4,526 Royalty-Free Audio Tracks for "Background"

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Recorded with zoom f3 and clippy em 272 in ab stereo. 08 april 2023dresden germany. You can download a higher resolution (24bit/96khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/cafe-atmo-dresden-germany. If you need more sounds, you can also check out my whole collection here: https://richardatmo. Bandcamp. Com/. You can also just listen to my collection on bandcamp for free. Have a nice day.
Author: Garuda
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04:06
Main street in tourist costal city of dziwnówek in west poland. It's typical for cities like that: full of cheesy market stands. The game of coin-football, which you can hear ringing constantly in the background is also characteristic for polish coastal tourist areas. Many people (talking mostly polish language), and several cars are passing by. I am standing on pavement, and have thestreet in front of me and backside of supermarket behind me. The sound was recorded with zoom h3vr (ambix format).
Author: Maciekkubera
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03:06
Night. Dogs barking at the distance. Church bell (10pm). Distant city traffic. Stereo sound. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.
Author: Tferrino
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04:06
Dawn (5am) with city rumble at the distance. Birds in foreground. Some dogs bark far away. Some distant city traffic. Stereo sound. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.
Author: Tferrino
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00:59
Kid around 4 year old crying (tantrum) outside in the distance echoing among buildings. Some city rumble in background. I edited the sound to remove the mother's voice. Use an high-pass filter 120hz to diminish city rumble. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.
Author: Tferrino
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00:13
(edit of other recording, with eq, reverb etc. ) recorded inside of an abandoned building next to a boarded-up, old wooden exit door. Has a nice, subtle low hum, which is actually from a plane flying overhead. Also contains knocking sounds, which is most likely the door being a bit loose. Would be awesome for horror atmospheres. Feel free to use this sound for what ever you wish to. Credit is appreciated but not needed. Let me know what you use this sound for!.
Author: Avoxjake
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00:38
Possiblly a couple of hundred birds, i believe black birds sitting on top of roof tops making lots of noise. Thunderstorm is brewing. Location, suffolk - united kingdom -- if you find this sound helpful, i'm happy to have a coffee bought for me ☕ (but you don't have too!) >> https://ko-fi. Com/ryank.
Author: Rykenn
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01:24
Multiple gunshots recorded at an indoor gun range. Many of the shots are from an ak47, including single shots and full auto. There is some background noise, but there are some good clear shots in there that can be easily cut out and used. Unfortunately the original recording is only mp3 and the recorder had auto-gain set so some shots are recorded louder than others, but there are still some usable shots in there.
Author: Acidsnowflake
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01:20
A little bird started singing on a fence next to my window and i started imitating him with my stones of skiddaw midi player, added in an accompaniment. Couldn't find a use for it but maybe you can, no credit required but i'd love to see what you can do!. This is my own youtube: https://www. Youtube. Com/channel/ucgreiexzkwry5cn9f7jjr0a?view_as=subscriber. Let's exchange youtube/soundcloud info or collab! :).
Author: Elaineaeris
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01:03
This very happy bird-song was recorded in late winter/very early spring of 2012. It was a cold, partly sunny morning after a cold night, yet this red male cardinal was singing proud and loud. Recorded in a small town, with some traffic sounds in the back. Also, if you listen close enough you will hear some starlings in the background with their waking up chorus. Recorded using the handy/zoom h4n recorder and a samson c0-2 microphone mounted inside my home-built parabolic reflector.
Author: Kvgarlic
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01:17
Sound atmosphere of birds in french countryside. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Ambiance sonore d’oiseaux dans la campagne française. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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05:21
A spooky self-playing piano. Handmade!. Taken from my gothic audio drama: the devil's etudecheck that story out here:https://youtu. Be/4xcnfas2mo8. If you like my work, check out my website as well:www. Welvynzporter. Com. Never stop pluggin', am i right? haha. Attribution is never required but always very appreciated. :). I hope you this will be useful for you. Cheers~.
Author: Welvynzportersamples
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01:50
This one has a very vocal blackbird finishing off the evening (8pm). All recorded whilst staying in a converted barn in rhos, wales. Recorded on my zoom h4n, there maybe some wind noise in places and maybe a very high flying jet, but mostly it is just the sound of nature. There is a nearby stream in the background too. These are the original uncompressed untreated files. Hope it is useful to someone.
Author: Innovting
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01:06
Sound of birds in french park. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’oiseaux dans un parc en france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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00:45
Sound atmosphere of birds in french countryside. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Ambiance sonore d’oiseaux dans la campagne française. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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00:42
Sound of birds in french park. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’oiseaux dans un parc en france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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01:06
Sound of birds in french park. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’oiseaux dans un parc en france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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01:07
Genre: cute, happy. Feel free to use my music, it would be great if you credit me. If you like this platform with that having a community with sharing sound/music you can consider donating to improve their websitehttps://freesound. Org/donations/donate/. If you want to support me it would be a big thanks. Https://www. Patreon. Com/migfus. I was exploring some presets on vst and i encountered some weird/unique presets that are highly compatible with the cute music genre. So i've made this cute background music. .
Author: Migfus
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00:44
Electric guitar melody #11 recorded with psr standart + boss gt1 + ditto+ looper. You can download a higher resolution (24bit/44100khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electric-guitar-melody-11. If you need more electric guitar sounds, you can check my collection here: https://richardatmo. Bandcamp. Com/album/electric-guitar-melodies. You can also just listen to my collection for free. Have a nice day.
Author: Garuda
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01:50
Lyrebird is a ground dwelling bird that lives in the australian bush and is very clever at mimicking sounds. This particular bird happens to sound like a science fiction movie! i removed much of the background noise, and lightly processed it with a phase effect. At the end i pitched certain sounds down for a more alien, dinosaur sound. The original sound was recorded on a smart phone.
Author: Johnsonbrandediting
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00:10
A sound i made in audacity, basicly a chirp going down from about 500 hz to 20 hz (with a fade-out to limit subwoofer use)and added some ambience by using white noise rumble on the background, also added a slight wah-wah as you might notice. Feel free to use it in a project as long as you give 'olaf gillot' credit. And of course 'freesound. Org' for having such an awesome website, with free hosting stuff :d!.
Author: Olaf
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03:28
Outdoor swimming pool, many kids, radio voice in bg. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.
Author: Drewhalasz
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00:07
The origin of this recording is a hob on the highest heat level recording slightly hot. Be very careful if you are doing this as fire is obviously detrimental to organic life and the microphone does not like to be on fire. An "acidized" (marked with loop/cue flags) sample. I imagine a furnace combusting away. Rate-shifting this sample (pitch/speed) can give you variations in your daw (digital audio workstation). This sample in particular feels appropriate for use as a background furnace sound or if sped up, a flamethrower.
Author: Magnuswaker
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02:03
I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.
Author: Mxsmanic
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00:07
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Johann Sebastian Bach  (1685–1750)      
Author: user:boeks
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02:18
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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04:08
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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03:33
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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07:05
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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03:27
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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06:56
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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06:50
A long recording on board the "green car" of the jr tokkaido line from atami to shinagawa. A "green car" refers to the first class cars on some long distance local trains. The ride is smoother and the cars are generally much quieter. The cars are generally empty but, this was at the end of a 3 day weekend, so the car was actually quite active (i'll try to get a quiet one soon). You can hear the ticket attendant, the conductor's announcements, station arrivals and departures, passengers getting on and off the train and settling in and having conversations. At some point you can hear the guy behind me eating senbei (a crunchy japanese rice cracker) - that's a little annoying, but there might be some usable bits in there if you're good at editing backgrounds. But like i said, i'll try to get a less busy train next time. Recorded with 2 stereo mic pairs and unedited.
Author: Markystar
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05:31
This is a short clip from an intense thunderstorm, recorded from my second story queens apartment from an open bathroom window during the early afternoon of july 15, 2015. Some traffic and airplanes can be heard in the background. This clip was recorded using an apple iphone 6 and the zoom iq6 x/y stereo microphone with a rode dead kitten windscreen at low volume, normalized later. This recording lasts until the battery on my iphone hit 5%, at which point the zoom handy recorder app automatically stopped.
Author: The Toilet Guy
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00:12
This is a (mediocre) recording of gym lights being powered on. There is the distinct hum of the transformer/capacitor or whatever helps power them running in the background and then a distinctive click and electronic thud as the lights come on followed by the buzz of the overhead lights as they are warming up. Mp3 and wav files available. It's a pretty distinctive noise and i will try to get a better recording of it next time.
Author: Obxjohn
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00:13
This is a (mediocre) recording of gym lights being powered on. There is the distinct hum of the transformer/capacitor or whatever helps power them running in the background and then a distinctive click and electronic thud as the lights come on followed by the buzz of the overhead lights as they are warming up. Mp3 and wav files available. It's a pretty distinctive noise and i will try to get a better recording of it next time.
Author: Obxjohn
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24:34
The recording starts with gentle rain and slow thunder rolling across the sky. The thunder is predominantly in the first half of the recording. The rain increases in intensity in the second half, peaking about three-quarters of the way through. Recorded on a sheltered, outdoor stairway, in a suburban location in south-eastern england, in august 2013; using a zoom h2n recorder set on mid-side stereo, at a 120 degree spread. The original recording was heavily edited, to remove traffic, trains, planes and parakeets(!). Some light, occasional, background traffic noise remains, however.
Author: Yammerhant
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01:00
Recorded with a sennheiser mhk 416 through the zoom f8 in victoria, australia by benni knop. Benni knop is a re-recording mixer based in melbourne, australia. If you are a sound designer or editor working on a film, documentary or tv show and need a 5. 1, stereo or theatrical final mix, check out benniknop. Com and get in contact. I'd love to hear about the projects you use my sounds on. Send me some feedback.
Author: Benniknop
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00:14
This sound is completely analog. I recorded the sound of my key ring and tried to extract just the sound of the key. In this purpose, i used the effect “noise reduction”. I tried to avoid distortion but after several attempts we still hear the sound of the voices in the background. Descriptif selon la typologie de schaeffer :code : v''précisions morphologie :- masse : son cannelés (nœuds + toniques = mélange de note et de bruit)- timbre harmonique : acide éclatant- grain : microstructure- allure : chevrotement- dynamique : l’attaque est douce et graduelle- profil mélodique : serpentine- profil de masse : site : hauteur parmi d’autres.
Author: Univ Lyon
00:00
02:41
Albuquerque, new mexico residential daytime ambience. Wind in trees. Bug-bys. Birds. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.
Author: Drewhalasz
00:00
01:00
You're witnessing war, you see pieces of dead people, you're quickly losing your mind. 20 seconds in, it sounds like ak47-shootings in the background also, if you turn up the volume to around 55%!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
00:08
[rage_03_15_sec. Wav]. Disturbing as it is, it reminds of chainsaw massacre horror games!. This sound can for example be used in horror games, for example when someone is chasing the player with a weapon, for example with a chainsaw - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
00:23
[rage_03_30_sec. Wav]. Disturbing as it is, it reminds of chainsaw massacre horror games!. This sound can for example be used in horror games, for example when someone is chasing the player with a weapon, for example with a chainsaw - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Author: Matrixxx
00:00
00:44
Music i made in garageband for something called victors crypt. Use it if you wanna. Get a feeling this could work for something spooky and mysterious. Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
00:00
00:58
Music i made in garageband for something called victors crypt. Use it if you want to. I'm thinking that this could be to something mysterious, thriller, detective-stuff maybe. . . ? anyway, hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
00:00
00:43
Music i made in garageband for something called victors crypt. Use if you wanna. This could maybe used as an intro to something a bit mysterious perhaps. Hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
00:00
00:55
Music i made in garageband for something called victors crypt. Use it to what you want. I made 2 versions of this. This is with horns. Feels more organic and less electronic. Hope you like!'feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq.
Author: Victor Natas
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00:40
Music i made in garageband for something called victors crypt. Use it to what you wanna. I think of something big, mighty, powerfull, frightening. . . . Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
00:00
01:03
Music i made in garageband for something called victors crypt. Use it to what you wanna. Could be for a dark saga or something wicked, eerie and dramatic. Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
00:00
00:40
Music i made in garageband for something called victors crypt. Use it to what you want. I think this would be perfect for horror, creepy, scary stuff. Hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
00:00
00:49
Music i made in garageband for something called victors crypt. Use it to what you want. This would suit something exciting i think. Like a thriller. Someone beeing chased maybe. . . Hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
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