114 Royalty-Free Audio Tracks for "Diminishing"

Diminished triad on C , as MIDI.

Diminished seventh chord on B.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Diminished triad on B, as MIDI

Common-tone diminished seventh chord.

Diminished seventh chord on C

Chord progression with diminished seventh chords added.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Supertonic diminished seventh chord in C (D♯=E♭).

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

Diminished seventh chord's use in modulation.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Half-diminished seventh chord on C

Just diminished seventh in just C scale: B and A♭.

Diminished seventh chord as incomplete ninth in C.

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Half-diminished seventh chord on supertonic in C minor.

Chord progression with diminished seventh chords added, without chords added yet.

B diminishedΕλληνικά: Η συγχορδία ΣΙ ελαττωμένη

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

Sharpened subdominant with diminished seventh chord in C.

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Narrow diminished sixth on C (Abb-), 1024 : 675, 721.51 cents.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

*Classic diminished fifth on C = G♭. 36:25 = 631.28 cents. Limit: 5-limit. MIDI pitch bend: 1,74 MIDI.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

*Just diminished fifth on C = G♭ (Ben Johnston's notation). 36:25 = 631.28 cents. Limit: 5-limit.

Half diminished scale on C.

Descending diminished seventh chord half-step cadence on C.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Diminished chord in first inversion in Bach's WTC I, Prelude in G Major.

5:6:7 = E, G, B7b = C, Eb, G7b.

3-10 trichord on C. Diminished chord.

*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.

*Classic diminished sixth on C = Abb. Just: 192/125 = 743.01 cents. Limit: 5-limit. MIDI pitch bend: 98,77

45:54:64 = F#+, A+, C = C, Eb, Gb-

4-28 (diminished seventh chord) tetrachord on C

Pythagorean diminished third on C. 65536 : 59049 180.45 cents.

*Just diminished seventh on C = B- (Ben Johnston's notation). 128:75 = 925.42 cents. Limit: 5-limit. MIDI pitch bend: 17,72

*Pythagorean diminished octave on C = C♭-- (Ben Johnston's notation). 4096:2187 = 1086.31 cents. Limit: 3-limit.

*Just diminished fourth on C = F♭ (Ben Johnston's notation). 32:25 = 427.37 cents. Limit: 5-limit. MIDI pitch bend: 97,72

*Pythagorean diminished sixth on C = A--- (Ben Johnston's notation). 262144:177147 = 678.49 cents. Limit: 3-limit.

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

*Just diminished third on C = E♭♭- (Ben Johnston's notation). 256:225 = 223.46 cents. Limit: 5-limit. MIDI pitch bend: 65,71

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.