285 Royalty-Free Audio Tracks for "Self"

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

Well, the title is kind of self-explanatory. Recorded on april 2018, this is the sound of a 18 weeks old fetus heartbeat, beating at 150bpm (approx). Or that's what they told us at the clinic :).

Ein krähender hahna crowing cock. Also check out our new video about a guy who is living self-sufficiently:. Https://www. Youtube. Com/watch?v=ndkarjy8dbq&t=1s.

A recording of my fan being on. Nothing too unique or special about this sound, so feel free to edit it and use it to your heart's content. Recorded using the zoom h4n device.

Johann Pachelbel: Fugue on the Magnificat Primi Toni, No. 1 performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020.

punk-dark italian band Maybe the first band in Italy to completely refuse copyright on own self-produced work - record label stated permission to copy and distribute music contained.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Beethoven bird - self-explanatory. Three chirps: at beginning of recording, at -14 seconds and -4 seconds. Recorded with tascam dr-40 and reprocessed to remove background noise. If anyone knows the species for this distinctive call, please post.

A slap self applied to the right cheek with the right hand followed by some pain whispers and background noise from the cars in the street. Recorded with samsung galaxy s7 voice recorder app with high quality settings.

Self-noise test of digital output of sound devices mixpre-d, of watch ticking recorded with rode nt1a. Designed as comparison with tascam dr-70d and sony m10 (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

A background sound design element used to create suspense in a horror scene. Very subtle, flowing modulation. Sounds similar to wind. Recorded with a roland groovebox self-sample utility straight to wav, though results in reduced high frequencies.

The sound of a bed being hit, that's been edited to have more punch and space. Recorded with the zoom h4n recording device. Feel free to use this however you wish.

I burped while recording, and part of it sounded just like a pig. You might expect this to effect my self esteem, but pigs are actually brutally effective fighters and can hold their breath for several months at a time. True story.

Long record of city rain with thunder. Recorded with 2 x rode nt3 (in stereo mode) using focusrite saffire. Stereo created with v-mode stand for nt3 microphones (self-made). No postproduction.

Recording of a self-serve soda fountain. Begins with ice falling into a cup followed by the drink filling up from a carbonated nozzle. Recorded in the east village commons dining hall at the university of georgia using a roland r-09.

Taking apart a stone wall next door and loading it into a dump truck to be sold for building materials. The recording is in the nature of self defense. This is one particular concise crash. Recorded on a canon s21s. .

A distorted arpeggio with sharp release and long sustain used as a background layer for an a-ha moment in a film. Used a roland groovebox self-record utility straight to wav, which is pretty good, though it results in quieter high frequencies.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Self-noise test of line-level input of tascam dr-70d, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with sony m10 and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Self-noise test of line-level input of sony m10, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with tascam dr-70d and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

A short layer of rhythmic clanging created as a scary atmosphere in a chase scene. Used a roland groovebox with the self-sampling utility directly to wav. I've found this method results in good sounding recordings, but reduced high frequencies. Sorry, don't know the bpm.

Recorded with sennheiser 8020 in a self made jecklin disk setup to sounddevices 477. Movo wst80 windprotection. I erased the few passing cars but otherwise no filtering. There is of course a lot of low energy which could be filtered or used. . .

This is a digital swoosh sound that i made for a track because i couldn't find one so i made it my self using a synth and an fx vst, it sounds like a cross between a sea wave and a jet pass.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

Recorded my self and edited in protools 9 for a theatre performance. Used a ksm 32 and a zoom digital recorder. Text as follows "this concludes our broadcast day. Good night, and god bless america. ".

A self generated cue for a musical. I ha imagined a kite in flight, subsequently caught and destroyed by a nearby tree. I used a stock wood crack, and source files from robinhood76 and aust_paul, plus effects. Completed in pro tools 10.

Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945

I twisted "70195__justinbw__flag-flapping-and-birds-1. Wav" through fl studio with gross beat and reverb to create a paranormal soundscape.

Single-pitch heavy distortion with multi-layer. Mild modulation. Made for a emotionally intense moment in a horror film. Toward the middle you will hear a very quiet rhythmic element. Used a roland groovebox self-sample utility directly to wav, which results in good recordings, though reduced high frequencies.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

This is not just an ordinary buzz, but is also an electromagnetic oracle that predicts a call. And so, this is just a reconstructed sound ever made on sunvox. ---------------------------------------------------------------. Used music: dj polkovnik - techno 2006 (from spaces. Ru)(c) cherryberd, 2023.

Self explanatory. An empty sound for the 'two minute silence' on armistice day on 11th november each year. This sound has a creative commons 0 license: you don't need to credit me when using it.

A 286 computer booting and running a self-test before reaching the os, then getting shut down through the button at the middle of the right corner of the case, including part of the monitor shutting down. The picked license is creative commons 0, but it'd be great if you could mention me in your work, if you ever use it for it, i'd like to take a look at what you've done. Recorder: moto g4 play (harpia), laying flat and facing down on the case. Microphone: built-in microphone. Encoding: wave (lossless, 32-bit float pcm). Processing: no dsp applied, removed a full piece of sound at the beginning and a full piece of sound at the end, including environmental noises that weren't related with this recording.

This is the announcement made inside a sanisette (a self-cleaning, high-tech street toilet found throughout paris) when the door opens after pressing the button to go in. The mechanical noises are unavoidable because the announcement is triggered by the opening of the door. Recorded with zoom h4n built-in mics / 94 khz / 24-bit stereo.

This is a short section of a very small group of people clapping, either to suggest a very small group being polite, or an awkward and uncomfortably small reaction from a larger crowd. Recorded on blue snowball for the super legit podcast, from layering a variety of self-recorded small bursts of slow applause.

More than two centuries ago some extraordinary people put together documents recognizing what everyone knew: power and control by anyone other than one's self ends, stops, halts, wherever our noses begin. Or whatever part of the body happens to be foremost. Today, hell, it's "fuck that. Do what i say. ". We'll just see about that.

Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.

Kinda self-explanatory, the 8-bit bleeps and bloops from playing a video game. Recorded like this, it was kinda ridiculous but very fun:my laptop when i was playing that little dinosaur game that loads when your page doesn't load -> 1/8" to rca cable -> used one of the rca outputs -> rca to 1/4" adapter -> scarlett 2i2 -> protools.

A metallic pad with lfo weaving in and out in amplitude/filter. Includes some lfo modulation, so some peaks are longer than troughs and vise versa. Used in an experimental scene to symbolize birth. Recorded with a roland groovebox self-sample utility straight to wav, which is pretty good sounding. Though i've found this method results in reduced high frequencies.

No reverberation of the drip2 sample. "plippy". Legend:. "plippy" - short, low attack, low release. "ba-doom-umf" - heavy bass, similar to a large mass object being dipped underwater. Low attack, medium decay, low-medium sustain, low release. "slappy" - self-explantory, low attack but high release. "no-oh-wah" - sort of surreal acoustic profile. A combination of low attack, low sustain and release.

Some sound fx made with modular synth. Could be useful at drum sounds or game sounds. The sounds are unedited and you have to cut em out you self. Sounds a little 8-bit. . . The reason are they are generated from square waves.

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with a sony d100. Self-reminder to bring more balloons next time.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. No equalization performed here on the recording produced from a TASCAM DR-100MKIII using its internal electret condensor microphones.

Formatted for use in the make noise morphagene eurorack module. These recordings were taken from 28 self generating custom unit patches i designed on the er301 eurorack module called autogen301. The sounds have elements of glitch, church organs, melodic phrases, zaps, abstract clicks and alien sounds inspired by buchla, serge and ciat lonbarde instruments. For users of the er301, the complete custom patches can be freely downloaded and edited as well as viewing instagram videos of the patch sounds here - https://forum. Orthogonaldevices. Com/t/autogen301-a-collection-of-self-generating-custom-units/1959/72?u=mudloggeri record music as "mudlogger" using buchla easel/200e, serge 4u and eurorack instruments and as "hoan kiem chess team" using ciat lonbarde instruments. Https://mudlogger. Bandcamp. Comhttps://hoankiemchessteam. Bandcamp. Com/.

Quran / koran recitation on the short wave radio (radio bsksa - arabia saudi). Received in the netherlands. Thanks to this great live long wave radio-receiver in holland. Try it your self. Http://websdr. Ewi. Utwente. Nl:8901/.

A guitar through defective self-modulating delay. The time potentiometer went "bad" after years of hard twisting and abuse, and now it warbles and pitch-shifts on it's own. It's very temperamental, though. The pedal is a johnson "ead-2 analog echo delay". May be useful for an outro or something! let me know if you use it, i'd love to hear the results!.

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with primo em172 omnis plugged into a sony d100. Self-reminder to bring more balloons next time.