17,988 Royalty-Free Audio Tracks for "File"

Geh aus, mein Herz, und suche Freud (Evang. Gesangbuch 503; Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 865)Dich lobt, mein Gott, was du gemacht (Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 812

Bahasa Indonesia: "Nad Tatrou sa blýska", lagu kebangsaan Slowakia, oleh paduan suara dengan musik pengiring. "Nad Tatrou sa blýska", the national anthem of Slovakia, performed by a choir with music. Српски / srpski: "Муње изнад Татри", национална химна Словачке, изведена од стране хора и оркестра.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:6:5

Example of figured bass in context. Implied pitches written in small, stemless type above bass voice. Taken from Beschränkt, ihr Weisen, by J.S. Bach. (Riemenschneider no. 47/69.) Final chord added.

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: MT 60/249:3:5 Hänvisning till tryckt/skriftlig källa: Svenska låtar, Östergötland, nr 341

4 Ruffles and Flourishes and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 34 from disc 1 of Ceremonial Music (2005).

Songː Puente Alsina (tango). Authorː Benjamín Tagle Lara (1892-1933). Singerː Rosita Quiroga. Recː RCA 21-dic-1926, Buenos Aires. Temaː Puente Alsina (tango). Autorː Benjamín Tagle Lara (1892-1933). Cantanteː Rosita Quiroga. Grabː RCA 21-dic-1926, Buenos Aires.

This anthem was in use during the rule of Emperor Haile Selassie I from 1930 to 1974. The music was composed in 1926 by Kevork Nalbandian, an Armenian living in Ethiopia. It was first performed when Haile Selassie I was crowned Emperor on November 2, 1930 and remained the national anthem until the Emporer was overthrown by socialist army officers in 1974 and the socialists fully gained control of the government in 1975.

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:4:9

Phonograph cylinder recording from Filaret Kolessa collection. Dudochka (dance) (fragment). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Дудочка (козачок) (фрагмент). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: бандура

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: MT 60/249:1:2 Hänvisning till tryckt/skriftlig källa: Svenska Låtar, Östergötland, nr. 303

Phonograph cylinder recording from Filaret Kolessa collection. Song Letila pava, letila (fragment). Performed by Melaniya Dankovska. Phonograph operated by Filaret Kolessa. Date: 1912. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Пісня «Летіла пава, летіла» (фрагмент). Виконує Меланія Даньковська. Записувач(-і): Філарет Колесса. Рік запису: 1912. Інструмент: немає

Bombasto performed by the Concert Band of the United States Air Force Band of the Rockies. Track 5 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:6:2

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:7:2

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 (tidigare inspelningar gjorda 1952) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:19:1

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:20:3 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 223

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:27:4

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:19:2 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 138

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:7:5

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:11:1

Phonograph cylinder recording from Filaret Kolessa collection. Song Temna nichka (fragment no. 5). Performed by Filaret Kolessa. Phonograph operated by Filaret Kolessa. Date: 1912. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Пісня «Темна нічка» (фрагмент № 5). Виконує Філарет Колесса. Записувач(-і): Філарет Колесса. Рік запису: 1912. Інструмент: немає

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:21:14

The American Legion March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 67 from disc 1 of Ceremonial Music (2005).

The Stars and Stripes Forever (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 18 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:12:03

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:7:4

Sansoen Phra Barami (vocal be Mae Pun - Mae Pan) B.E.2450 ไทย: เพลงสรรเสริญพระบารมี บันทึกเสียงลงบนจานเสียงแบบปาเต๊ะร่องกลับทาง บันทึกเสียง ณ วังบ้านหม้อ ประมาณช่วงปี พ.ศ.๒๔๕๐ แบ่งเป็นเนื้อร้องไทยเดิม ขับร้องโดย แม่ปุ่นและแม่แป้น ดนตรีโดย แตรวงกรมทหารราบที่ ๓ และ เนื้อร้องละครดึกดำบรรพ์ (เจ้าฟ้านริศ) ขับร้องโดย หม่อมเจริญ และแม่เทศ ดนตรีโดยพิณพาทย์ดึกดำบรรพ์

Carl Maria von Weber - Sonate pour piano n°1, op.24 - III. Menuetto. Allegro, interprété par Anatoly Vedernikov (1959) Carl Maria von Weber - Sonata for piano n°1, op.24 - III. Menuetto. Allegro, played by Anatoly Vedernikov (1959)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:37:3

Congressional Honors ("The Stars and Stripes Forever") performed by the Concert Band of the United States Air Force Heritage of America Band. Track 33 from disc 1 of Ceremonial Music (2005).

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:19:3

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:32:9

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:3:5

Vow to the tulip lain in blood (Persian: به لاله در خون خفته ; Transliteration: Beh laaleh-ye dar khoon khofteh) was a famous revolutionary song composed in 1979 during the height of the Iranian Revolution فارسی: سرود انقلابی «به لاله در خون خفته» از سرودهای انقلابی مشهور ساخته شده در دوران انقلاب اسلامی ایران در سال ۱۳۵۷

Sound before old film. Repetition of the beep from http://freesound. Org/people/longhairman/sounds/37732/ at a different hz rate. Edited with audacity. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This was recorded by holding a small pcm recorder (zoom h1n) very close to an ipod 4th generation. The ipod was turned on and its hard drive tried to start up. You can hear the spin up of the motor and the hard drive head clicking back and forth. The hard drive fails to power up completely and eventually shuts down again. A 350 hz high pass filter was applied, in addition to audacity noise reduction, to get this clean motor noise from the original recording. The stereo file was then mixed to mono because the mic was slightly off center from the ipod, and the stereo provides no benefit. The hard drive in this ipod is a 1. 8" 40 gb toshiba hard drive, the ipod model is a1059. The microphone was held just 3 cm (1. 2 in) from the ipod. Recording settings were stereo 44. 1 khz at 16 bit (wav format). The file is the same except it's mono.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

The Liberty Bell march, by John Philip Sousa (1854-1932), played by the New York Military Band. Recorded on Edison Blue Amberol cylinder record #3220 (unrestored version).The march is often associated with the British TV comedy program Monty Python's Flying Circus (1969–74), which used the piece as a signature tune. Nevertheless, the march remains popular with British military bands. Der Freiheitsglockenmarsch von John Philip Sousa (1854-1932), interpretiert von der New York Military Band, aufgenommen auf Edison Blue Amberol Zelluloidzylinder Nr. 3220 (Unrestaurierte Version).Der Marsch wird oft mit der englischen Comedy-Show Monty Python's Flying Circus (1969–74) assoziiert, die ihn als Titelmusik einsetzten. Dennoch ist er nach wie vor bei britischen Militärkapellen beliebt.

Session leftover, noise collage from filed recordings and studio. Year 2015 // see video: https://youtu. Be/_ac6rbhhiu8would be super nice if you mail me a link in case you use it ;) cheers.

Pobblebonk frog named for the sound of its call or the eastern banjo frog. An australian frog with a distinctive call. Note i've used selective eq to remove the cicada calls. An accompanying file has the cicada calls unedited. Recorded with rode ntg5 - > zoom h4n pro -> processed in adobe audition, equalisation, hi-pass, eq.

It's not rain but sounds like rain - fog and damp settling in the trees as a breeze blows. Recorded in the fields above my home in the fog and damp - so sounds amplified and 'hollow'. Recorded using a sennheiser mke300 'shotgun' mic. Cropped in audacity; and saved as aif file. Rustling leaves can also be made out. Feel free to hash it, mash it and trash it. Use it as you wish. No conditions.

Based on a sawtooth generated in audacity and then playing with speed and paulstretch and fade filters. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This is a simple loop of me playing some nice triplet delay textures on guitar. This is a stereo file with 2 guitars panned on the right and left, playing the same pattern in different octaves, offering a nice atmosphere. This was recorded with a hagstrom f200p (awesome p90 style pickups) on a voxac15, using a boss dd7 for the delay and a beheringer reverb unit (yeah, i love the lo-fi sound of that cheap box!).

Every now and then i get on reaktor and jam out a load of abstract weirdness to cut up and be used or further processed, i am uploading some of the raw, continuous files for you to do the same. They tend to be kinda aggressive, but not always and not unusably so (in a commercial sense).