643 Royalty-Free Audio Tracks for "Equal"

*10 steps in 11-et on C = ??. Equal-tempered: 210/11:1 = 1090.91 cents. MIDI pitch bend: 11,61

*26 steps in 31-et on C = ?. Equal-tempered: 226/31:1 = 1006.45 cents. MIDI pitch bend: 8,66

*10 steps in 13-et on C = ??. Equal-tempered: 210/13:1 = 923.08 cents. MIDI pitch bend: 49,71

Vsti elektrostudio odsay + flanger + equalizer + multi-effect.

Diatonic major scale in 12 tone equal temperament

Helms bakery truck whistle sound effects.

*Supermajor seventh on C = B/C. Equal-tempered: 223/24:1 = 1150 cents. MIDI pitch bend: 0,80 Preceded by:

Vsti elektrostudio odsay + flanger + equalizer + reverb + multi-effect.

Breathing in the microphone, with massive amounts of compression, gating, equalizing etc.

Distorted kickdrum: used ohmicide, camelphat 3 and some equalizers.

*Neutral sixth on C = A. Equal-tempered: 217/24:1 = 850 cents. MIDI pitch bend: 0,80 Preceded by:File:Fifteen quarter tones on C.mid

*Subminor seventh on C = B. Equal-tempered: 219/24:1 = 950 cents. MIDI pitch bend: 0,80 Preceded by:File:Seventeen quarter tones on C.mid

*Alpha scale step on C. (3 : 2)1/9 : 1 = 78 cents. MIDI pitch bend: 123,56 MIDI pitch bend on 123,56 for 78 cents.

Vsti elektrostudio micromoon + flanger + chorus + equalizer + reverb + multi-effect.

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

*18 steps in 19TET on C = B♯ (Easley Blackwood's notation). Equal-tempered: 218/19:1 = 1136.84 cents. MIDI pitch bend: 101,75

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Recording from a fork crashing in a metal pan. Looped, distorted and equalized.

50 year old tape stock. Tandberg ¼" tape on an equally as old revox machine. .

A beat boxed snare sound, recorded dry, equalized to bring out the highs, and normalized.

White noise equalized trying to match female voice formant frequencies.

A noise sound made with random equalizer modulation technique.

Produced with jeskola buzz. Generated from kick synth with distortion, re-verb and equalization added.

Hekt on C. 31/1300 ratio. 1.463042 cents.

Recorded with an audio technica at822 stereo microphone into an edirol r-09. Cleaned up using an equalizer and expander.

Recorded with an audio technica at822 stereo microphone into an edirol r-09. Cleaned up using an expander and equalizer.

Recorded with a m-audio firewire solo interface & a rhode nt1 micro. No effects or equalizing. Wake up!.

Clap sound is created by modifying the brush sound with reverb and with equalizer cutting low frequencies.

Back to back recording of white noise played through klipsch quartet and klipschorn from equal distance, with tweeters disconnected.

Recorded with an audio technica at822 stereo microphone into an edirol r-09. Cleaned up using an equalizer and expander.

Recorded with a m-audio firewire solo interface and a rhode nt1 micro. No effects or equalizing, pure as recorded. Wake up!.

*Secor on C. 18/51/19 = 116.72 cents.

This is a table fan recorded at 3 speeds. 2 at 2020s equally spaced for decent stereo width.

Laffik's bebop. Processed a bit. Generic mic and equalization - taming 500hz and adjusting slope upwards.

Recorded with an audio technica at822 stereo microphone into an edirol r-09. Cleaned up using an equalizer and expander.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

*Jot on C. 101/100,000 = 0.039863 cents. MIDI pitch bend: 2,64

*Meride on C. 107/1,000 = 27.904196 cents. MIDI pitch bend: 119,72

*Centitone on C. Equal-tempered: 21/600:1 = 2 cents. MIDI pitch bend: 82,64

*Three secors on C. 18/53/19 = 350.15 cents.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

Makes for a good click-effect. It's actually just a leaf dropped onto the pavement. Shortened down and messed a bit with the equalizer.

Makes for a good click-effect. It's actually just a leaf dropped onto the pavement. Shortened down and messed a bit with the equalizer.

*Six secors on C. 18/56/19 = 700.29 cents.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

*Savart on C. 101/1,000:1 = 3.986314 cents. MIDI pitch bend: 35,65

BP chromatic scale et. MIDI pitch bend appears to match intervals.