1,227 Royalty-Free Audio Tracks for "Interval"

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals

*Hundred-eleventh harmonic on C = A♯+ (Ben Johnston's notation). Just: 111/64 = 953.30 cents. Limit: 37-limit. MIDI pitch bend: 7,81

*Alpha scale minor third on C. (3 : 2)4/9 : 1 = 311.98 cents. MIDI pitch bend: 107,67 MIDI pitch bend on 108,67 for 312 cents

*Alpha scale step on C. (3 : 2)1/9 : 1 = 78 cents. MIDI pitch bend: 123,56 MIDI pitch bend on 123,56 for 78 cents.

*Three-hundred-forty-third harmonic on C = G♭+. Just: 343:256 = 506.48 cents. Limit: 7-limit. MIDI pitch bend: 9,66

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

*Just diminished fourth on C = F♭ (Ben Johnston's notation). 32:25 = 427.37 cents. Limit: 5-limit. MIDI pitch bend: 97,72

*Pythagorean minor semitone/Pythagorean limma on C = D♭-- (Ben Johnston's notation). 256/243 = 90.22 cents. Limit: 3-limit. MIDI pitch bend: 112,60

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

*Ninety-ninth harmonic on C = G↑ (Ben Johnston's notation). Just: 99/64 = 755.23 cents. Limit: 11-limit. MIDI pitch bend: 86,81

*Pythagorean augmented fourth on C = F♯++ (Ben Johnston's notation). 729:512 = 611.73 cents. Limit: 3-limit. MIDI pitch bend: 96,67

*Pythagorean augmented fifth on C = G♯++ (Ben Johnston's notation). 6561/4096 = 815.64 cents. Limit: 3-limit. MIDI pitch bend: 1,69

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

*Pythagorean augmented second on C = D♯++ (Ben Johnston's notation). 19683/16384 = 317.60 cents. Limit: 3-limit. MIDI pitch bend: 81,69

*Difference between 29:16 (B♭) & 9:5 (B♭) on C = C (Ben Johnston's notation). Just: 145 : 144 = 11.98 cents. Limit: 29-limit. MIDI pitch bend: 107,67

*2 step in 17 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 22/17:1 = 141.18 cents. MIDI pitch bend: 23,77

*4 steps in 15 equal temperament on C = D↑ (Easley Blackwood's notation). Equal-tempered: 24/15:1 = 320 cents. MIDI pitch bend: 51,70

*9 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 29/16:1 = 675 cents. MIDI pitch bend: 0,56

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. MIDI pitch bend: 0,64 Bohlen-Pierce scale: interval between C and C, unison.

*5 steps in 16-et on C = D (Easley Blackwood's notation). Equal-tempered: 25/16:1 = 375 cents. MIDI pitch bend: 0,56

*10 steps in 17 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 210/17:1 = 705.88 cents. MIDI pitch bend: 113,65

*7 steps in 17 equal temperament on C = F (Easley Blackwood's notation). Equal-tempered: 27/17:1 = 494.12 cents. MIDI pitch bend: 15,62

*7 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 27/16:1 = 525 cents. MIDI pitch bend: 0,72

*Hundred-eighty-fifth harmonic on C = F+ (Ben Johnston's notation). Just: 185/128 = 637.66 cents. Limit: 37-limit. MIDI pitch bend: 6,76

*7 steps in 15 equal temperament on C = F↑ (Easley Blackwood's notation). Equal-tempered: 27/15:1 = 480 cents. MIDI pitch bend: 26,83 on a P4

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

*Lesser septendecimal quarter tone on C = D♭ (Ben Johnston's notation). Just: 35:34 = 50.18 cents. Limit: 17-limit. MIDI pitch bend: 7,80 on PU

*Hundred-fifty-ninth harmonic on C = E (Ben Johnston's notation). Just: 159/128 = 375.46 cents. Limit: 53-limit. MIDI pitch bend: 18,56

*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2

*Ninety-third harmonic on C = F♯+ (Ben Johnston's notation). Just: 93/64 = 646.99 cents. Limit: 31-limit. MIDI pitch bend: 5,79

*Gamma scale neutral third on C. (3 : 2)10/20 : 1 = 351 cents. Created by Hyacinth (talk) 08:49, 25 November 2010 using Sibelius 5.

*3 steps in 16 equal temperament on C = D (Easley Blackwood's notation). Equal-tempered: 23/16:1 = 225 cents. MIDI pitch bend: 0,72

*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66

This is a recording of me pressing buttons, flicking the stick, and making circles around the edge notches of the wii nunchuck. I do all of these things in random intervals instead of actually playing something, as the more intense sounds work better for what i recorded this for.

*Hundred-seventy-first harmonic on C = F+ (Ben Johnston's notation). Just: 5:4 = 501.42 cents. Limit: 19-limit. MIDI pitch bend: 58,64

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

A field recording of small waves crashing on a sandy shore. Part of the recording includes the waves splashing against a wooden structure. The waves come a fast, regular intervals; this isn't the slow rolling crash of a barrel wave on the beach. There was a bit of wind (generating the waves) which i've did my best to minimize, but if you don't want wind in the recording you're going to need to edit around it. Always curious to see where these recordings wind up, so if you use it drop me a link in the comments if you think about it.

*4 steps in 19 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 24/19:1 = 252.63 cents. MIDI pitch bend: 108,48

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).