317 Royalty-Free Audio Tracks for "Living"

Leipzig downtown many people atmo recorded on a hot summerday with sound device mixpre 6 and two audio technica 4022(omni) in ab stereo. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

Just me screaming in pain! (it's cool, i wasn't actually hurt, i just needed a good old-fashioned yell. ). For those who are interested, it was recorded hastily on a blue yeti and edited in audacity. I recorded it in kind of a hurry because my parents ran to the store, and i wanted to get it all taken care of before they pulled in the drive so they didn't think i was getting murdered or whatever. This was just recorded in my living room, so sorry about that slight echo!.

I was recording outside my bedroom window while eating dinner in the living room, then i came back in here to see if i got anything interesting. I was zooming through the recording at 5x speed when i came across this bit of incidental pareidolia. I'm not sure what was going on, maybe the neighbors' stereo, but i don't remember hearing it, it's much louder in the living room so i should have. Whatever it was came out as a little distant choppy 2-notes alternating melody when played at 5x speed, which suddenly gets louder and solid as you hear the lower note followed by a third lower note. These 2 louder notes sound to me like someone singing the words all day. This would lead me to believe the original tones have some light harmonics i don't hear at normal speed. After which it goes back to the softer stuttering 2-note alternating thing from before. It doesn't sound like much at all at normal speed. So i just did a few straight pitch changes with goldwave until i got to 5x and saved this little file. See if it sounds like "all day" to you.

I took my snare drum into the wonderfully echoey parking garage of my building to record the reverb. Included are samples recorded from varying distances and positions. Also included are dry versions, recorded in a living room and a super-dry elevator. When used in a production, try mixing in the heavily reverbed snares against the dry ones to fit your taste. Also the reverb snares work well mixed under even unrelated percussions to add a neat ambiance. The same goes for my "stairwell foot stomps" sample set. Recorded 24-bit stereo with a sony pcm-d50. Assisted by matt mcgowin.

High above our heads and the less pleasant layers of car traffic, budgies tweet and chirp and chitter. Nestling in the crowns of pine trees in various parks across the eu capital, they add a subtropical flavor to brussels' diverse soundscape. Just as most of the city's inhabitants, the ring-necked, alexandrine and quaker parrots came from a different place. Having escaped a zoo exhibit many years ago, they've been eking out a living, adapting to the tempered climate and found themselves a new home. As urban animals they contribute to brussels' exceptional cosmopolitan vibe. (recorded in the park of forest).

All original royalty-free sound fx, virtual instruments, loops and music by nova sound technology. We need your support to continue this operation! you can support by:. Subscribe to our youtube channel https://www. Youtube. Com/user/novasoundwav. And leave a comment below!. Join our mailing list at https://www. Novasoundwav. Com/pages/fr. . . For more free downloads and updates. Subscribe to our soundcloud at https://soundcloud. Com/novasoundwav. Follow us on ig: https://www. Instagram. Com/novasoundwav/. Follow us on twitter: https://twitter. Com/novasoundwav. More all original sound fx, available at novasoundwav. Com.

Recorded from about 0515 in the morning. This is in a suburban garden in essex, uk. A blackbird can be heard through most of the recording. Other birds that can be heard are pheasant, robin, woodpigeon, wren, collared dove, peacock (not native but this bird is living wild in the area), carrion crow, black headed gull, starling, magpie and goldfinch. The recording was made with a sennheiser k6/me66 microphone on a tripod attached to a zoom h5. There has been some noise reduction and editing with audacity. The editing was mainly to reduce the worst of the aircraft noise. There is still some aircraft and other human-related noise as well as some wind occasionally.

Ungdoms synden (translates to: the sin of adolescence) is a traditional swedish melody (style: polska) from boda in dalarna sweden. The melody is compsed by röjås jonas, aledgely played to him in his old age, by a fellow fiddler. "who has made that song?" jonas asked. "you did - many years ago" the player replied "that must have been my sin of adolescense" the composer replied. This is just the first phrase of the melody recorded by me. The boda polska rythm is based in 3/4, but somewhat unevenly spaced. Every village in the neighboorhood have their distinct muiscal dialect, in the way of how to play a polska. The boda musical dialect is reputaded throughout scandinavia. Recorded with zoom h4 in my living room copenhagen.

Just joined. Here's my first submission :). Recorded a few samples of "voice horror", a friend and i were going to make a short film but it never panned out. Basically the sound is a "disembodied voice" recorded on some tech that the entity damaged the quality or something. Used several filters and a vocoder. The idea was to vocalize the first parts in a way that it would be hard to understand, having the viewer listen more closely, and build the fear with the audible phrase ". . . And now there's somebody living on the other side of the wall and i think he can see usssss".

Pajarito it's the name of the song. What you hear are jacanas, the small traditional guitars used by jarocho's musicians, and one requinto guitar (and some kids laughing). Playing jaranas: elías meléndez, who i personally dubbed as "the muddy waters of son jarocho" -he passed away on 2017-; arturo barradas, leader of soneros del tesechoacan, a famous jarocho music band, and his son, young elías barradas. Playing the requinto guitar is adrián luna, who for many years was a member of the grammy awardees group los cojolites. Adrián luna's voice is on one song (el conejo) included in the soundtrack of the two oscars winner and internationally recognized movie frida (2002). Recorded with zoom, in 2013, in tuxtepec, oaxaca, during a jam session. Rip elías meléndez.

One of my favorite spots to hike in illinois has this quite long, and beautiful and rock-lined beautiful creek. Now, even though this creek is in heavy forest, which often leads to very low water levels during the summer, this creek is spring fed so it always has a beautiful ribbon of pure water running 12 months out of the year. I've spent many minutes and countless hours beside this living, breathing water-course pondering the beauty of nature, and reflecting back on my childhood. A childhood filled with much love and many creek adventures. This was recorded on march 8 2021, at a time in the midwest woods when the mayapples are popping up-- lime green umbrellas spotting the forest floor. Recorded with sound device mixpe-6 and a sennheiser me66. Enjoy the stream of re-birth in illinois.

A conversation that happened in the kitchen. Warm for the time of year, a man steps in to play basketball on a corner paved lot. Just one basket and no refs, the two free-throws he is offered are almost unheard-of. Maybe some of them didn't like his looks. Likely too they know what he does for a living. Likeliest of all he was playing well, but for sure the woody that won't quit had come to call, and they probably liked that least of all. So he steps up to the foul line and the first shot zips the net. So does the second one, but even before it gets there, someone jumps in behind him, grabs hard and and zips his pants all the way down. They aren't around his ankles, though. Close one, he's standing on them. Worse, a local crowd has gathered. Only the stunned aren't laughing or pointing or cheering. You put your pants back on and go home, what else can you do? game over.

On March 11, 2018, the Marine Band presented a Living History program titled Marine Corps Women’s Reserve Band Tribute. The program told the story of the talented and adventurous women who served our country in a most unique and unprecedented manner. Author of the book Bands of Sisters: U.S. Women’s Military Bands During World War II, Dr. Jill Sullivan served as a guide through the personal accounts of those very women who blazed a trail for many to follow. The Marine Corps Women’s Reserve Band of Camp Lejeune was established under the watch of 'The President’s Own' to support bond drives and was active during World War II from 1943–45. In 1944, the ensemble even sat in for one of the Marine Band’s popular 'Dream Hour' broadcasts, a program that will be reenacted in its entirety as part of this concert. The performance took place in Schlesinger Concert Hall at Northern Virginia Community College in Alexandria, Va. Conducted by Capt. Michelle A. Rakers.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.

I recorded these spring peepers in upstate ny on march 18, 2022 in a wetland area. Spring peepers are small tree frogs. They are rarely seen, but during mating season in the spring, they are often heard. They are generally about one inch (2. 5 centimeters) in length, or about the length of a paper clip, and their weight averages from 0. 11 to 0. 18 ounces (3 to 5 grams). Spring peepers are known for the males’ mating call—a high-pitched whistling or peeping sound repeated about 20 times a minute. However, the faster and louder they sing, the greater the chances of attracting a mate. They often congregate near water and sing in trios, with the deepest-voiced frog starting the call. They begin breeding early in the spring and call on warm spring nights and during the day in rainy or cloudy weather. Females lay their eggs in vernal pools, ponds, and other wetlands where fish are not present. A female may lay anywhere from 750 to 1,200 eggs, which attach to submerged aquatic vegetation. Males fertilize the eggs as they are laid. Depending on the temperature, eggs can hatch within two days to two weeks. The tadpoles have gills to breathe underwater and tails to help them swim. Tadpoles transform into frogs over the course of 6 to 12 weeks. Spring peepers are said to have short lives, living three to four years at most.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.