643 Royalty-Free Audio Tracks for "Equal"

Samples of all keys and drones separately from a harmonium. Recorded in the euterpea studio at yale university's department of computer science. Some equalization applied after recording. .

classic electronic bass sound, created in synthmaster 2. 9 with wavetables created in waveedit. Various modulations in filters and oscillators, phaser effect, lofi and equalizer.

Used as transition between scenes for a play. The chord is unusual but essentially a major chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

10-tet scale on C. MIDI pitch bend matches intervals.

This is a re-mix of "all men are equal. Wav" from erh. The original can be found here: http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=33565.

A hard tick of a clock. You might have to use an equalizer to get rid of some frequencies, and there is a section at the beginning you might have to cut. Recorded on an iphone xr - m4a format.

A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.

*Bohlen-Pierce three steps on C = E. 33/13 = 438.91 cents. MIDI pitch bend: 57,76

*Bohlen-Pierce six steps on C = G. 36/13 = 877.83 cents. MIDI pitch bend: 115,56

*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71

5-tet scale on C. Pitch bend matches intervals.

*Bohlen-Pierce four steps on C = F. 34/13 = 585.22 cents. MIDI pitch bend: 34,59

I used the "the challenge. Wav" base (id: 561988) and made a simple melody with a synth, added effects and some beats. I used some fl studio effects: reverb, echo, distortion, equalization, amplify, low-fi effect, low-pass, drums and synthesizer. Amazing challenge as always, thanks badoink.

*Bohlen-Pierce two steps on C = D. 32/13 = 292.61 cents. MIDI pitch bend: 81,61

23-tet scale on C. 1200 cents/23 = steps of 52.17 cents. MIDI pitch bend matches intervals.

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

*Bohlen-Pierce clarinet unison on C = C. Just: 1/1 = 0 cents. MIDI pitch bend: 0,64

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

Delta scale step on C. (16 : 15)1/8 : 1 = 13.97 cents. MIDI pitch bend: 61,68

Television_interference (x). White noise - 6 secschange speed - 75%equalization - columbiabass boost - 600/300wahwah - 1,5/120/79/2,5/29bass boost - 600/300generate tone - sine.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

Traditional Thai 7-tet subset pentatonic mode 1: 1, 2, 3, 5, 6. Beginning on middle C.

11-tet scale on C. MIDI pitch bend matches intervals.

Cool harmony i made in fruity loops. I recommend using an equalizer to get rid of the high pitched squeaking noise. It didn't show up in my daw for some reason.

*Bohlen-Pierce one step on C = C♯/D♭. 31/13 = 146.30 cents. MIDI pitch bend: 104,78

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54

*Bohlen-Pierce five steps on C = F♯/G♭. 35/13 = 731.52 cents. MIDI pitch bend: 11,74

Recorded on zoom h4n pro in california. A few footsteps on a gravel path. Cleaned and equalized in audacity to trim out noise.

36-tet scale, or sixth-tone (1200/36 = 33.33 cents) scale, on C. MIDI pitch bend appears to match intervals.

Morning bird sounds on 5th april 2017. Recorded in pécel, hungary using sony icd-ux512 stereo dictaphone. Equalizer required before uploading, my dictaphone is getting old and sensitive to cold.

A short loopable recording from the moscow metro. Noisy. A whistle-like sound in the background. Recorded with my mp3 players built-in mic. Run it through an equalizer and tweak around to get a more realistic metro-sound ;).

*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents

53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

This is a handbag zipper. First the zipper opening and then the zipper closing. I used zoom h4 handy recorder with built-in microphones. I modified the original sound and added equalized, compression and sound reduction. All with adobe audition 2014.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

March 2018. Recording equipment: shure sm57 mic, digilab smp100 preamp, roland quad-capture interface. Equalized by logic pro x. Acoustic japan guitar fg-151.

Broken brunches: this sound has been captured in exterior area. Technical: the equalizer has been used in this sound and also we used noise reduction. Zoom h4n.

Single hit with the clapper on a handbell, compressed and equalized with the intention of creating a lift bell sound effect. If you use this sound i would love it if you could send me a message saying what you did with it.

*Bohlen-Pierce nine steps on C = J. 39/13 = 1316.74 cents. MIDI pitch bend: 45,69 1316.74-1200=116.74 cents.

*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Beta scale 15 steps on C. (3:2)15/11 : 1 = 957.21 cents. MIDI pitch bend: 39,82 on M6 MIDI.

*Beta scale step on C. (3 : 2)1/11 : 1 = (4 : 3)1/8 : 1 = 64 cents. MIDI pitch bend: 54,84 on PU

The sound of a metal ladder hitting a wood plank. It can also be described sound as a metal or wooden door closing. There is some reverb and equalization added. Recorded with a simple coolerstorm ceres 500 microphone.

A short "fireball" sounding woosh. Originally created for game sfx. A combination of a gas stove lighting and burning, fan hums from several computers, and generated brown noise in audacity, all combined, equalized and shapped with a short fade in and longer fade out.