5,956 Royalty-Free Audio Tracks for "Ass"

John Philip Sousa's "Bullets and Bayonets" (1918) as performed by the United States Marine Band. Track 82 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Bonnie Annie Laurie" (1883) as performed by the United States Marine Band. Track 18 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Guide Right" (1881) as performed by the United States Marine Band. Track 11 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Homeward Bound" (1891-1892) as performed by the United States Marine Band. Track 42 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Honored Dead" (1876) as performed by the United States Marine Band. Track 2 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On the Campus" (1920) as performed by the United States Marine Band. Track 92 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Crusader" (1888) as performed by the United States Marine Band. Track 32 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Resumption" (1879) as performed by the United States Marine Band. Track 7 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Review" (1873) as performed by the United States Marine Band. Track 1 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Rifle Regiment" (1886) as performed by the United States Marine Band. Track 29 from the band's 2016 album "The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889)". Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Sabre and Spurs" (1918) as performed by the United States Marine Band. Track 85 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "El Capitan" (1896) as performed by the United States Marine Band. Track 52 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Thunderer" (1889) as performed by the United States Marine Band. Track 37 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Directorate" (1894) as performed by the United States Marine Band. Track 50 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Occidental" (1887) as performed by the United States Marine Band. Track 30 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Guide Right" (1881) as performed by the United States Marine Band. Track 11 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Occidental" (1887) as performed by the United States Marine Band. Track 30 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Triton" (1892) as performed by the United States Marine Band. Track 46 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On The Tramp" (1879) as performed by the United States Marine Band. Track 6 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Flags of Freedom" (1918) as performed by the United States Marine Band. Track 84 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Diplomat" (1904) as performed by the United States Marine Band. Track 63 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Beau Ideal" (1893) as performed by the United States Marine Band. Track 47 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Resumption" (1879) as performed by the United States Marine Band. Track 7 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Yorktown Centennial" (1881) as performed by the United States Marine Band. Track 16 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Jack Tar" (1903) as performed by the United States Marine Band. Track 62 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

This kind of noise consists of a certain number of random values per second. This number is the density. In this example there are 10 random values per second. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Thirty-two more or less identical nasty and irritating beeps from a ?mid-80s electric alarm clock of indeterminate make. Mains hum also, plus click at end as alarm is turned off. Sony ecm-ms907 mic, mz-r35 minidisk, normalized & edited in logic pro 7.

The recorded voice from an automated carwash announcing that an attempt to read the credit card has been unsuccessful. Again. And again. Must be a recording as the voice sounds more southern (united states) than digitally generated. Voice offers suggestions for the successful purchase of the carwash vend.

I forgot about these samples, and they were just sitting in the ftp until one day i found them. I erased the hard copies long ago, so i can't describe them. . . I suppose, as their titles say, they are pads.

The 'prothonotary warbler' bird calling along with a mix of other birds. City bg hum. As a courtesy i kindly ask if you download my sounds, to please subscribe to my channel: https://www. Youtube. Com/user/mycompasstv thanks!.

My first submission. Audio removed from a video clip (using audacity). I only had my phone with me (xperia z3) so i used that. Holly bush near derby uk. As i passed, i heard the greatest commotion so went back to record it. I've looped it once to give a longer sample - enjoy.

This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.

The sound of the evening call to prayer. Recorded in the bambalapitiya area of colombo, sri lanka near a mosque as people make their way to pray. The sound of people passing, crows and traffic can also be heard.

A mockingbird singing at midnight. Some suburban sounds can also be heard, such as a train horn. A passing insomniac wondered whether i was making all the noise, and i told him no, it was a bird.

I've recorded this while biking around an urban forest. The recording is not perfect, there's a lot of background noise but might be usefull anyway. Recorded with handheld zoom h2. Originally 48khz/24-bit, edited and normalized afterwards, saved as 24-bit flac.

John Philip Sousa's "On Parade" (1892) as performed by the United States Marine Band. Track 45 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

This sound could be used as a creepy ghost effect or whatever tickles your fancy. It was created with audacity using my laptop's microphone and my voice on december 23, 2014 in louisiana. I don't know if i'm supposed to put this info here or what, but whoomp there it is. .

Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.

4 of 4. Sound of the tires squealing as i drive my car round the microphone a couple of times. Some distortion is present in the recording. Car is a 1996 3. 5l v6 chrysler lhs. Recorded with a rode ntg2 into a zoom h4.

A short 'click' sound that may be useful for things such as sound effects for games or something along those lines. Of course this sound is free for you to use in anything you please. (it was recorded using just my mouth and a little editing for anyone who cares. ).

A recreation of the sound effect made when a communicator beeps. This is not the same as the "chirp" made when the communicator is flipped open, but the "ringtone. ". A simple sine wave at the appropriate frequency, beeped twice.

A female voice reading a poem (twice) that was requested to be read in the forum. The request was to have it in a "fairy tale voice," so i read as if i were reading to a child.

Decided to test my ability in creating sounds and samples. I recorded my own crap-tastic voice and tuned it via melodyne (highly recommend the program btw). Then threw on some simple reverb and created my own chorus effect as well and placed it on there. Hope you guys enjoy.

This is a short glockenspiel composed on musescore for my visual novel. I needed a short music box melody and i wrote a small excerpt from mozart's magic flute as i remembered (this means that probably is not 100% accurate). If you might have a use for it, be my guest.

Piece for string quartet that explores the portuguese myth of the galo de barcelos. Recorded using logic pro x and motu symphonic instrument. A remix of this piece was included in the queerstory app for world pride 2014 as accompaniment for a locative video piece called "allan gardens. ".

A very old lift in järve hospital in tallinn, estonia i visited. The lift doors wind themselves up before actually opening. The bell is pretty ald and dead as well. Recorded with soundproffessionals ms-bmc3 binaural microphones with zoom h1 recorder.