188 Royalty-Free Audio Tracks for "Fifth"

*Six-hundred-twenty-fifth harmonic on C = D. Just: 625/512 = 345.25 cents. Limit: 5-limit. MIDI pitch bend: 61,78

Two kazoos playing a similar fanfare in fifths harmony.

*Two-hundred-forty-fifth harmonic on C = C+. Just: 245/128 = 1123.97 cents. Limit: 7-limit. MIDI pitch bend: 85,39 on P8

*Two-hundred-forty-fifth subharmonic on C = C-. Just: 256/245 = 76.03 cents. Limit: 7-limit. MIDI pitch bend: 42,88 on PU

*Seven-hundred-twenty-fifth harmonic on C = F♯+. Just: 725/512 = 602.20 cents. Limit: 29-limit. MIDI pitch bend: 90,64

*Five-hundred-fifty-fifth harmonic on C = C♯+. Just: 555/512 = 139.61 cents. Limit: 37-limit. MIDI pitch bend: 86,76

*Seven-hundred-ninety-fifth harmonic on C = G♯. Just: 795/512 = 761.77 cents. Limit: 53-limit. MIDI pitch bend: 98,51

*Five-hundred-twenty-fifth harmonic on C = C♯+. Just: 525/512 = 43.41 cents. Limit: 7-limit. MIDI pitch bend: 114,77

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

*Hundred-sixty-fifth harmonic on C = E↑. Just: 165:128 = 439.59 cents. Limit: 11-limit. MIDI pitch bend: 85,76

Was recorded from a terrace on the fifth floor of the building with two omnidirectional lavalier microphones with ab stereo technique.

Dominant seventh with root doubled and missing fifth resolving to I, in C.

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*Hundred-eighty-fifth harmonic on C = F+ (Ben Johnston's notation). Just: 185/128 = 637.66 cents. Limit: 37-limit. MIDI pitch bend: 6,76

*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

Tritave dyad (interval)

Fifth Symphony, opening, known as the "fate" motif.

*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

New york ambience from a fifth floor window.

*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6

Three voice canon, each voice starting a measure later and a fifth lower.

Here is a tractor trailer connecting together.

Fifth recording of me just listening to birds as i am outside recording them on my iphone.

Audio sample of a korg volca keys patch.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

Passage gegen Ende des Nocturne op.37,2: Harmonscher Schnelldurchlauf des Quintenzirkels

Now it number 6fact that im not really good at english muchand the first to fifth one i actually copy the desription☆(ﾉ◕ヮ◕)ﾉ*.

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

General chicago ambience just outside the downtown core from a fifth floor balcony as a passenger train passes slowly by. Recorded with a zoomh6.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.

*Eleventh harmonic inverse on C = G↓. 16:11 = 648.68 cents. Limit: 11-limit. MIDI pitch bend: 74,79

Me playing on tanpura (an indian instrument), sometimes also called a tambura. It's tuned to c (either major or minor as it's first and fifth). Actually meant this to be a different file. I'll add that as well.

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. Play by clarinets.

Brief musical illustration from Beethoven's Fifth Symphony, played on an acoustic piano by Opus33.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

A morphagene reel recorded from an old swedish air organ. The reel is organized into 5 groups, cmaj scale, octave up, thirds, fourths, and fifths. Really nice slowed down or through a low pass gate.

*Just tritone on C = G♭- (Ben Johnston's notation). 64/45 = 609.78 cents. Limit: 5-limit. MIDI pitch bend: 16,67

Sound illustration for a brief passage from Beethoven's Fifth Symphony. Produced with an acoustic piano and Audacity software by Opus33. This music is in the public domain. This recording is released into the public domain by Opus33.

*29791th harmonic on C = G+. Just: 29791/16384 = 1035.11 cents. Limit: 31-limit. MIDI pitch bend: 29,107 on M6