208 Royalty-Free Audio Tracks for "Stage"

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of my cat purring while laying down. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recording of my voice attempting a japanese kabuki noh cry. Recorded in audacity with slight reverb and simulating ohkawa clicking sticks, created because i've noticed theres very few resources for these sounds, unusual vocal sound that may be used as you wish.

Recording of an electric kettle boiling water in the kitchen counter of my apartment. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A door is closed in a agressive way in a reverberant stage. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

For a production of the play ripcord a performer goes off stage to fill a watering can. Once with the door left open, and once with the door closed. So i made a couple of recordings, and play the sound as long as needed.

Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Electrosaurus wrecks just wants to party, so go ahead. . . Just make sure he doesn't lick up all the dip. I know he loves that. And he might knock down the disco ball. Or stomp the stage flat. You get it. This was made using soundtrap. Have a nice day and feel free to use this however you like!.

Recording of a cardboard being finger scratched. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Acoustic drums playing a groove reminiscent of abba's dancing queen, but at a slower tempo, 94bpm. Recorded with a zoom h2n in xy configuration slightly behind the drum set throne. Drums are yamaha stage custom (birch wood shells), except for the bass drum (a 16x12 inch kick from a millenium youngster kit).

Recording of city ambience from my apartment window at night. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Ten whole minutes of night time suburban ambiance. Insects take center stage against a subtle backdrop of suburban sounds like cars and people. Might be good for a meditation session. 2 em172 omni mic capsules > zoom h1 > equalizer.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This is a recording of applause at the end of the concert in a large auditorium. The conductor and performers walk off and on stage for multiple bows throughout. This is recorded with a small field recorder from a seat in the audience. The file politely clips in parts as people near me clapped, but it's not noticeable. The cough in the beginning is easily cut out, the file loops really well, so you can just delete that section, and it will sound continuous.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A processed audio of tropical cicadas during the evening (6 pm). A few background noises slipped and were unable to be removed during audio processing stage (around 2. 3 khz and bellow were removed). These tropical cicadas are active during the evening. These cicadas are able to produce calls above 2. 5 khz. This audio was recorded around 25-50m from the source.

Recording of a button sound from a vintage teac hi-fi stereo amplifier. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This is my design of a crowd applause and cheering with yelling and whooping. Edited and designed using elements of my crowd recordings from atlee high school's school play in december of 2021.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of me playing video games on my xbox controller. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a small plastic toy ball which, when moved, makes a rain-like sound. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a plastic grid which resembles plastic sounding gears. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

An mp3 recording of several musicians testing their instruments and playing musical passages, while the audience chats and converses. Starts with a solitary violin, and more and more instruments take the stage. Results in quite a discordant/tumultuous sound. Recorded with a black sony ic voice recorder, at the boettcher concert hall with the denver young artists orchestra. Use however you'd like. God bless!.

* circular saw for cutting stone on a construction site* ambient noise: birds, voices, construction site* distance to source: ~8m* height above source: ~5m* post processing: none. * microphone: samson c01* interface: phonic firefly 808u* resolution: 24bit@96khz* preamp: +35db* cables: 2x 6m sommer sc-the stage 22, hicon connectors* software: ardour on debian.

Carols of the Season (a holiday medley of "Silent Night", "Joy to the World", "Hark! The Herald Angels Sing", and "O Come All Ye Faithful") performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 13 from Christmas on Stage and Screen (1996).

Made with voicechanger. Io, these are all the cyberman and dalek voices!includes:- moon base cybermen- cyber controller (1967)- wheel in space cybermen- invasion cybermen (planet 14 cybermen)- revenge of the cybermen- 80s cybermen (excellent!)- cybus cybermen (delete!)- 2013 cybermen- cyber-planner- audio play cybermen (primary stage conversion is complete!)- you would make a good dalek.

Rd 2000 sound with organ mode, there’s also escapement, which on an acoustic piano refers again to the stage at which the hammer is destined to strike the string even when you pull your finger back inside the crucial. On the electronic piano, simulated escapement has a tendency to make for an natural and organic and non-fatiguing think that’s exclusively recognizable on speedily solitary-observe repetitions and arpeggios. Review about this piano : https://newpiano. Xyz/roland-rd-2000-review/.

July 22nd, 2017. A city street festival in denver colorado usa. A hot sunny day, lots of people out to enjoy the afternoon, lots of vendors, small stages, pas blaring recorded music, finally a live performance at the end. Conversations as the observer moves along block by block. Sound professionals ms-tfb-2 binaural mic headset, sound devices mixpre-6.

A woman screaming in terror. Original recording of a cast member for a community theater production of clue. This was used for an off-stage scream by the actor playing the maid, yvette. The actor granted permission to upload this file for creative commons use. In fact, it was her idea. Date recorded: october 2020. Equipment used:. Shure sm-58 microphone ->focusrite scarlet solo (gen 3) usb audio interface ->lenovo ideapad s540 laptop. Recording software:. Audacity.

Here's a sound of me opening a beer can. The stages are separated, but you can edit them together if you want to have the initial pressure release and the rest of the procedure. Or you could take each part separately and make something completely unexpected from this recording. Captrued using behringer b-1 microphone into presonus studio 24c interace into audacity using pipewire on arch linux at 48khz 24-bit. The audio is unprocessed, each bit straight from the adc. Cheers!.

Alienxxx and i had a little private dare. This is how it sounds when i have mixed the two resulting files. I made a schematic sketch on a simple modular patch. All info was this sketch. The resulting sounds was meant to be 30seconds long and in mono. We both posted our sounds. Alienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/i wanted to mix the sounds as a stage two in this dare. This sound is the result of my mix.

This sound was created artificially. In general, it consists of four main layers. 1. The sound of noise overboard (created from white noise). 2. The sound of clanking of the inner skin synchronously with the sound of wheels (created from white noise). 3. Metallic noise. Created from the sound of bolts shaken in a metal can. 4. Actually the sound of wheels (created from ten sounds of various metal and percussion). A rather complicated equalization was applied, and filtering in several stages. Also, the sum of the sounds is processed by the convolutional reverb.

Parfet park, golden, colorado, usasun 2017-08-20 6:20pmjefferson symphony orchestra. Seated front row perhaps 15m from orchestra stage set up in grassy public park surrounded by city streets. No concert shell available, they used live reinforced sound to mix and carry the sections, and this is the result. Audio-technica at4040+at4050 mid-side stereo array, approximately 1. 5m above the ground > sound devices mixpre-6 @ +36db 24/96 > adobe audition > flac.

Lots of bangs, bongs, clangs and you-name-it-whats. Yesternight our theatrical trouppe had been disassembling the set; main part of it is a huge, multi-ton construction consisting of several dozens (or hundreds?) steel tubes - it looks like erecting scaffolding, but much more steady. Disassembling it is a chore even if you have 25+ people around. I have recorded the later stage: clanging tubes are dragged to the hoister in order to be brought down to the ground level and loaded into a truck. Speech is cut off (hopefully all of it). Have a good use of it.

This recording, encoded in vbr format, is one hour and 44 minutes long. Like the other recordings in this sound pack, the mother cat and her kittens are inside a nesting box in the garage. A small stereo microphone (olympus me51s) was placed inside the brooding area. After editing, they were exported to mp3 format. Sounds include mewing, purring, shuffling, and nursing. Some occasional heartbeats may be heard as the mother cat or kittens move inside. Other sounds include a rooster crowing, and people working outside, and some occasional people talking in the background. At this stage, the kittens are in week 3 of their life.

Harry Connick, Jr. and band playing "When the Saints Go Marching In". Harry Connick, Jr. plays a Steinway grand piano. (The singer is a child from the audience that Harry Connick, Jr. has invited up on the stage to sing). Harry Connick Junior et son orchestre, interprétant When the Saints Go Marching In le 21 février 2010 lors d'un concert à la Maison-Blanche à Washington, District de Columbia, aux États-Unis. L'enfant qui l'accompagne a été choisi dans l'assistance et invité à venir chanter sur scène.

A ghost comes out of a mirror, for a stage production i'm working on. This sound was created by combining the following sounds from freesound (links at the end):. Klankbeeld's "horror ghost 38" and "horror ghost 39"ross63moose's "glasschimes for freesound"wolfsinger's "weirdbreath"and themfish "glass house2" (which in turn is a combination of alcove audio's "bobkessler-break glass", schluppipuppie's "tsch - 02", "glass break" 1 through 5 from rhumphries "glass pack", gezortenplotz's "magic_mirror_crash", and herbertboland's "cinematicboomnorm"). The sounds were edited with audacity. Http://www. Freesound. Org/people/klankbeeld/sounds/148811/#http://www. Freesound. Org/people/klankbeeld/sounds/148843/#http://www. Freesound. Org/people/ross63moose/sounds/18618/#http://www. Freesound. Org/people/wolfsinger/sounds/25714/#http://www. Freesound. Org/people/themfish/sounds/34202/#.

Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.

A recording on an un-expected but very welcome warm day in january in the northern hemisphere. A recording of the activity going on at a small park in a small town, in a small region. The beginning of this mid-january 2023 recording features some sounds from several people playing pickleball. Towards the end of this audio, the laughter of the kids really takes center stage. By now covid is getting smaller and smaller in the rear view mirror, mother nature has decided to give us an extra 15 degrees of warmth and the adults, and youngsters are having fun just being outside and smiling and laughing. Equipment used: sounddevices mixpre 3, series ii. Microphone: audio technica bp4025 stereo microphone. Enjoy this recording and may you return to it from time to time, for some tranquil peace and past, peaceful thoughts.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded a little before dusk, 2017-07-19. Recorded binaurally using sound professionals ms-tfb-2 binaural microphone headset, 12vdc battery box, sound devices mixpre-6 at 24/192. Postprocessing: digital gain, downsampled to 16/48. Flac: encoded. The rock formations here play appealing tricks with the sound of the running and falling stream. Facing out over falls dropoff, vaguely. A lot of digital gain (+30db?) was applied in postprocessing. The analog preamp was originally set to +21db on the aux-in (ch5/6) input, but this may not have been the optimal gain staging. See also schoeps ms stereo version recorded one month later, here: http://freesound. Org/people/chromakei/sounds/400404/.

In this, you are relaxing in the back of a small early 2000's convenience store/cafe lounge. You hear coolers, chatter, the sound of a cash register and debit machine off stage, and general store or cafe lounge sounds. This sound is dedicated to any asmrtists on youtube and is made with them in mind, but you may use this project for other uses. This sound was made by mixing several freesound sounds alongside a recording i did of my girlfriend and a few friends chatting at different volumes to make a completely new and realistic sound. Freesound sounds used includehttps://freesound. Org/people/tom_woysky/sounds/404282/https://freesound. Org/people/missionariojose/sounds/257515/https://freesound. Org/people/scott_snailham/sounds/486329/and https://freesound. Org/people/sarcasticbracket/sounds/192178/go and check all those awesome users out.

This sounds as if it were staged by hollywood, but it actually did happen, i swear! birds chirp away to set the scene, but a beefy thunder roll intrudes. Soon after, raindrops begin to fall as if on cue. Theres a little handling noise click in the begining that is easy to crop out if you like. The recording is unedited. At 1:35 i move the mics closer to the deck so you can hear the splashing. At about at 3:10 i you’ll hear a different timbre as i move away from the rain and under an awning. About 3:45 the rain settles down and the birds start chirping again. Hopefully there are some useful segments in here. Recorded with a dead cat on a tascam dr-05 at 48khz 24 bit, then compressed with “lame --preset insane --scale 10” to make up for the low gain i used (i was afraid a thunderclap would engage the limiter). Cheers.