34 Royalty-Free Audio Tracks for "Nineties"

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*Ninety-first subharmonic on C = F♯. Just: 128/91 = 590.65 cents. Limit: 13-limit. MIDI pitch bend: 0,61
Author: Hyacinth
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*Hundred-ninety-seventh harmonic on C = ?. Just: 197/128 = 746.46 cents. Limit: 197-limit. MIDI pitch bend: 111,78
Author: Hyacinth
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*Hundred-ninety-first harmonic on C = ?. Just: 191/128 = 692.91 cents. Limit: 191-limit. MIDI pitch bend: 93,61
Author: Hyacinth
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*Ninety-seventh harmonic on C = ?. Just: 97/64 = 719.90 cents. Limit: 97-limit. MIDI pitch bend: 47,70
Author: Hyacinth
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*Hundred-ninety-fifth subharmonic on C = F. Just: 256/195 = 471.20 cents. Limit: 13-limit. MIDI pitch bend: 100,54
Author: Hyacinth
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*Ninety-fifth subharmonic on C = F (Ben Johnston's notation). Just: 128/97 = 516.17 cents. Limit: 19-limit. MIDI pitch bend: 22,69
Author: Hyacinth
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*Four-hundred-ninety-third harmonic on C = B. Just: 493 : 256 = 1134.53 cents. Limit: 29-limit. MIDI pitch bend: 6,75
Author: Hyacinth
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*Two-hundred-ninety-seventh harmonic on C = D↑. Just: 297/256 = 257.18 cents. Limit: 11-limit. MIDI pitch bend: 38,50
Author: Hyacinth
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*Four-hundred-ninety-fifth harmonic on C = B↑. Just: 494/256 = 1141.54 cents. Limit: 11-limit. MIDI pitch bend: 37,77
Author: Hyacinth
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*Hundred-ninety-third harmonic on C = ?. Just: 193/128 = 710.95 cents. Limit: 193-limit. MIDI pitch bend: 64,67
Author: Hyacinth
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*Two-hundred-ninety-ninth harmonic on C = D. Just: 299/256 = 268.80 cents. Limit: 23-limit. MIDI pitch bend: 2,86 on M2
Author: Hyacinth
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*Eight-hundred-ninety-first harmonic on C = A↑+. Just: 891/512 = 959.14 cents. Limit: 11-limit. MIDI pitch bend: 118,50
Author: Hyacinth
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*Eight-hundred-ninety-seventh harmonic on C = A+. Just: 897/512 = 970.76 cents. Limit: 23-limit. MIDI pitch bend: 82,54
Author: Hyacinth
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*Hundred-ninety-fifth harmonic on C = G. Just: 195:128 = 728.80 cents. Limit: 13-limit. MIDI pitch bend: 27,73
Author: Hyacinth
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*Three-hundred-ninety-ninth harmonic on C = A♭+. Just: 399/256 = 768.29 cents. Limit: 19-limit. MIDI pitch bend: 109,53
Author: Hyacinth
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*Eight-hundred-ninety-ninth harmonic on C = A+. Just: 899/512 = 974.61 cents. Limit: 31-limit. MIDI pitch bend: 112,55
Author: Hyacinth
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*Two-hundred-ninety-fifth harmonic on C = ?. Just: 295/256 = 245.49 cents. Limit: 59-limit. MIDI pitch bend: 71,78
Author: Hyacinth
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*Eight-hundred-ninety-third harmonic on C = B♭. Just: 893/512 = 963.02 cents. Limit: 47-limit. MIDI pitch bend: 21,52
Author: Hyacinth
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*Five-hundred-ninety-fifth harmonic on C = D♯. Just: 595/512 = 260.10 cents. Limit: 17-limit. MIDI pitch bend: 29,51
Author: Hyacinth
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*Six-hundred-ninety-third harmonic on C = F↑+. Just: 693/512 = 524.05 cents. Limit: 11-limit. MIDI pitch bend: 89,71
Author: Hyacinth
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*Three-hundred-ninety-first harmonic on C = F+. Just: 391/256 = 733.23 cents. Limit: 23-limit. MIDI pitch bend: 81,74
Author: Hyacinth
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*Seven-hundred-ninety-ninth harmonic on C = G♯. Just: 799/512 = 770.46 cents. Limit: 47-limit. MIDI pitch bend: 70,54
Author: Hyacinth
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*Seven-hundred-ninety-fifth harmonic on C = G♯. Just: 795/512 = 761.77 cents. Limit: 53-limit. MIDI pitch bend: 98,51
Author: Hyacinth
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*Ninety-ninth harmonic on C = G↑ (Ben Johnston's notation). Just: 99/64 = 755.23 cents. Limit: 11-limit. MIDI pitch bend: 86,81
Author: Hyacinth
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*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74
Author: Hyacinth
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*Ninety-third harmonic on C = F♯+ (Ben Johnston's notation). Just: 93/64 = 646.99 cents. Limit: 31-limit. MIDI pitch bend: 5,79
Author: Hyacinth
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*Ninety-fifth harmonic on C = G (Ben Johnston's notation). Just: 95/64 = 683.83 cents. Equal-tempered: 27/12:1 = 700 cents. Limit: 19-limit. MIDI pitch bend: 106,90 on TT
Author: Hyacinth
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*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66
Author: Hyacinth
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95:11
You are sitting in my garden workshop facing south west as the first storm of the year moves in over the south downs towards you. Sit back and relax as the thunder rumbles around you.
Author: Simon Spiers
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Short mechanized and slowed sample of noise which mimics the type of beep a 1980s or 1990s children's analog educational computer game made.
Author: Cognito Perceptu
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Three ringtones from my old beloved nokia 8210 (rest in peace). The first one is the classic nokia tune from the nineties. (discovered this recording in the vastness of old hard disks).
Author: Aurea
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00:45
Bit of the score from a government educational film entitled "injected water protected water," available from archive. Org under the cc 1. 0 license. Conveniently, the soundtrack of this little beauty was dual mono with one track for dialog and one track for this fantastically awful score. I simply cut up the track into individual cues. All the level changes, abrupt endings, bad edits, etc. Are all native to the original material. For the original film in all of its early 90's vhs glory, go here: http://www. Archive. Org/details/gov. Ca. Cdc. Doggr. 2. 3.
Author: Emay
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03:15
Edison Amberol Blue Record 2791. Sung by Rhoda Bernard. Cohen owes me 97 dollars (pol. Cohen jest mi dłużny 97 dolarów) – piosenka z 1906 roku charakterystyczna dla twórców i wydawców z Tin Pan Alley skomponowana przez Irvinga Berlina w wykonaniu Rhody Bernard. Čeština: Píseň Cohen owes me 97 dollars je typická pro newyorská hudební vydavatelství Tin Pan Alley, složil Irving Berlin, nahrál Rhoda Bernard roku 1906. Македонски: Коен ми должи 97 долари — песна во композиција на Ирвинг Берлин. Изведено од Рода Бернард, 1906 г.
Author: Irving Berlin
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11:48
If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .
Author: Antwerpsounddesign
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