220 Royalty-Free Audio Tracks for "Perspective"

I revisited my los angeles neighborhood with a brand new stereo microphone. I've now recorded the morning birds and traffic from several perspectives. Towards the end there's a nice car driving by. Recorded with: audio technica bp4025, fostex fr2le.

The window in my studio has an exceptionally long tail of the spring vibrating. I could see this with some effect thrown on being very useful in music or fx situations. Recorded with a zoom h6, stereo xy attachment with internal compression.

During a recent rainstorm, i recorded some water falling off the second story balcony of my apartment building. I tried to hone in on the individual drops landing in a puddle. So this is the close-perspective sound of rain falling in my courtyard. Recorded with: sanken cs-1e, fostex fr2le.

During a recent rainstorm, i recorded some water falling off the second story balcony of my apartment building. I tried to hone in on the individual drops landing in a puddle. So this is the close-perspective sound of rain falling in my courtyard. Recorded with: sanken cs-1e, fostex fr2le.

Chromatic analysis of measures 5-9 of Cesar Franck's Variations Symphoniques (1885). Roman numeral analysis by Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. ISBN 0-396-06752-2.

A recording that i did on a shoot for some ambient sound while in a small 10' motor boat. The motor runs for a little while but then turns off and the sound of the boat just floating in the water can be heard. The mic is moved around a bit to get a few samples of different perspectives.

A one-year-old american baby girl fusses and cries over a dropped toy. Various perspectives as the baby turns away from the microphone, puts her hand in her mouth, etc. Recorded in 2011 at 48khz / 24bit with an electrovoice cl-42 shotgun mic into a zoom h4n portable recorder.

Ambiente desde la perspectiva interior. Se pueden escuchar voces de argentina cuando el tren se detiene en la estación. Grabado con una zoom h2 en 48khz 24 bits. /environment from the interior perspective. Voices from argentina can be heard as the train pulls into the station. Recorded with zoom h2 in 48khz 24 bits.

2:54 field recording interior of an empty lincolnshire office ambience on the third floor during high winds. Mics in the closed window. Recorded with a stereo pair of (different make) mics and edited to remove intrusions. Filter at 90hz.

Beryl spring (a hot spring) in yellowstone national park, wyoming, usa. See photo: https://photos. App. Goo. Gl/1tifnpcnuxs4zgd19. Original recording is similar to b format ambisonic (horizontal only - no z channel), encoded to ortf stereo with harpex. If you want a higher resolution flac file (up to 24/96) of this recording, send me a pm. I could also encode a slightly different perspective, if you wish.

Recording of a stone mill wheel grinding dry corn for flour. It's in a little stone outhouse, a generator outside powers a belt driven stone wheel. The recording changes in perspective and cycles from the lower part (a wooden crate to receive the milled flour) to the upper element (a large plastic funnel in which the dried corn grains are tipped) and then back down again. 48k/16 bitrecorded in 2010.

2:21 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics partially shielded inside a bus-shelter for less in your face perspective. Recorded with a balanced stereo pair of mics and edited to remove intrusions.

This is a recording of michigan avenue in chicago from an interior perspective made from the 24th floor facing west. The microphones were spaced apart and placed very close to the window. Interior ventilation/air conditioning rumble is audible. This could be a useful sound for a downtown city office background. Time of recording was 3:05pm. Recording details: 2 audio technica at4022 > sound devices 302 mixer > tascam dr-40 recorder.

This is an epic (sci fi) but based on a true story sound about real events, from our perspective. Thanks for letting us use the sounds and contribute to the community, rock on!. Sounds used:http://freesound. Org/people/sumanguru%20gyra%20jones/sounds/41328/#http://www. Freesound. Org/people/selector/sounds/180745/https://archive. Org/details/jeffdallacquashuttlediscoverysts121launchaudiohttp://www. Freesound. Org/people/gnotesoundz/sounds/169713/http://www. Freesound. Org/people/klangfabrik/sounds/220127/http://www. Freesound. Org/people/runnerpack/sounds/87047/http://www. Freesound. Org/people/adam_n/sounds/152390/.

Two contact microphones recording an engine from a mini cooper s in sport mode. Surprisingly aggressive-sounding. Intended to use for a race car asset. Contact microphones are stethoscope-like mics that you place onto a surface to record vibrations. This way, i was able to record the raw engine without wind or perspective. The left channel is the chassis and the right is the engine block. . . Blending the two together produces a great sound. Free to use.

A 4-minute. Wav recording of an apartment parking lot in a small neighborhood with a busy nearby roadway - from a different perspective. Cars can be heard driving by, along with a faint humming with from some machinery and a small amount of wind. There is also some faint talking, laughing and coughs from a group in one of the apartment buildings, which can add to the effect. There are two instances when cars drive into the parking lot (about at 3:20 and 3:40), and shortly afterward a person walks by the mic. Recorded with the microphone of a nikon coolpix camera.

An mp3 version of the 4-minute recording of an apartment parking lot in a small neighborhood with a busy nearby roadway - from a different perspective. Cars can be heard driving by, along with a faint humming with from some machinery and a small amount of wind. There is also some faint talking, laughing and coughs from a group in one of the apartment buildings, which can add to the effect. There are two instances when cars drive into the parking lot (about at 3:20 and 3:40), and shortly afterward a person walks by the mic. Recorded with the microphone of a nikon coolpix camera.

Gunfire of different machine guns, rifles, grenade launchers and arms at different perspectives. Extracted from video (http://img. Youtube. Com/vi/kg09gqeomaa/2. Jpg http://img. Youtube. Com/vi/z7dhyxt8g1e/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Field recording of the spectator's perspective of a german regions' league football game in leipzig's red bull arena, on april 28th 2013. Rb leipzig is playing against fc magdeburg. The recorder is situated amongst several spectators of all ages, several children are present and heard. The clip starts of with spectators clapping and drumming rythmically, then you hear the referee whistle, and loud cheering suddenly starts. Rb leipzig has scored 2:0 against magdeburg. James brown's "i feel good is played on the p. A. In the distance, and the m. C. Announces the player who shot the goal, along with the score, with the emphatic help of the audience. Recording was conducted in the rb leipzig fans' block using a zoom h2, mics set to 90° dispersion.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.