469 Royalty-Free Audio Tracks for "Hz"

Violin sequence filtered at 2000 hz pitch transformation remix.

Violin sequence filtered at 2000 hz pitch transformation remix.

439 Hz tone

451 Hz tone

480 Hz tone

Short guitar clip. A4 frequency is 432 hz.

450 Hz tone

Glisando 100 hz a 10000hzfalta el movimiento de canal izquierdo y derecho.

880 Hz tone No creative content.

This sound of alarm clock was entirely made with audacity. First, i generated a sinusoïdal key at 575 hz with an amplitude of 0. 11 during 3 seconds. Then i deselect my track and i generated an other sinusoïdal key at 1500 hz with an amplitude of 0. 33 during 3 seconds too. I deselected the track and i generated a final sinusoïdal key at 2800 hz with an amplitude of 0. 56 during 3 seconds. Next i selected my 3 tracks and i clicked on track - mix and render to a new track. I added a tremolo effect with a reverse serrated and a degree of 0, a level of 100 and a frequence at 25,0 hz. The wave must looks like stuck triangles.

Field recording of elevated subway train in queens. The n and w trains take a sharp turn here, causing the wheels to squeal. Recorded using tascam dr-1 on 24-bit uncompressed setting. Used roll-off at 40 hz to save my speakers. I used a windscreen to cut down on wind noise which can otherwise be a problem on this recorder.

Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.

Le llaman llamador de ángeles, también carrillón, en inglés: chime ( según el traductor de google) 1 minuto 29 segundos.

Radio scanner. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

This kind of noise randomly generates the values -1 or +1 at a given rate per second. This number is the frequency. In this example the frequency is 100 hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Created with arturia microbrute. Recorded with audacity 44100 hz 16 bits stereo.

7 seconds of white noise with a sampling rate of 22050 hz.

Sit back and relax to these ocean sounds. 44100. 0 hz 32 bit 10. 005 s.

Natural armonics at 136,10hz, the 32th octave of the solar tropic year. Synthesized sound with zynaddsubfx.

Record of our toilette made with zoom h-4 at 44 100 hz 16-bit.

Rotative sounds - 96000 hz.

Violin band filtered at above 2000 hz pitch transformation remix.

Sinusoidal sound (800 hz) with melt closure / opens, decreasing speed of 40%, repeted 6 times, and tremolo.

Piano harp samples processed, remixed, filtered 0-650 hz.

Created with arturia microbrute. Recorded with audacity 44100 hz 16 bits stereo.

Recorded using tascam dr-1, *. Wav, stereo, 44100 hz.

A pen writing on paper recorded in stero. 44100 hz/ 16bit.

Sine wave test tone at 440hz.

A high-speed relay turning on and off repeatedly at ~33 hz.

Recording of my old camera olympus om-10recorded with a mobil mdrecorder16-bit, 44100 hz samplingrate.

Created in labchirp using a noise with frequency up and a bit crusher.

This is a 5-second sawtooth with 440hz frequency generated by audacity.

Wc water drop. Codec- mono- 48 000 hz- 24 bits.

French horn blowing samples studio rexcorded filtering 1000-1500 hz.

This is me playing around with a hymn on the organ. 44. 1 hz/ 16 bit13,8 mb1:18 minwav.

Maybe someone could find a use for this. I doubt it. Rising tone from 440 to 880 hz, with extra harmonics arising over that period. Random slow panning l/r. Much faster random panning (~200 hz), but shallower. Ridiculous echo and reverb. Just what i felt like doing on a sunday morning.

Hitting a support beam at my school arata creek using dr-05 96000 hz.

Created with arturia microbrute and behringer craver. Recorded with audacity 44100 hz 16 bits stereo.

Sound of smooth rain fall at night. Codec- stereo- 48 000 hz- 32 bits.

Flipping through pages of a book. Recorded in sound proof box at confederation college. Recorded at 48000 hz. .

French horn band filtered long sample remix and filtered 800-2000 hz.

Drum hit recorded. Pitch adjusted too 72-hz (concert-d).

Created in labchirp using a noise and frequency up.

Created with arturia microbrute. Recorded with audacity 44100 hz 16 bits stereo.

A brief burst of guitar noise or hum.

Accordion band filtered, extracting low frequencies below 300 hz, cut into an attack.

Accordion band filtered tremolo remix extracting high frequencies above 1700 hz.

Smoke detector test noise, recorded roughly 20cm from mic without room reflections. Fundamental frequency: ca. 3373 hzovertones: ca. 6743 hz; 10111 hz, 13482 hz. Feel free to use this sound; no attribution required. Feel free to write me in the comments what you used this sound for. Equipment:røde ntg2sound devices mixpre-3 ii. File:wavmono48 khz24-bit.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

400hz reference tone in -20db, ideal for calibration. Created in audacity and checked in izotope insight. Precise frequency and decibel.