1,504 Royalty-Free Audio Tracks for "Set"

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded a little before dusk, 2017-07-19. Recorded binaurally using sound professionals ms-tfb-2 binaural microphone headset, 12vdc battery box, sound devices mixpre-6 at 24/192. Postprocessing: digital gain, downsampled to 16/48. Flac: encoded. The rock formations here play appealing tricks with the sound of the running and falling stream. Facing out over falls dropoff, vaguely. A lot of digital gain (+30db?) was applied in postprocessing. The analog preamp was originally set to +21db on the aux-in (ch5/6) input, but this may not have been the optimal gain staging. See also schoeps ms stereo version recorded one month later, here: http://freesound. Org/people/chromakei/sounds/400404/.

A huge ice storm moves in to the back woods of north carolina on 01/30/2014. First it snowed. . . And then it sleeted. When all that sleet froze on the surface of the snow, walking in this winter-wonderland produced an amazing sound. So, i put on my boots, grabbed my zoomh4n and set out to record the magic!. This would be very useful as foley fx for walking in any frozen environment. I walked on various surfaces and depths of ice and snow throughout. I tried to leave enough space between steps so that the sounds do not overlap so that they can be cut for editing purposes. Enjoy!. - christopher c. Courter.

Vidrinho. Wav, som de um conjunto de garrafas de vidro juntas, batendo uma nas outras, pode ser usado em qualquer tipo de filme onde existam carros ou caminhões transportando alguma coisa de vidro, gravado no estúdio da escola ort do rio de janeiro, em fevereiro de 2022. Os equipamentos são: um microfone- shotgun shure vp89, e uma placa de áudio - behringer u-phoria umc404 hd, foi um exercício de foley. Vidrinho. Wav, the sound of a set of glass bottles together, hitting each other, can be used in any type of film where there are cars or trucks transporting something made of glass, recorded at the ort school studio in rio de janeiro, in february 2022. The equipment is: a shure vp89 shotgun microphone, and an audio card - behringer u-phoria umc404 hd, it was a foley exercise.

For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Having those nightmares. . . This sound can for example be used in horror games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[demon_remastered. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Having those nightmares. . . This sound can for example be used in horror games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

A set of orchestral hits with different instrumentations. The chord c minor is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

A set of orchestral hits with different instrumentations. The chord c major is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

Plane- it’s difficult to get good recordings of planes taking off these days. There’s always major streets or highways close by which results in a bunch of unwanted traffic noise. It’s difficult to find a good vantage point to set up because there’s hardly any public parking with unobstructed sight lines (or in my case hearing lines) to the planes. Plus, with all the extra security measures in place these days, how suspicious would i look setting up a laptop andsome cables and some other electronic equipment in the general area of the runway?but i managed to get this recording. It’s not spectacular, but it’s ok. There’s some worker truck at the end of it which gets in the way, but doesn’t ruin it. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook prosan diego airport.

A recording of a high school class. Students were working on a sound effects project on computers, but generally allowed to talk as they worked. This is maybe 18 students, with the mic about 10 feet away from the nearest student, mic towards one side of the room, pointed towards the middle. We also have ac on, and an av cart that has a fan on, plus a wall clock, some of which you may not be able to hear over the students. Mic was the zoom h1 set to record a wav file, record level manual, low pass filter engaged, with the quality settings at the highest values. It was then put through audacity to amplify it to the highest allowable levels without distorting, and spit out as a wav.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

A small group of people collected hay on a meadow by means of sweeping the hay into mounds and placing it on hay racks by means of pitchforks. A couple of guys set up hay racks by knocking a sharp, short pole obliquely into the ground to be used as support. Next, they used a crowbar to make holes in the ground for the large poles which were assembled in a row. Finally, a short oblique pole was knocked into the ground on the other side of the high poles and steel wire was attached t one of the oblique poles,then attached to the long poles by one loop on each pole until it was attached to the oblique pole at the other end. Birds were singing and sheep with bells were grazing nearby.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

This is my attempt to emulate the sound of the harmony 64 chimes that can be heard on some ice cream trucks. I used a single note from a low-quality recording from a demo of the chimes for the base synth then cleaned up the audio using audacity and set the starting pitch to "c". (in particular, i used the first note of the "can-can" chime from http://www. Microminiatures. Com/tunes. Html). I then composed a short variation of a well-known song (bicycle built for two in this case). This loop can be used in games or other projects as long as you put a link to this sound's page in the game description. I hope you enjoy and any feedback is welcome!.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Ambient sound akin to the bridge of a starship. Muted background hum with an overtone of air conditioning ducts. Pseudo-random high pitched blips occupy the soundstage. Could be used as an ambient sound loop for hi-tech / science fiction interiors such as a laboratory, a control room, or the bridge of a spacecraft. Created with two instances of flstudio 3x osc. One kicking out a pair of sinewaves plus noise for the background susurus (hum) and ventilation sound. Second 3x osc is set to produce two interfereing square waves for the blips, squeaks and buzzes. The background was notch filtered and bandpassed to mellow out the humming sound and reduce hiss. The blips were processed with flstudio equo, stereo enhance, fruity delay2 and fl pan-o-matic vst. Each blip was pasted by hand in a seemingly random but not too unpleasant pattern.

This is the recording of an audible pedestrians traffic light in paris, france. These devices are here to help visually impaired people cross the streets in a safe way. They come under the form of a little beige box with a hidden button underneath. You have to push the button to hear the annoucement. You can find them all over the city. The sequence goes as follows: first, an annoucement in french says "red light for pedestrians", followed by the street name, then a jingle goes on, followed by a series of bell-like sounds, signaling a green light. I maed this recording because i needed that particular sound for a show i was working on and couldn't find it on freesound. Recorded with a zoom h2n in stereo m/s mode (set to mono).

Field recording of the spectator's perspective of a german regions' league football game in leipzig's red bull arena, on april 28th 2013. Rb leipzig is playing against fc magdeburg. The recorder is situated amongst several spectators of all ages, several children are present and heard. The clip starts of with spectators clapping and drumming rythmically, then you hear the referee whistle, and loud cheering suddenly starts. Rb leipzig has scored 2:0 against magdeburg. James brown's "i feel good is played on the p. A. In the distance, and the m. C. Announces the player who shot the goal, along with the score, with the emphatic help of the audience. Recording was conducted in the rb leipzig fans' block using a zoom h2, mics set to 90° dispersion.

These are two guitar solo outtakes from a guest guitar session i was asked to be on. They essentially wanted that early era slayer vibe where there is more cacophonous noise than structure. I think i recorded 15-20 for two sections in one song. They chose two other files and this was the one i liked best to keep as a memento. I am the creator and owner of the audio contained within the file. I know guitarists these days want to sound like an andy sneap plugin, but this may give someone a different idea. Within the context of the song they were for they fit well. I'm not apologizing for the playing or quality of the recording. Just something i did for a friend that took me 4x as long to set up than total time under the red light. It was fun.

Better set on monoaural on your daw if possible due to the off-center recording. Having been a bit ill on some rich iron content food i couldn't stomach (offal it was, it was the sheep fried liver who was the culprit - the very rich iron content upset my stomach pretty bad - was looking for something "new". ). Keep in mind that i am unable to do this as a request for obvious reasons including health, livelihood and risk of damage to equipment. I tried very hard to avoid shaking the zoom as not to make the wobbling sounds. If i am ill again, i'll use my ma-2 (microphone stick) and gravity microphone stand and get a real good recording of real vomiting but keep in mind this was recorded in my showerroom so some er may occur.

Just a quick recording before class today. Recorded from a tascam dr-07 mk ii stereo in mp3 192 kbps 48,000 hz, pointed a bit to the sky toward a florida mockingbird about 2 meters away. If you listen closely enough, there's some crows in the bg too. Ambiance sound is the sound of a busy divided highway about 500 meters away. I processed this sound in sony sound forge a bit to remove some of it. Just beware, the sound file contains a slight camera double beep at 9 and 15 seconds, although for student film purposes i don't see any penalty for it. There's also some slight wind noise in the beginning since my clean foot sock didn't cover all of it, but same mind set as above, won't be too big a deal. Here's a video. Http://www. Youtube. Com/watch?v=-wf7g5bfi2s.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. Let me set the scene for this audio because i am a nerd. . . Burbank, california. A large apartment/condominium complex with an open courtyard and a beautiful swimming pool and hot tub. I'm done in the hot tub and walking up 3 flights of stairs to my apartment. Squeak. . . Squeak. . . Squeak. . . Sure to sound either intimidating or goofy. Depends on your show!. I kept the peaks very low to maintain a natural sound. Recorded on 11/20/2018 in burbank, ca. Enjoy!. Christopher c. Courter.

[space_atmosphere_02. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere 02 remastered. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.

Late august here in the midwest is the time for the loud choruses of insects. This recording, done in the backyard of a small town, features the classic"ebb and flow and swell" of the dusk insects. Since a park is nearby, you also hear in the background the excited voices of kids playing---maybe these youngsters do realize that soon they will be back in school and that the joyous, careful time of summer play and reflection will soon be over. Recording made with my zoom h4n recorder using its built-in internal microphones. The volume was set on 80. Enjoy, and maybe you too can use this sound-file for your own meditation, or simply thinking and taking stock of the accomplishments and blessings during the outdoor seasons and comfortably contemplate the upcoming dark, and bare and gray seasons ahead.

[space_atmosphere_01. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere 01 remastered. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.

[space_atmosphere_04. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere 04 remastered. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.

[space_atmosphere_03. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere 03 remastered. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

This sounds as if it were staged by hollywood, but it actually did happen, i swear! birds chirp away to set the scene, but a beefy thunder roll intrudes. Soon after, raindrops begin to fall as if on cue. Theres a little handling noise click in the begining that is easy to crop out if you like. The recording is unedited. At 1:35 i move the mics closer to the deck so you can hear the splashing. At about at 3:10 i you’ll hear a different timbre as i move away from the rain and under an awning. About 3:45 the rain settles down and the birds start chirping again. Hopefully there are some useful segments in here. Recorded with a dead cat on a tascam dr-05 at 48khz 24 bit, then compressed with “lame --preset insane --scale 10” to make up for the low gain i used (i was afraid a thunderclap would engage the limiter). Cheers.

Another recording of rain and thunder, but in some ways a better one. This one is a surprisingly big crack and rumble preceded and followed by a nice sounding rain. I made this by positioning a stereo-matched pair of akg c451b condenser mics in an exaggerated x-y configuration (a wider stereo field) and aiming them out of my open window. The mics went into a universal audio 2-610 preamp, an apogee duet 2, and then ableton at 48khz and 24 bits. I believe i had the mics set flat, and there was no post processing (though i was mightily tempted to upload the much-better-sounding eqed and compressed files) so that you can fine tune it to suit your needs. You'll notice that the loudest parts of the thunder boom clipped the input, but, due to the pleasant and forgiving nature of vacuum tubes, the clipping sounds more compressed than distorted. Feel free to use this sound in any commercial or artistic work! you do not need to credit me.

[space_atmosphere_01. Wav]. [space atmosphere 04 remastered. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere. Mysterious sounds and noises. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[space_atmosphere_04. Wav]. [space atmosphere 03 remastered. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere. Mysterious sounds and noises. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[space_atmosphere_02. Wav]. [space atmosphere 01 remastered. Wav]. [space_atmosphere_remastered_compilation. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere. Mysterious sounds and noises. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[space_atmosphere_03. Wav]. [space atmosphere 02 remastered. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere. Mysterious sounds and noises. This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Recorded on a small olympus device, set next to an open sleeve of stale saltines. You can hear her in the plastic packaging grabbing mouthfuls and chewing the crackers all up. She dips into the sleeve of crackers 3 or 4 times in this recording and smacks her chops after eating it all. Sorry about her collar chiming as dog's tags tend to, i just had to record that big mouthed crunch. I've removed the loud plastic rustling sounds, to focus more on the crunching sounds as she munches on snack crackers. Great for dog food or puppy chow commercials or for a film of a beast eating at charred crispy remains. If you use it for a film put a link to your work in the comments below, i'd love to see how you use this audio of a big mouthed cutie pie cruncher dog.

[space_atmosphere_01. Wav]. For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * for ultra feeling, turn up the volume to 100% and set the bass to maximum if you have good speakers! otherwise put on headphones with volume 100% (which should be high but normal gaming volume). * immerse yourself. --------------------------------------------------------------. Space atmosphere. Mysterious sounds and noises. Sounds used (remastered and compiled!):. * "space_atmosphere_01. Wav"* "space_atmosphere_02. Wav"* "space_atmosphere_03. Wav"* "space_atmosphere_04. Wav". This sound can for example be used in action role-playing open world games, for example if the player is wandering in a wasteland at night - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

A water faucet set to drip in a chaotic manner, without much regularity. I put a plastic container lid under that for sound to be more pronounced, but that added crunchiness and now it doesn’t resemble dripping as much. Recorded with redmi note 5 phone, denoised in audacity plus filtered bass out a bit. P. S. I need to say that i foolishly recorded it into an im app and the recording ended up as. Ogg, so it’s not as good as could be. Still i hope there is enough spectral richness left. I should have used a dedicated recording app which writes. Flac files, i just hadn’t thought. Maybe several days later i’ll make a couple of other takes! (update: now i did. ). ———————. I’m still here! i like you guys, i’m just lazy to make sounds and i don’t want to record as much as the quality is not as good when using just phones, moreover that already many many people record various things professionally anyway and share here.

The "annoying" speed chime, turned world famous drift hero by initial d; as it was intended to be heard by the toyota motor corporation. A common issue with these chimes is that the second impact is muted by the impact rod, this was mitigated in this file by holding the chime with a specific side up. This is marked by the second bell properly ringing out after the second impact. This rendition is a pre-timed, loopable, clean version of the chime, recorded from a real imported 86640-12070 "king kong" (kin-kon) chime. Sound created by attaching a power supply set to 12v ~0. 35a in an amateur studio. Like many of my files, these are completely free to use without even giving credit! :) my only request is you tell me where you use them!. These are also called 「速度警告チャイム」(sokudokeikoku chaimu) meaning "speed warning chime" and colloquially 「キンコンチャイム」 (kinkon chaimu) literally derived from the "kin-kon" sound it makes. Dream　on‼.

11/29/2018 - burbank, california. Rain, flooding, and mudslides come to california when a sudden storm hit today. Most people got off the freeways quickly and tried to protect their homes from water damage. This recording was recorded with a zoomh4npro (2018) set at 120 degree field-pattern mode. The zoom was placed on a tripod facing out a 3rd floor window into a dead-end alleyway below. This recording is great atmospheric sound. The water can be heard trickling off spanish tile rooftops and dripping from overflowing terracotta pots. From the passing cars on a distant highway, to the occasional cough of a homeless gentleman walking on the street below, this recording is genuine and clean. Imagine adding that sound of a metal garbage can and a shrieking cat in the night! a sound that's great for sleeping or portraying a dark alley in gotham!. Enjoy!. Christopher c. Courter.

It was time to mow the lawn, and it was a beautiful day for mowing. 80 degrees and sunny. Not much breeze at all. For the production: i took the zoom h1 out and set it by the porch about 2 feet up off the ground. Recorded at 96k 24bit. The low cut and agc were disabled. Once recorded, i finished it off with a small amount of airwindows "air" with the 22k tap opened all the way up. For the mower: i used a 21 inch 140 cc "550ex" series briggs & stratton gas walk behind push mower. When i finished mowing my yard, i approached the recorder up to about 2 feet, then i cut the engine. I start it again and let it idle in close proximity for about 8 seconds, still at a distance of about 2 feet, then cut the engine one last time. I'm sure this could potentially come in handy for those outdoor scenes where you could use some distant neighborhood activity or a close-up start/stop. Enjoy!.

A recording made around noon on the edge of a woods located right in the middle of a major midwestern university. Throughout this entire recording, you'll hear the everpresent hum of heating and air conditioner units running. You will also hear faint conversations and laughter of students as they walk to class, faint sounds from a nearby construction site, distant rumble of traffic, the distant droning of an airplane lazily floating through the april sky. From time to time you will also hear the well known "beep. . . Beep. . . . . Beep. . . . " of a piece of heavy equipment backing up. However, despite all of the dominating background of man and his machines, nature comes through. Sincei was sitting on the edge of a fairly large woods which sits in the center of all of the concrete and glass and steel, the sweet singing of birds lasts throughout much of this recording. Equipment used: zoom h4n recorder using the internal stereo microphones set on 180 degrees for the greatest sound capture.

A summer evening in a vineyard by the german town of freyburg on unstrut. The recording abounds with natural background noises (wind in trees, birds, insects). In the foreground, a little bird is singing, giving it all it has. I am no bird expert, but if somebody knows what species it is, i'd love to know. At 3:22 into the recording, the tower bells of the keep of neuenburg castle, located on the hill opposite, toll 9 o'clock. They do this by tolling a high bell 4 times, once for each quarter of the full hour, followed by a lower bell tolling the hour 9 times. The recorder is located on the top of the vineyard, facing across the valley between vineyard and castle. These are the rear channels of a 4ch surround recording. Recording conducted with a zoom h2, mic's set to 120° dispersion.

Midnight recording from the streets of neukölln, berlin, on new years day 2009. In germany, this is the one day of the year when members of the general public are allowed to set off fireworks. Echoes of bombs and fusillades ring out across the city, while clouds of smoke tumble menacingly through the streets. Close by, a peaceful child sets off sparklers, and is astonished by the display. In the morning, the streets are littered with their remnants -- charred bits of paper, streaks of red ash. Recorded with an edirol r-09. From a contemporaneous news report:. "clashes in three german cities marred new year celebrations, with police facing their toughest challenge from a crowd of mostly young revellers in the capital berlin in the small hours of yesterday. One small breakaway group from that crowd, which numbered 1,000 at the peak, tried to fire a skyrocket inside a police station and invade it, police spokesman frank millert said. The rocket lodged in a broken window and burned itself out, but several police were injured by the flying glass. Police arrested three on arson charges. Earlier, elements from the same crowd in the prenzlauer berg district had smashed the windows of a passing tram and bombarded a police patrol car with firecrackers. The trouble abated about 3am. ".

As a professional dj, you know that having high-quality sound effects and drops can make all the difference in your sets. But where can you find these essential audio files?. Here at https://topdjdrops. Com , we have a huge selection of dj sound effects and drops to choose from. Whether you’re looking for a simple “hit” sound to punctuate a mix, or a more complex and layered soundscape to create an immersive experience for your listeners, we’ve got you covered. Https://topradiojingles. Com. Https://topdjdrops. Com. Https://sungfx. Com. And because we know that time is often tight for busy djs, all of our dj sound effects and drops are available for instant download. That means you can be up and running with the perfect sound for your set in no time at all. So if you’re looking for high-quality, professional dj sound effects and drops, look no further than http://topdjdrops. Com. We’ve got everything you need to take your sets to the next level. Top dj drops - #1 hot spot for dj drops and dj intro jingles in ghana and worldwide. | best dj jingles and radio imaging voice-overs, we have a wide range of voices that cut across chr,urban, hot ac, country and sports jingles. We reaching the world with world-class radio imaging as well as dj drops. #1 top dj drops: best custom jingles radio voice overs 2022custom dj drops, radio drops, dj intros with free dj sound effects around the world. Podcast intros, commercials, and concert & event promos 24 hour turnaround.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).

August, 2nd 2013. About eight and a half minutes worth of summer evening ambience, with crickets and cicadas leading the evening songs. Nothing too eventful, but a nice finish to a great day. Recorded at 48khz, 24 bit. Stereo pair of behringer c-2s (cardioid). The mics have an on-board 3-position switch, with labels "flat," "low-cut," and "-10db. " the switch was set in the -10db position (whoops!). It is unclear if this position also activates the low-cut. Additionally, a 24db/oct low-cut applied in pro-tools at 80hz to clean up a slight wind ruffle. Since it was late at night, and the rest of the family was in bed, i opened my window and placed the microphones (almost) right up against the screen. The a/c unit you can hear is directly below the window. Around the 4:45 mark, the digital thermostat hit a programming mark and kicked the air conditioner back on. Roughly one minute later, i adjusted the thermostat to turn the unit back off. Location: suburbs of atlanta. Free to use whenever and wherever! i'd be interested to hear/see where you use it!.

I recently contributed a track to a triple lp set of krautrock cover versions ("head music 2", released by fruits de mer records, december 2020). The song i chose to cover was kraftwerk's "autobahn". If you know the track, you'll know that it uses synthesised traffic sounds alongside recordings of the same. On my version, i achieved these in three ways:. 1) i downloaded some public domain traffic sound effects from elsewhere here on freesound. Org (thanks, guys!). 2) i got in my car with my zoom recorder and made my own recordings of the engine starting, stopping, etc. 3) i made my own sound effects using virtual synths and effects in ableton live 10. This particular sound falls into the third category. Let me stress that while the song "autobahn" is copyrighted, these are isolated sound effects and are not covered by copyright. I'm making them available here under a public domain licence. If you download and use any of these samples, please let me know in the comments what you did with them. It's not compulsory but it would be interesting to know what people did with these sounds.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. Wow, this is a long one. . . But a good one. Let me set the scene for this audio because i am a nerd. . . Burbank, california. A large apartment/condominium complex with an open courtyard and a swimming pool and hot tub. Now, for some reason in la, nobody ever seems to actually use pools or hot tubs anymore so it's not hard to get clean audio. So, from beginning to end you will basically hear me turn the automatic shutoff dial on the wall, walk to the hot tub, get in the hot tub, and sit in various positions for extended periods of time. I was alone for the entire experience (wife was at work) and nobody joined. It's very clean audio and safe for all production. Recorded on 11/20/2018 in burbank, ca. Enjoy,. Christopher c. Courter.

I used audacity to synthesize the five-tone chime made by the montreal metro's jeumont train element 41. Backstory: the train itself was an mr-63 type train modified by canron circa 1971, adding a current chopper to the train's started system. The chopper produced an 'idle' tone at around 45 hz, and as the train departed, five tones at frequencies of 90, 120, 180, 240, and 360 hz. Originally there were 3 'elements' (a set of 2 motor cars and 1 trailer car) with the jeumont-schneider current chopper (element 40, made up of cars 81-579, 80-040, and 81-580; element 41, made up of cars 81-581, 80-041, and 81-582; and element 42, made up of cars 81-583, 80-042, and 81-584). During the early 2000s refurbishments, element 40 was retired from service to provide spare parts for the other elements, which were then connected with elements of 'normal' mr-63 trains. Only the 81-579 car remains from element 40. Element 41 and element 42 were then retired in 2018 when the other mr-63 trains were retired.