46 Royalty-Free Audio Tracks for "Notes Taking"

00:00
00:28
The sound of writing words/drawing on a pad of paperrecorded with an se4 condenser mic.
Author: Toefur
00:00
00:11
A single note from a organ with transformations to simulate a spacial take-off.
Author: Brankko
00:00
00:23
A pencil writing on some cardboard. Makes a good scratching sound for something like note taking or plain writing. It's semi-erratic with a couple pauses in between and i took different distances from the mic and angles with the pencil to try and get different sounds.
Author: Lankielonkie
00:00
01:47
An ad hock recording of a helicopter taking off. Good luck i had my rig with me ;). Tech note: sennheiser mkh8040 in ortf into sounddevices 702.
Author: Thesoundcatcher
00:00
00:04
Recording of my kalimba tuned to c-major (give or take a few cents), striking the lowest possible note. Recorded on a rode nt1-a through a scarlett 2i2 interface. Noise-reduced for clarity.
Author: Foochie Foochie
00:00
00:44
The crowd at dodger stadium singing the traditional song "take me out to the ball game" with some hometown spirit. Note that the song has fallen into the public domain and is copyright free. Stereo, 24bit, recorded via handheld recorder.
Author: Stomachache
00:00
00:16
I accidentally played low notes while making a synth pad and it sounded terrifying. Please take it away from me.
Author: Henryrichard
00:00
00:07
[wasted, everything takes time 02. Wav]. Made [wasted, everything takes time 02. Wav] with one pixel studio's voice changer! ⭐. Wasted, everything takes time 01. Randomly saying "everything takes time". Combined [wasted, everything takes time 02. Wav] with [game_over_01_lost_consciousness. Wav]!. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.
Author: Matrixxx
00:00
00:12
This sound is me getting a pencil and writing stuff on the paper, i recorded his sound on my non home button iphone 11 but not the pro max :(.
Author: Untitled
00:00
01:04
Made in fl studio with harmor. Takes advantage of the 'shephard tone' auditory illusion to make the rise in pitch go on seamlessly forever on the same note.
Author: Jsilversound
00:00
00:05
[wasted, everything takes time 01. Wav]. Made this with one pixel studio's voice changer! ⭐. Wasted, everything takes time 02. Randomly saying "everything takes time". If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.
Author: Matrixxx
00:00
00:42
It's a repetition of 3 medium notes in an old and unadjusted piano in a tourism house in the camping montseny, near to barcelona. Sound take with compact camera olympus stylus 820.
Author: Traben
00:00
00:10
This is a quick minecraft note block loop (drums only) that i made in multitrack daw mobile (i don't know how i did it in that app, it's so hard to use) with original sounds from the game. And in case you want to know it's 105 bpm. I'll work on more note block tracks soon. Also sorry it's not a perfect loop you will have to take off some space on the end of the clip for it to be perfectly continuous. The app is very hard to use so i couldn't cut it just right.
Author: Epicallay
00:00
00:03
Acoustic sound of a gibson 335. Playing note d3 and then sliding up to a3. It was recorded october 2015-11-17 using an iphone 6 running the app take creative vocal recorder by propellerhead. .
Author: Oso
00:00
00:13
This is a few takes of myself layered and pitched down with some reverb added, be sure to give a link if you make anything, i'd love to hear it!. Have fun :).
Author: Dylanthefish
00:00
00:28
Knocking tree times on a metalic door, close up, several takes. Note that a small electric rumble should be removed. France, 2018. Recorded with schoeps ab ortfrecorded on nagra ares bbwave stereo, 48khz, 24bits.
Author: Bruno
00:00
02:01
Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.
Author: Gis Sweden
00:00
01:07
Grinding a single cup of espresso by hand in a peugeot coffee grinder. It was recorded with a maono au-903 usb mic pointing at the grinder, and set to cardioid. (i'm new to sound recording so i'm taking lots of notes to try and learn what works best. ).
Author: Stevethemurg
00:00
00:14
Some say 528hz and 741hz is a devil interval, and you can get hurt or even been dead by listening to one. Some don't give a crap what others are saying. So take it on your own risk. God bless!.
Author: Leaving
00:00
02:13
Re-mix and re-edit of various public domain/nasa recordings of the space shuttle take-off/launch. Commentary/countdown has been edited out so don't expect it to sync completely with any one film or video take of a launch. Note to downloaders:i'm not that big a stickler about receiving credit for the use of my sounds on freesound. As a courtesy, i appreciate it but i do ask people to always credit freesound. Org and if their project ever sees any kind of profit to please consider making a donation to the website. It's a great resource and deserves our support. Good luck with your project. In the case of this recording some acknowledgement of the original source material i. E. The national aeronautics and space agency (nasa) is only fitting.
Author: Klangfabrik
00:00
00:35
Myself singing an excerpt that i later took a few hours to take apart and put back together. I don't use the sampler, it's just the notes are out of order. I used this in my song violet town: https://soundcloud. Com/user-32192831-668958257/violet-towni hope someone can find it useful.
Author: F R A G I L E
00:00
00:14
シャッター昇降中です ご注意ください"please note that the shutter is moving up and down. . A building in japan closes its shutters, and a pre-recorded female voice alerts anyone nearby to take notice.
Author: Itsgabbo
00:00
00:03
[hint_clue_trace_02. Wav]. You've found something weird at bob's house. . . This sound can for example be used in games, for example when the player has found something of interest, heard something or reacted to something - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
02:27
The apollonia is a mechanized organ and music machine. It was built in 1926 and resides in the musical instrument museum (phoeniz, arizona). It takes up the space of an entire wall. Tech notes: this is a stereo recording made with a sony pcm-d50 (onboard mics, close xy pattern). I failed to notice that the low-cut filter was engaged on the recorder, so the full bass range of the instrument was not properly captured. You'll need to hear it for yourself in person!.
Author: Stomachache
00:00
00:26
This wav file is a take-away from a midi track my current project. The vst instrument is 4front e-piano and it's free! - the root key is g major, starting off in the piano roll at g3. The bottom drops to g2 and uses heavy steps, separated by a key to reach g2. Going back up to g3, the notes are shortened and no keys are skipped. Hence the fairytale stares ascents. The ceiling above g3 is g5. So 1 octave down, 2 up. The tight stairstep is maintained above g3. There is just downward notes to keep it sounding like a saw form. The entire sound should be in-key and loopable. Each of the 16 bars is unique. I didn't just copy and paste the same notes several times. - my next step is to apply a different midi sound. Sorry for the book. I hope this helps someone.
Author: Trevor
00:00
00:01
[hint_clue_trace_01. Wav]. Someone is giving you a hint/clue in a stressful situation!. This sound can for example be used in games, for example when the npc pops up at the player's television/computer/smartphone/tablet-screen and gives a hint/clue, for example via dialogue which says "hurry up before he escapes!" - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
01:40
[rocket_thrust_02. Wav]. Rocket thrust!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
00:60
[rocket_thrust_01. Wav]. Rocket thrust!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
00:01
[hint_clue_trace_03. Wav]. Sounds like someone is saying "hello!", like "listen!". This could be a hint/clue!. This sound can for example be used in games, for example when the npc pops up at the player's television/computer/smartphone/tablet-screen and gives a hint/clue, for example via dialogue which says "look behind the giant, sleeping orc!" - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
00:03
88 piano keys, long natural reverb: up to 13 seconds per note. This is me giving back. I love freesound. You guys saved my bacon back in the day. Recently i searched for free piano notes for a game i'm making, but the only ones i could find ended too quickly. I need long reverb! luckily i have an old piano, so i made my own. So this is me giving back. This is an old piano!!!. We had the piano tuned a year ago, but it is well over 60 years old, so be warned! these notes have character! if you want perfect tone, either edit them individually, generate something artificially, or buy a professional set. But if you want a piano with personality, this is for you. Being an old piano, it only has 85 keys. So i created the highest 3 notes by speeding up previous notes, to make the modern standard 88 keys. How the notes were created. The notes are created on an old (well over 50 years) steinhoff upright piano. It only has 85 keys, so i faked the highest 3 keys by taking previous keys and changing their pitch. I opened the top, balanced my trusty everesta bm-800 condenser microphone across the top near the high note end, and held down the "loud" pedal. Each note was then hit and kept pressed down until i could no longer hear any reverb. Notes were saved as mp3 using my laptop, using free sound recorder on the highest quality settings. Yeah, i know it isn't flac, but i am strictly amateur with budget to match, and that was the best i could do. After that, all editing was of course uncomopressed until the final save. How the notes were edited. Editing was kept to a minimum, mainly to enhance the reverberation. All editing took place on audacity on linux mint. First i cropped any silence from the start. Next, used the envelope function to gradually increae volume to 200% over a couple of seconds. That is, the quietest part of the reverb is twice as loud as you might expect. Because for my game i sometimes need a single piano key to last ten seconds. Next i maximised the volume. If there was just a single stray waveform that stuck out then i reduced that by 2db or so then maximised again. Because like i said, i want to hear that reverb! i then found the part where background noise starts to be noticeable, and faded out over 1 second or so. This meant that the lowest notes had as much as 13 seconds of reverb, whereas the highest notes might only have 2 or so. Finally i checked the result, and edited three or four notes that i felt were just too ugly (badly tuned, or for some reason the software suddenly got hissy when the note became too quiet. Weird. ) i also slightly changed the pitch of a couple of notes that were slightly out of tune but otherwise ok. No doubt a better ear than mine could teak all of the notes. But as i said, it's an old piano and we're keeping it real. Finally, files were compressed to ogg at the highest quality setting, using soundkonverter. Why not flac?. I live in the countryside with very slow broadband, so i apologise for including more of the original files. But as it was, uploading this zip file took about an hour. Enjoy. Legal. Use this for anything you want, commercial or not, credit me or not. Consider it public domain. My main concern is that i had completely legal sound for my game, with nice long reverb and character. Uploading it here provides proof that i created it first, just in case anybody comes back and says "those are mine" (it happens).
Author: Tedagame
00:00
02:57
A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.
Author: Gis Sweden
00:00
00:04
Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.
Author: Laffik
00:00
00:29
This is a sequence of bass notes created using vst instrument alchemy on preset dancetrance/ leads/ higher states. Run through ohm boys lfo delay and sequenced at 102bpm at a#3. Works well with my 'break away 102' breaks. The best way to loop this is to take the last two breaks of the sequence and loop those as the effects roll nicely into each other. I've left the ending part in if you want to let it fade out smoothly into your sequence as the bassline ends.
Author: Snapper
00:00
01:56
I improvised this over a song of mine but i´m likely to not use it so i´m uploading it here. It´s the first take and not edited so don´t complain about wrong notes. Key: fmin bpm: 75. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.
Author: Dierechnug
00:00
05:03
Handing out 2018 christmas gifts after lunch, launceston, tasmania. 11 adults, 6 children, 1 baby. Recorded on a pmd661 with a rode nt4 stereo mic. Six takes, separated by 1-second silence. 0. 00 - 0. 41: general ambience, washing-up sounds in background. “is this a trick present?”. 0. 42 - 1. 45: no washing up. “this is so exciting”, “which anna is this for?”. 1. 46 - 2. 20: “sam, where’d you get all that money?” “probably my best christmas ever”. “is it. Oh, that’s lovely to hear. ”. 2. 21 - 3. 48: “who calls me suzie?” “you’ll love it”. Exclamations and laughter. “from england”. “pickled onions”. 3. 49 - 4. 22: “what takes your fancy?” “anything that you don’t like”. “do you want something auntie jenny? it’s for the extended family”. Piano notes. 4. 23 - 5. 02: baby trying to cry, unhappy. “look at you. Such a big girl now”.
Author: Guyburns
00:00
00:06
[ticking_timer_05_sec. Wav]. Perfect, clean, ringing timer. Reminds of warm, cozy, indie games, when it's for example time to take out the pie from the oven!. This sound can for example be used in games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
13:27
Does freesound really need another recording of someone washing their dishes? maybe not, but this is a longer take i recorded for a film project - because when you're editing, it's frustrating to find a good recording that's not long enough!. Includes plenty of dish movement, running water, scrubbing, etc. Some limiting was applied to tame the biggest peaks. Mics: schoeps cmc6 mk4 stereo pair in xy configurationrecorder: sound devices mixpre 3 directly into reaper. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.
Author: Thaighaudio
00:00
05:05
This piece is a sound-sculpture of a weather effect commonly called the beast from the east in the uk. It is based on a longer piece by me called frozen kaos. This was constructed by me using only copywrite free sources of sounds, musical(ish) pieces and natural sounds. All of these were assembled and processed using the free software package audacity™. Most samples have been filtered, pitched, and manipulated vastly to make the basic foundation. On that base all the rest of the sounds were layer (over 200 different layers -- manipulated, mixed down, rebuilt, remixed, manipulated). I mostly work be happenstance and never take notes -- often what comes about is as much by chance as by design.
Author: Tom Mason
00:00
02:58
Amicus No.: 31386294, Performer Heading: Victor Military Band, Performer: Victor Military Band, Title: "O Canada" [sound recording] / [Calixa Lavallée], Composer Heading: Lavallée, Calixa, Generic Label: Victor, Transcribed Label: Victor, Numbers: Issue no.: 17999, Matrix no.: [16871], Take no.: 1, Side no.: B, Notes: Distributor: Victor Talking Machine Co., Camden, Manufacturer: Victor Talking Machine Co., New Jersey, Recorded: [9 Dec 1915], [Camden, NJ], Victor Talking Machine, Released: [ca 1916], Issue Type: primary label, Discographical reference: disc; Abrams, unpublished research, recording date, release date and matrix number, Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch, Genre: Anthems ; National anthems; Hymnes nationaux, Canada, Location: 0004 1376 1379
Author: Calixa Lavallée (1842–1891); Victor Military Band
00:00
03:13
A peaceful, droning, relaxing summer soundscape of the midwestern forest. For starters, in the background you hear a river of wind steadily swirling around the oaks, and the maples and the sycamore trees. A blessed northeast wind-friend. The insects take over, and on top of that, a single, solitary bird, i think a flycatcher, softly calls his one-note. Even though this is the time of year that the visitors, those beautiful neo-tropical migrants, fill the woods, after several months of raising of raising a family, they are quiet, resting now. . . Letting the insects signify the passage of time and the slow march to autumn. In about 6 weeks from now, most of our visitors will have left. . . Back down south, their job of raising the next crop of insect-eaters done. . . And the woods, the forest, the nearly-dry creekbed will be packing it in. Recording done on saturday july 29th, 2017 at 11:30am in the forest near a creek with sound devices 702 and a rode ntg-2 shotgun microphone pointed straight up into the trees.
Author: Kvgarlic
00:00
00:39
A water faucet set to drip in a chaotic manner, without much regularity. I put a plastic container lid under that for sound to be more pronounced, but that added crunchiness and now it doesn’t resemble dripping as much. Recorded with redmi note 5 phone, denoised in audacity plus filtered bass out a bit. P. S. I need to say that i foolishly recorded it into an im app and the recording ended up as. Ogg, so it’s not as good as could be. Still i hope there is enough spectral richness left. I should have used a dedicated recording app which writes. Flac files, i just hadn’t thought. Maybe several days later i’ll make a couple of other takes! (update: now i did. ). ———————. I’m still here! i like you guys, i’m just lazy to make sounds and i don’t want to record as much as the quality is not as good when using just phones, moreover that already many many people record various things professionally anyway and share here.
Author: Arseniiv
00:00
03:20
Amicus No.: 31386781 Performer Heading: Price, Percival, 1901-1985 Performer: Percival Price, carillonneur Title: O Canada ; God save the King [sound recording] / [Calixa Lavallée] Composer Heading: Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 216504 Take no.: 1 Side no.: A Notes: Distributor: Victor Talking Machine Co., Montreal Manufacturer: Victor Talking Machine Co., Québec (Province) Recorded: 1 Jul 1927, Ottawa, ON, Victor Talking Machine Released: [Sep 1927] Issue Type: primary label Comments: Additional information/information additionnelle: Actual moments during playing of Carillon Bells, Victory Tower, Ottawa, July 1, 1927 ; Music for "God save the King" is probably traditional. Discographical reference: disc; Numerical List of "His Master's Voice" - Victor recordings 1929, release date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; National anthems; Chansons patriotiques; Hymnes nationaux, Canada Location: 0016 2083 2086 Web location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31386781
Author: This file is lacking author information.
00:00
03:28
Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause
Author: William Billings
00:00
02:56
O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413
Author: Weir, Robert Stanley, 1856-1926
00:00
02:40
Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.
Author: Makenoisemusic
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Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte
Author: scrymgeour34
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