1,840 Royalty-Free Audio Tracks for "Part"

Field recording taken from the balcony of an apartment building in the waldstrasse district of the german city of leipzig on a summer evening. In the foreground, quiet noises from neighboring apartments can be heard as well as the calls of countless swallows who nest in the eves of the 19th century houses which this part of town is famed for. In the background, distant city traffic may be heard. These are the rear channels of a 4ch surround recording, conducted with a zoom h2, mic's set to 120° dispersion.

Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.

Surround recording of the main square in diocletian's palace in the old center of split in croatia. It is a summer afternoon, flying swallows can be heard and the place is teeming with tourists from all nations sitting and drinking coffee or listening to a group of folk singers which can be heard in the distant background. Part of the square is covered with a large wooden porch, making quite a clatter as the tourists walk over it. Recorded with a zoom h2. This file contains the rear channels, recorded with a mic-dispersion of 120°.

Completely made in sony sound forge 10 with the fm tools. Starts off with a sine 6,000 hz to ~12,000 hz in about three seconds to emulate a camera flash warming up. For those who intend to use it as a part of a futuristic weapon in games, flashes, or movies, i also added a double beep as a "weapon ready" cue and final tone at the for an optional "locked on" which could also double as an error beep.

Recording of some new year's celebrations in vienna. Captured using a clippy stereo em172 microphone and a zoom h5 handheld recorder. I positioned the microphone capsules outside the window on the left and right and then gently (almost) closed it. I setup the recorder and rolled the whole evening. This bit was around the apex of the celebrations in that part of town. Sadly some clipping occured, but i chose to upload the unaltered file. So no post-processing has been applied. Cut in ocenaudio. Enjoy!. Want to support the creation of more cc0 sounds?https://flattr. Com/profile/cabled_mess.

Lots of bangs, bongs, clangs and you-name-it-whats. Yesternight our theatrical trouppe had been disassembling the set; main part of it is a huge, multi-ton construction consisting of several dozens (or hundreds?) steel tubes - it looks like erecting scaffolding, but much more steady. Disassembling it is a chore even if you have 25+ people around. I have recorded the later stage: clanging tubes are dragged to the hoister in order to be brought down to the ground level and loaded into a truck. Speech is cut off (hopefully all of it). Have a good use of it.

The door to the sensory room at the school. I opened it, closed it, and walked into the hall. Part of a collection of sounds i recorded at an elementary school after the students have finished the year--the building was largely empty and as i've worked here, i've noticed a range of interesting sounds that i thought would be useful for folks working with video games or audio dramas! no need to credit me, but would be interested to know what you use it for just out of my own curiosity.

Create hanna barbara jetson's car hover sound (but have stereo sound) from westington's "skiffy9. Wav" sound:audacityfor left channel:- cut silence before (0. 000s to 0. 046s), middle (0. 096 to 0. 228), and after (0. 301 to 0. 449) sound. - cut middle part 0. 130 to 0. 600. - effect→change speedspeed multiplier: 0. 800percent change: –20. 000. - effect→repeat. . . Number of repeats add: 250. - effect→equalization(18 db; 20 hz)(18 db; 800 hz)(–18 db; 2000 hz(–26 db; 11 000 hz). For right channel:- tracks→add new→mono track. - copy left track and paste at 0. 010 s in right track.

A large (12 person) elevator located in an apartment building that was built as a hotel for the 1972 olympic games in munich, germany. There are four of these in the building, and they all rattle like nobody's business. In this recording, a part of the elevator arrival chime that plays on the ground floor can be heard in the beginning. Then, i walk into the elevator (two clicks in the recording here) and the doors close. Then it travels up 12 floors and the doors open with a very concerning metal rubbing sound.

Canon 310xl consumer 8mm film camera rolling, then making a click sound when it stops. The rolling part of the sound is loopable. This sound is licensed under creative commons 0, meaning you can use it in any work, for free, forever! however, i request that if you do use it in your project, you leave a comment below sharing what you used it for. You can use the sound regardless, but i would love to see what people use it for. Thanks, and happy mixing!.

Vocal, speaking, and audio snippets of interviews of visual artists that i did as part of a collaborative music project in 2018. The idea was to chop up and use these samples for a trance / punk form of music - which we jokingly called prance music. I used some, but never released any music with it in the end. Maybe one day i will, but in the meantime - i hope you can find some use of these.

Did this little piece of nastyness in garageband for a thing called victors crypt. It's just some reverbed piano with a distant bass and spooky noises around. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a creepy part for instance. Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Did this bit of spookiness in garageband for a thing called victors crypt. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a thrilling suspence part or an eerie scary sequence. Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A typhoon thunderstorm recorded in a backyard of an apartment complex in xinyi district, taipei city, taiwan, in late august, 2022. Rain can be heard falling on grass, the glass roof over the recording area, and various roof materials in the area such as tin, brick, concrete, and clay tile. Occasionally, there is thunder. Recorded on a zoom h1n with a wind filter, at its 96k 24 bit option, mic sensitivity control wheel set to 6 (out of 10). Due to the length of the recording, this is part 1 of 2.

I am playing a 9ft long log of ash wood (fraxinus excelsior) that i cut in half and hollowed out then stuck back together 15 years ago. While i play it i am remembering when i cut it and the place it was growing and the reason i felled it, and remembering when i revisited that place 7 years later and saw the tree growing back so well from the cut. I am remembering/dreaming about all the other times i played it and the reasons why. I am "future dreaming" of what will be its part in the space opera and what effect it will have as well :).

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, 250 mm above centre rear of projector, angled down at 45º. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, horizontally 250 mm from side of projector aimed at slide entry hole. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

It's a part of my pack "sickness". Sounds i recorded while being sick. I got a virus infection resulting in elevated body temperature, lack of strength, cough, running nose and sneezing. Check the title for what is in this particular recording. Recorded with zoom h2 on a mic-stand @ 96khz/24-bit. All the sounds in this pack are raw (unprocessed) they were truncated and converted to flac (both using audacity) but not normalized, with original 24-bit precision - turn them up as you need, denoise if you have to, cut out what you want. Enjoy my pain ;-).

The very unique call of the cuckoo recording on may 23rd, 2015 in southern illinois. This "singing" sounds like nothing else in the forest. They are not very common in this part of the country, so, i am very very fortunate to have captured this primal call on " tape ". Equipment used: marantz pmd661, with stereo samson co-2 microphones mounted on a tripod about 4 feet from the ground. I was set up on a trail on the edge of a large forested area which eventually leads down to a huge lake. Recorded around 6:30pm on a mild evening--partly cloudy and temp was 74 degrees.

Wasn't intending to record this, but it was so intense i had to. I couldn't sleep with the 50mph winds hitting right outside the bedroom. Worst storm i've been through since moving to washington state in 1999. It came from the east through chinook pass. I was kind of expecting the roof to fly off. You can hear the flapping of a tarp covering my old mercedes right outside the window. The wind shredded part of the tarp. Also, the snow drift hitting the window. I used my yamaha pocketrak and edited in sony vegas adding two extra tracks. Please comment on what you may use it for. Thanks. :-).

A short music part with a touch of horror and suspence i made in garageband for something called victors crypt. I think this would be perfect to anything frightening, mysterious, paranormal or horrific. Could be used as an intro for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Something i did in garageband for a thing called victors crypt. Wanted to make a relaxing soft tune with a bit of disturbing eerie middle part. Think it would work out fine for anything thrilling and spooky. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt on youtube!. Https://youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

We went to strasbourg to follow an invitation by an photographer to his vernissage! to bad that we got stucked into the traffic jam and arrived while the gallery was already closed! that was really a bummer because the drive took us four hours!lucky that i had my zoom h6 because strasbourg is by far an amazing city with so many street life. It is insane how many little streets with these tiny cafes and all the people around! it is like a magnet and you got sucked in. The french people know how to live life and i recorded in 3 parts of the city to give you a nice ambience feeling. This is part 1.

A short scary stabbering violin-part i did in garageband for something called victors crypt. I think this would fit perfectly to something old-shool scary. Like a horror-scene or maybe a cool intro to a creepy podcast. . . Fantasy will set you free. Feel free to use it to whatever. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Br cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Something i did in garageband for a thing called victors crypt. Made some "stabs" on an ooooold vhs piano and various melodies in between. A part before the ending is more intense before it comes back to the "stabbing" bit. Could be useful in anything horrific and evil. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A summer morning field recording at newport lakes reserve, a former bluestone quarry and rubbish tip in the western melbourne suburb of newport. The area is now a vast suburban park with a native nursery and twin human-made lakes, popular with many species of birds and people. This recording was made using a sony pcm-m10 recorder's built-in omnidirectional stereo microphones. It was taken on january 15 2011 at 8. 30am, on unceded boon wurrung land, part of the eastern kulin nations. I acknowledge the sovereignty of the traditional owners and pay my respects to their elders and all first nations people.

I sold my giant couch, and two professional movers came to pick it up. Before they moved it, they whipped out a huge roll of clear plastic, and expertly passed it around and around the sofa until the whole thing was wrapped. The noise the wrapping made was astonishingly loud and echoey in our place, and sounded very. . . Uh. . . Science fiction-y. Recorded on my samsung note 20 phone, and some movers' mumbles included, so not desperately high quality -- but maybe someone can use part of it for a wizard rending the space time continuum with a sharpened wormhole, or some such. :-).

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

This is a processed soundscape originating from two seperate soundscapes; one during a winter night near a hill and one at a basketball practice. The title of the piece originates from the fact that in this piece i try to create this feeling of coming in and out of “reality”, that illusion that sometimes we are watching distantly or from another reality with yet some other moments that we are being really in the moment. The whole feel of the piece sounds to me the most part dystopian, however anyone can have different interpretations of sounds just as we all have different perception and associate various sounds to different things.

This is my own kaiju i made last year, i first start with the concepts. And now getting to the part on the sound on what will it sound like, so i watch any behind the scenes on how any kaijus like godzilla sound where made. So i use wooden chairs i found around my house slowly drag it that makes these noises, after every sound recorded, i go with a empty tuna fish can and after washing it, it makes a interesting sound, so i recorded that as well and mix both of those sounds together which makes this. And yes i'm working on a project that base on this kaiju.

This is an instrumental bit i made in garageband for something called victors crypt. It's basically 2 acoustic guitars with piano, flute and a synth over it. Think it would be cool for an intro/outro/part in something a bit spooky and eerie. Or maybe suspence or mystic. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945

This is from a fan audio recording of the 1967 doctor who episode "tomb of the cybermen". The sound is now in the public domain. In 1967, these cybermen were voiced by peter hawkins using a vocoder or an electro-larynx, a device used to restore speech to those whose vocal cords are damaged by detecting vibrations of the throat. At the very end of part 2 of "tomb of the cybermen", the cyberman controller is awakened and says "you belong to us, you shall be like us!" to the cast.

Sound of footsteps (hiking boots) in an artificial stone tunnel about 4 to 5 metres in diameter in brezzo di bedero (northern italy). The tunnel is part of the structures of the 'cadorna' defence line, dating back to wwi, and leads to an artillery emplacement in a cave. Sound of footsteps and crunching gravel under the soles, with a slight echo and reverberation from the cave environment. Perfect for creating eerie, natural and industrial backgrounds and first-person vr experiences. Recorded with a zoom h1n held in hand while walking and pointed towards the feet.

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Tail end of a paper-airplane competition as part of #azwud (arizona world usability day) in scottsdale, az. About 100 adults and 3 kids made paper airplanes then flew them in an informal indoor competition. Sounds of the crowd reacting to the different flights as planes flew off in all directions, hitting the ceiling, the floor, the audience. Announcer in the bkgd. Children approaching the 'launchpad' then the crowd reacting to their winning throw. After the kids' throw, the sound of another competitor's plane hitting the ceiling/floor (?) and then his comment "too much thrust. " a kid saying to an adult, possibly her mom (?), "please don't succeed" as the woman approached the launchpad to throw her plane.

Recorded on june 29, 2012 near the exit at webster's department store. This features how the checkout area at websters sounded from june 2012 untill its closing on november 3, 2015. This is part of a pack of 4k sounds recorded over 17 years commemorating my friend's department store which she owned. It showcases how the sounds in the store have changed over the years as the technology of teh store changes. Each recording is done within a week after the cash registers are upgraded. As of the date of this posting, webster's is now closed, and will re-open as a walmart in january of 2016.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Any thursday, 12:00 am more or less. I was sitting down in a bench, looking to the buildings opposite me, with the road at my back. My handy recorder zoom h4n in my hands. Some people was chatting next to a car and then they got inside and they left (you can hear that on the left channel. Got it? "left" channel :d). You can hear people passing from one channel to another, cars and motorbikes. It was in c/ bravo murillo (madrid, spain). In that part, it is a one way street for vehicles, so all of them go from right to left channel.

This if a sound i made a while ago. Sort of sloppy, yes, but i like it, and i hope you do, too. I do appologize for the back noise on the background music. And, yes! that is me doing the narration after a bit of vocal processing. (those screaming guys around -00:22:348 are not me. I love that part!) you can download that background song for free by clicking this link: http://www. Incompetech. Com/m/c/royalty-free/index. Html?keywords=truth+of+the+legend. That was a royalty-free song, so you have no cause for worry. If you wish to make a movie out of this, you may. Traintrack bob 1 & 2 don't even exist. Yet. Made with audacity.

A nice ambient recording made on sunday morning may 5th 2013 around 6:30 in the morning in the shawnee national forest in deep southern illinois. I had originally wanted to get good, clear recordings of the tremendous numbers of warblers that are here, but a good, soaking steady light rain decided to stick around. I though, what the heck, that is a part of our natural world also, so let's get it all "on tape". . . . Hope you enjoy this. Recording made with my handy zoom h4n recording utilizing its built-in microphones. To keep as much water off of my h4n as possible, i put one of my big, furry, knitted insulated sock-cap over the recorder, that at least kept my recorder from swimming in water.

In the spirit of the jam, as a thank you for the chance to be a part of such an awesome event and to meet new incredibly talented people, i decided to give away for free some samples of recording i did of electric current and some final sfx that were used in the game. I hope you find these useful!. This is a vo sfx created for the prometheus game jam of 2017 in the town of lavrio. It was used in "breach", the game my team and i made during the 48 hour competition, for a robotic enemy mini-boss. You can check out the game here: https://halisavakis. Itch. Io/breach.

Came up with a drumbeat in garageband and soon after a bassline that fit the drums. Added "satan", some handclaps and oriented kind of sounds. Also did a darker mid-part to make a feeling of something bad happening. Did it for something called victors crypt on youtube. Think it would fit to anything dark and cool. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A music part i did in garageband for a thing called victors crypt. I started with the drums. Once i made a beat i liked i added a choir singing "fading into the night". After that i added more synth-sounds and guitar to make it feel more spooky. Would suit anything creepy i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!//v. Natas.

A music part i did in garageband for something called victors crypt. I borrowed a crazy laughter here on freesound to begin the tune with. After that i made a beat and some guitars over it. I kept adding sounds to get a spooky cool vibe. Could be useful for intros/outros, pods or whatever. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!. //v. Natas.

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP