78 Royalty-Free Audio Tracks for "Granulated"

Pad i made using granulized vocal chops and some synths clamped together in a compressor. Cool stuff!.

Another granular synthesis with ableton live's granulator m4l plug-in.

One-shot granular experiment from ableton live's granulator m4l plug-in.

Result of granular snthesis from ableton live's granulator m4l plug-in.

Humming and whistling through my teeth, granulated and highpassed.

Sansula with granular fx processor.

A very noisy field recording of instruments on a crowded street fed through a granulizer.

A random drum loop filtered through fl studio granulizer.

It starts with a little click i've recorded, then processed through a granulator called dropout, + a little layer of reverb.

See title &. . . Https://freesound. Org/people/strangehorizon/sounds/654635/.

An atmosphere created from a recording of my friend's fart believe it or not. Processed by granulator ii in max for live. Originally recorded with tascam dr-05.

Made this abstract crystal-ish sounding wave thing in ableton using freeware vst plugs. Enjoy.

Quantised bells from rings, arbhar and morphagene processed and granulated. Morphagene oven-ready, markers set. 48khz 32-bit fp let it ring out. Enjoy. . .

Needed sustained ice movement in a video, so i lenghtened a bit of a real ice recording with ableton live's granulator ii with some random moving about to make it kinda realistic.

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.

Just played around with a granulizer and this sound came out of it. Actually i made a track before where i was looking for this exact sound. But until now, i couldn't find it. So if anyone is looking for the same sound too, here it is.

The sample are mixed and processed. The fade-in/stopping done by filters & the noises, the full sample done by glitching, granulize & adding more sounds: doorclosing, drive starting, -stopping & dooropening/drive ending.

A sound of a sci-fi sniper rifle and reload. Made in ableton 10 with the help of xfer serum and a bunch of processed and resampled oneshots (which were also made either in serum, or granulator, or some other processing tools).

Note: you're not required to credit me and youre free to use this but i really prefer credit and id love to see what you create with this if you use this! thank you :). Put some metallic/tonal sounds i synthesized into fruity granulizer and messed with automation and effects, etc!.

Simple drone sound, created by using ableton's operator plus some granulator and effects. It can be used as a subtle background noise to make your scene tenser or etc. You get itexperiment with volume automation.

Weird e-piano/synth ditty, used a few times in tracks over the years. Has a peculiar moody quality. Anyway i'd probably just process the hell out of it with distortion/granulation/slicing and using it as a droney texture because it's sloppy and weird.

Granulator 2 was used in the making of this production >:d87 bpm ishtake a listen into the depth and width of this drone producing repeating robotic structure. Good thing this was created only by a human. Please use at free will, no need to credit me, unless you'd like :).

Nice moody soft piano loop at 160bpm, might work for liquid dnb vibes, use it how you like!. Piano was spitfire labs soft piano and put through a short reverb processed with a granulator. Enjoy :). Please note: there are some squeaking sounds but this is part of the preview, when you download it these sounds will be gone.

This sound was created using the risset tone generator in audiomulch. I added some timbral complexity using the shaper and granulator effects before running it through some delay and reverb. This particular sound has a dissonant, almost violin-like quality. Hopefully this sound might be of use for soundtracks of various kinds. It should be easy to loop, if you need it to be longer.

My first excursion into the ambient realm. My friends mimeophon, o-ctrl, morphagene, x-pan, erbe-verbe and the omnipresent clouds took me to somewhere i never thought i'd venture. Basically a very simple sound source, sped up and slowed down in segments, granulated and pasted back together. Quite a wet mix. Shake the drops off afterwards. . .

This was originally a friend's cat meowing but it has been processed heavily. First, it was put through a granulizer and the pitch was dropped -2 octaves. The sample was then panned l-r using automation, and bitcrushed. Lastly, to get a slight detuned feel, i added a chorus effect. This sample sounds even better with some convolution or hall reverb but i left this effect out since it's usually a effect users want total control over. The end result is a strange, alien sounding noise.

An imaginary steam-powered machine runs up to speed and slows to a halt. Created in flstudio 11 with a commuted synthesis model for emulating engines and other cyclic mechanical sounds, also known as virtualmachine, by rurik leffanta. See http://www. Xoxos. Net/about. Html. Flstudio 3x osc noise was used as a hissing sound similar to venting of high pressure steam. The hiss is granulated to simulate a slight sputtering effect. As the machine tempo increases, lf rumble is introduced to evoke the notion of a rolling load. The rumble dies away as the machine slows down. 100% synthesised sound. No audio sample is present in this recording.

This was created with reaktor 6, nested inside vcvrack (via the "host" module) run through various effects in vcv rack. Ultimately this was rendered out at 192khz (vcv allows for very high super sampling). Many frequencies that are above the range of hearing exist in this file due to rendering it at such a high sample rate. I recommend that, in your daw of choice: pitch this down a couple octaves while running this through a frequency analyzer. Watch how many notes and tones emerge into the range of hearing. You might need a high shelf eq on this as well as a slight high pass filter. Several use cases for this sound: in the background of a sci-fi video game. On your next ambient dark drone top 40 hit single. Run through effects like granulators, pitch shifters and spectral distortions to make a crazy sound design sculpture.