14 Royalty-Free Audio Tracks for "Calibration"

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Vários policiais disparando com revolver calibre 38.
Author: Reishugo
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05:01
400hz reference tone in -20db, ideal for calibration. Created in audacity and checked in izotope insight. Precise frequency and decibel.
Author: Metaxis
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05:00
1000hz reference tone in -20db ideal for calibration. Created in audacity and checked in izotope insight. Precise frequency and decibel.
Author: Metaxis
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00:52
It's a prusa 3d printer doing mesh calibration, which is performed once before each print,. In this case it's testing 49 on the print bed, instead of the default 9.
Author: Omenbard
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00:13
Launch and burst of large-calibre firework shells during a display in uk in 2002, recorded from less than 50m distance on portable analogue equipment.
Author: Mr Sensible
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02:04
This is part of a commercial summer firework display in the uk. There are bombette candles, crackle candles, tourbillion units and shells of various calibre, some of which contain crackling material. Analogue recording.
Author: Mr Sensible
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00:05
/////description de base ////////. Son de l'ordinateur en marche. //////////typologie (p. Schaeffer)///. X : continu complexe. /// morphologie ///masse : son seul complexe. Grain : son rugueux. Dynamique : attaque du son abrupte. Profil de masse : calibre : amplification du son.
Author: Univ Lyon
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00:16
High-quality sound effect for relevant scenes in movies/videos/music, etc. Высококачественный звуковой эффект для соответствующих сцен в кино/видео/музыке и т. Д.
Author: Snzl
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00:42
A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.
Author: Blouhond
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00:05
/////description de base ////////. A sound of a futurist guitar. //////////typologie (p. Schaeffer)///. V : variée continu. ////////morphologie////////////. - masse : groupe nodal. - timbre harmonique : acide. - grain : lisse. - allure : allure naturelle qui necomporte pas de vibrato. - dynamique : l’attaque est douce et graduelle. - profil mélodique : les variations sont glissantes. - profil de masse : calibre.
Author: Univ Lyon
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00:04
Sound of water flowing from a tap with fades in and out created with audacity. X : continu complexe. Morphologie :- masse : son cannelés mélange de sons complexes et de sons toniques- timbre harmonique : éclatant et clair- grain : son rugueux- allure : pas de vibrato- dynamique : attaque douce et graduelle. - profil mélodique : variation glissante sans séparation nette- profil de masse : calibre : equalisation.
Author: Univ Lyon
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01:50
Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.
Author: Gis Sweden
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00:15
This sound is completely analog. I recorded the sound of a person who was walking on the street. I chose to leave the noise of the street so that we understand that the person walks outside. I used the effect "amplification" to reduce the noise of the street and increase the sound of step. I made a fade in opening and closing, so that we have the impression that the steps are moving towards us then moves away. At the same time, i played with the pitch of the sound to accentuate this effect. Descriptif selon la typologie de schaeffer :code : x''précisions morphologie :- masse : groupe nodal / complexe- timbre harmonique : terne- grain : rugeux- allure : ne comporte pas de vibrato- dynamique : l’attaque est douce et graduelle- profil mélodique : scalaire- profil de masse : le son paraît plus calibré.
Author: Univ Lyon
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00:31
//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".
Author: Univ Lyon
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