1,227 Royalty-Free Audio Tracks for "Interval"

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

The "godzilla" sound and theme from my automated coin bank. Godzilla reaches out with his paw/claw to pull the coin from the bank tray into the replica sea of japan. Near the end of each interval sound the mechanics of the bank's automated wheel gearing is heard. . .

**this sample is 44. 1khz/24bit !!**i haven't seen you after a long interval. I am not good at english and pardon the description mistake, please. There is continuation also in the homepage though it is a little. Please come when thinking it is interesting. By the way, i am japanese. (((((importunate.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

*3 steps in 17 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/17:1 = 211.76 cents. MIDI pitch bend: 98,67

*Sixty-third harmonic on C = C+. Just: 63/32 = 1172.74 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 7-limit. MIDI pitch bend: 35,87 on 1100

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Nearly three minutes of blackbird song. This file has been condensed (the time between song phrases is shorter than the natural interval). I have made every attempt to screen out other background noise (including painstakingly removing the song of most other birds) recorded in la drova (spain) and so this bird will have a spanish accent!.

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

*Difference between 31:16 (B: 1145.04 cents) & 15:8 (B: 1088.27 cents) on C = C (Ben Johnston's notation). Just: 31 : 30 = 56.77 cents. Limit: 31-limit. MIDI pitch bend: 21,82 on PU

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

*Ninety-fifth harmonic on C = G (Ben Johnston's notation). Just: 95/64 = 683.83 cents. Equal-tempered: 27/12:1 = 700 cents. Limit: 19-limit. MIDI pitch bend: 106,90 on TT

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

13-limit just decatonic scale on C; 1/1, 12/11, 32/27, 9/7, 4/3, 132/91, 3/2, 18/11, 16/9, 176/91, and 2/1; followed by the tonic chord: C, E, G.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

Stereo sound made by csound where we reproduce a sound that has been previously worked on, in which you hear a glissando that oscillates from one channel to another covered by white noise and we work on it, putting a butterbp filter to be heard more by one channel than another, a reverb and an interaural time delay. All this reflected in a score that our sound sounds 5 times in delayed time intervals.

*8 steps in 15 equal temperament on C = F♯↓ (Easley Blackwood's notation). Equal-tempered: 28/15:1 = 640 cents. MIDI pitch bend: 102,76 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Gb.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

*35 steps in 72 equal temperament on C. Equal-tempered: 235/72:1 = 583.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 584.375 cents rather than 583.345. New version a P4 on 85,90 for 583.3251953125 cents rather than 583.345.

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

*5 steps in 72 equal temperament on C. Equal-tempered: 25/72:1 = 83.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 84.375 cents rather than 83.335. New version a PU on 85,90 for 83.3251953125 cents rather than 83.335.

*7 steps in 72 equal temperament on C. Equal-tempered: 27/72:1 = 116.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 115.625 cents rather than 116.669. New version a m2 on 42,69 for 116.650390625 cents rather than 116.669.

*4 steps in 72 equal temperament on C. Equal-tempered: 24/72:1 = 66.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 75 for 65.625 cents rather than 66.668. New version a PU on 42,85 for 66.6503906250 cents rather than 66.668.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Running water into a bathtub. The faucet is audibly turned on and off at the beginning and end. The temperature of the water is tested at several intervals resulting in some variation to the water sound. Individual drips can be heard after the water is turned off. Take 2 of 2. Originally recorded for a short film where one of the characters takes an off-screen bath. Recorded (if i remember correctly) with a sennheiser mkh-416 microphone into a sound devices 302 mixer.

*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

An edited version of freesound #162268 by eneaszthe intervals between the dog running are removed. It came out surprisingly well. No skipping or clipping or any of that whatsoever. As this is the very second sound effect i've ever uploaded, i could benefit from feedback. I encourage people to rate and comment, and if you use this sound effect for something, don't be afraid to link it in the comments. I'd love to see what people use this for.