 inch) of powdery snow. 00:00 warning signal at crossing (for commuter train employees only) with train arriving in background. 00:21 footsteps in cold thin snow layer00:25 squealing as the train comes to a stop00:36 doors opening00:41 driver announcing that the train will depart for stockholm central station and bålsta station00:55 warning sound before doors are closing and more footsteps00:58 doors closing01:11 squealing as the train start to roll. Recorded friday december 18, 2009, 10:01 am (utc + 1 h), with the built in mic of a canon digital ixus 950 is camera (which could be used to record audio only). File straight off from the camera with the exception of id3 tags added with foobar2000 v1. 3. 4.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

I was recording outside my bedroom window while eating dinner in the living room, then i came back in here to see if i got anything interesting. I was zooming through the recording at 5x speed when i came across this bit of incidental pareidolia. I'm not sure what was going on, maybe the neighbors' stereo, but i don't remember hearing it, it's much louder in the living room so i should have. Whatever it was came out as a little distant choppy 2-notes alternating melody when played at 5x speed, which suddenly gets louder and solid as you hear the lower note followed by a third lower note. These 2 louder notes sound to me like someone singing the words all day. This would lead me to believe the original tones have some light harmonics i don't hear at normal speed. After which it goes back to the softer stuttering 2-note alternating thing from before. It doesn't sound like much at all at normal speed. So i just did a few straight pitch changes with goldwave until i got to 5x and saved this little file. See if it sounds like "all day" to you.

I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.