187 Royalty-Free Audio Tracks for "Measuring"

4 measures of dance groove, drums+percussions (bongos, woodblocks), at 120 bpm, eqd and reverbed.

Last two measures of Schoenberg's "George Lieder" Op. 15/1.

This drummloop plays over 4 measures and is free to us bij everyone.

The first 20 measures of bergamask by paul koepke on the flute.

6/8 clave rhythm.

Dropping a ladle onto a hard floor. This was actually a metallic cup measure. Various heights and angles.

This drumloop plays over 4 measures, and is free to use by everybody.

3-2 son clave.

One measure dancehall loop created in buzz. Basic drums and a synth bass. No effects added.

This drumloop plays over 4 measures, and is free to use bij everybody.

Beethoven, Diabelli Variation No. 13

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

Measure grounds, pour water, and brew. Some cabinet rustling.

Arbitrary example to quickly show variation in musical dynamics.

This drumloop plays over 4 measures, and is free to use by anybody.

Pot lid hit with a plastic measuring cup. Recorded with at 2050.

Mono recording of a 440 hz tuning fork with resonance box, full decay time = more than 1 minute. I used the measurement microphone k4 by arnold esper placed directly in the resonance box. Recorded in the anechoic chamber for analysis and measurement purpose mostly.

Blast beat drum pattern.

Shuffle pattern with staggered thirds played on piano.

3/4 drum pattern.

Oh, Susannah is an example of rounded binary form: A-B-½A.

Analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

4 measures of rhythm "mersey beat" from drum machine of vintage german keyboard vermona sk-86 plus one measure of drum fill-in - sufficient for re-creation of the original rhythm. Recorded in stereo at approx. 120 bpm.

8 measure pedal on c using korg wavestation and. Com modular.

Stereo binaural recording. Measured footsteps through the subway platform, board subway, short ride, get off subway.

Backbeat pattern on snare drum. Created in Sibelius. en:Image:Backbeat pattern snare drum.png

Elaboration of the tonic arpeggio as prolongation in Bach, BWV 801, measures 3-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

4 measures of chill/downbeat sorta drumloop groove, at 100 bpm, produced with fl studio. Kick and snare are made from scratch.

Elaboration of the tonic arpeggio as prolongation in Chopin, Op. 48, measures 1-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

Atmosphere recorded by a condenser measurement microphone at silpakorn university (in bangkok, thailand). Students chatting.

Three voice canon, each voice starting a measure later and a fifth lower.

Janacek Sinfonietta 2nd movement, opening bars

Theme to Paganini's Caprice No. 24 for violin.

Ghost note drumming: ghost notes indicated by parentheses, main notes distinguished by accents.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

Lanner's Schönbrunner, Op. 200, No. 4, mm. 17-23

Recorded specially for use as chain mail movements and other such jingling.

Baa Baa prosody example. What if it started on 4 instead of 1?

4 measures of funk-dance bassline made with a sytrus preset in fl studio, at 110 bpm.

4 measures of funk groove, drums+clap, produced with fl studio, at 110 bpm.

Blast beat drum pattern.

First nine measures of the Grand Sonata in F minor, Opus 77 by Dussek

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

120 bpm basic drum beat. 4 measures long but loop-able. Made on soundtrap, a midi track.

Me playing a bass riff i used in my ex band. . . 4 measures at 240bpm.

Double-time: notice the snare moves to the "&" beats (compared to "regular" time) while the hi-hat begins to subdivide sixteenth notes.

6-8 clave in 4-4.

False relation typical in the music of the Baroque period. This particular chord sequence is common in the works of J.S. Bach. I guessed at the tempo.

Corelli Violin Sonata Op 5 No 9, Tempo di Gavotta

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.