2,487 Royalty-Free Audio Tracks for "B"

The Fackeltanz No. 1 in B-flat by Giacomo Meyerbeer and scored for military band by Wilhelm Friedrich Wieprecht, played by the U.S. Marine Band for the album Courtly Dances. Эрзянь: Fackeltanz 1-це No. си-бемольсэ Джакомо Мейербер эйстэ, кона ульнесь сёрмадызе Вильгельм Фридрих Випрехтих. Ды сонзэ налксизе Courtly Dances Американь иневедень седямопурнавксось. Fackeltanz Nr 1 B-dur Giacomo Meyerbeera w aranżacji Wilhelma Friedricha Wieprechta na orkiestrę wojskową i wykonaniu Orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych pochodzącym z albumu Courtly Dances.

Title/Work: Cavalleria Rusticana Content: Intermezzo Genre(s): Opera terminology Author(s)/(Composer(s): Pietro Mascagni (1863-1945) Music arranger(s): none Lyricist(s): Giovanni Targioni-Tozzetti (1712-1783) and Guido Menasci (1867-1925) (adapted from a play written by Giovanni Verga (1840-1922)) Performer(s): Victor Orchestra Conductor: Walter B. Rogers (1865-1939) Place of recording: Camden, New Jersey (United States) 1st release date: February 1905 1st recording date: 7 November 1904 (B-4050: 18 June 1908)

A short guitar riff, on frets 15-18 of the b string, including a small bend and a fair amount of noise.

Man grinding with little hand grinder in my backyard. Recorded with tascam dr-07 a/b from balcony (cca 7 meters high).

Opening riff to johnny b. Goode by chuck barry. Recorded in studio one. Amplifier plugin - drive british.

I captured light rain sound in frontyard of myhouse. Recorded with tascam dr-40x using a-b internal microphone configuration.

Victor record n°B-11739, sung by Walter Van Brunt.

This recording was taken with a rode nt4 mic and with a didge of mine in the key of b from northern queensland (kuranda).

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: spic_b1_v1_rr1. Wavinstrument family: stringsinstrument: cello sectionarticulation: spiccatonote: b2midi note: 47midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

Bell ring. Recording made for play. Hardware: behringer b-1, m-audio fasttrack ultra, macbook prosoftware: adobe audition cs 6no post processing.

Sonido de puerta metálica con sonido chirriante un poco macabro del edificio b de la uem.

Recorded on a tascam portable recorder using the inbuilt condenser mics in an a/b pattern.

Just augmented second in just C scale: A♭ and B.

Stop-time in Dan Emmett's "Aunt Dinah's Wedding Dance" (1895) second break down strain

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

The sound of a bell and howell model 253b 8mm projector being switched on, running, and being switched off.

She hears the seal at open outdoors by b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

Braun oral b electric toothbrush in action, somewhat of a didgeridoo type sound. Recorded using a zoom h4n field recorder.

November 26, 2011: cassette 2, side b: this is a recording on the boardwalk/boat launch at ballast point park.

Electric guitar, clean, county style but with a some start and stop moments.

She hears i open an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

She hears i close an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

She hears i close an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

She hears i open an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpreter: Orq Francisco Canaro; Singer: Charlo; Rec: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Grab: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Italiano: Tema: "Flor de fango" (tango). Autori: Testo: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Registrazione: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Ambisonic b-format recording. Recorded with a coresound tetramic. Open field, slightly residential area, early evening. Birds. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic b-format recording for creaky footsteps in a fairly reverberant hallway. Recorded with the coresound tetramic. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Rain spout drip after heavy rain, recorded with the zoom h2n in spatial mode in a very reverberant space. This is an ambisonic recording - b-format, ambix. Do to a limitation of the h2n, it does not have a height channel. You can decode this file to mono, stereo, or surround with rode's sound field plug-in.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

I, colonelix (as on my other name) will release a little loop here. I hope you'll like it :b.

The last talk b/w krishna and bhishma very solid voicethe last talk betwwwn krishna and bhishma very solid voicehindu #solidvoice india.

Sacher hexachord: E♭ (Es) A C B (H) E D (Re). Created by Hyacinth (talk) 00:13, 1 December 2010 in Sibelius 5.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: L-B/14.669

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Tone row from the first movement of Alban Berg's Lyric Suite, according to George Perle.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: L-B/14.669