241 Free Images of Infanti

renaissance antonio tempesta - i sette infanti di lara los angeles county museum of art antonio tempesta etchings in the los angeles county museum of art serenissimi principis ferdinandi, hispaniarum infantis prints and drawings in the los angeles county museum of art artworks without wikidata item artworks with known accession number cc-zero

Gonzalo Gustos Recognizes His Son by Means of the Ring. Mudarra Pledges to Avenge the Death of the Infantes, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

In Revenge, Gonzalo Gustos Slays Nine Moors, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

Gonzalo Gustos Comes to Ruy Velazquez Promising Satisfaction for His Son's Deeds, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

In the Presence of Almanzor, Gonzalo Gustos Identifies the Severed Heads of His Sons, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

Garci Fernandez and Gonzalo Gustos, Father of the Infantes, Persuade Ruy Velazquez to Make Peace, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

Wedding of the Prince Ruy Velazquez, Maternal Uncle of the Infantes, to Doña Lambra in Burgos, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

Wedding Guests Depart from Burgos. Gonzalo Gustos Remains with Ruy Velazquez While the Infantes Accompany Doña Lambra to Barbadillo, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

During the Wedding Celebration, Doña Lambra Defies the Knights to Surpass Her Nephew in the Game of Lances, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

Gonzalo Gustos Outlines the Fate of His Unborn Child, Turning Over the Ring to be Given to it is it is a Male, Antonio Tempesta, 1612

antonio tempesta - i sette infanti di lara renaissance

Title Page, Antonio Tempesta, 1612

letterpress in the los angeles county museum of art renaissance

Ruy Velazquez Attempts to Escape and is Slain by Mudarra, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Mudarra Challenges Ruy Velazquez; a Three-Day Truce is Arranged, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Infantes are Dubbed Knights by Conde Garci Fernandez, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Mudarra and His Horsemen Convert to Christianity and are Baptized, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Ruy Velazquez Asks Gonzalo Gustos to Deliver a Letter to King Almanzor of Cordoba, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Mudarra Takes Leave of His Mother and Sets Out to Find His Father, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Infante Gonzalo Gomez Excels at the Game and Doña Lambra Insults the Infantes and Their Mother, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Fates Weave the Life Thread of Mudarra, Son of Gonzalo Gustos. He is Dubbed a Knight by Almanzor., Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Seeking Revenge, Ruy Velazquez Wounds Gonzalo Gomez, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Sister of Almanzor Consoles Gonzalo Gustos, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Infantes are Slain by the Moors, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Ruy Velazquez Refuses to Help the Infantes, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Letter Orders the Murder of Gonzalo Gustos and the Capture of the Infantes, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Nuño Salido Tells the Infantes of the Betrayal and is Killed by a Moor, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Nuño Salido Learns of Ruy Velazquez's Treachery and Rides to Warn the Infantes, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Infantes Offer to Accompany Ruy Velazquez in His Campaign Against the Moors, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Seeing Blood on Their Brother's Face, the Infantes Slay the Villager, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Almazor Orders His Troops to Keep the Christians from Entering His Territory, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Nuño Salido, Tutor of the Infantes, Sees Evil Omens for Them in this War, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Ruy Velazquez Gives the Infantes Their Orders, Having Prepared an Ambush by the Moors, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Alvar Sanchez, Nephew of Doña Lambra, Insults Gonzalo Gomez and is Slain by Him, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Ruy Velazquez Promises Doña Lambra that He Will Avenge the Death of the Villager, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

All the Horsemen Who Come to the Aid of the Infantes are Slain, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Ruy Velazquez Again Wounds Gonzalo Gomez Who, in Turn, Strikes the Prince, Calling the Infantes and Knights to Arms, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Doña Lambra Orders a Villager to Strike Gonzalo Gomez with a Cucumber Drenched in Blood, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

All of the Horsemen Accompanying the Infantes are Slain, as Well as the Infante Fernan Gonzalez, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Pallas Praises Nature at the Birth of the Infantes, Promising to Protect Them from Evil, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Nuño Salido Insists that the Omens are Evil While Ruy Velazquez Insists that They are Good, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

The Infantes Offer Their Assistance to Ruy Velazquez and He Falsely Makes Peace with Them, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Ruy Velazquez Orders the Death of Nuño Salido, Gonzalez Gomez Comes to His Aid and Kills the Knight Gonzalo Sanchez, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Necessity Commands Her Daughters, the Fates, to Weave Short and Frail Life Threads for the Seven Infantes of Lara, Antonio Tempesta, 1612

prints and drawings in the los angeles county museum of art renaissance

Plate 32- Venus asking Jupiter for protection; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874821

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Plate 34- King Ferdinand as Neptune, seated on a whale at center, with putti atop two small fish on either side; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874795

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Plate 23- Emperor Charles V, campaign in Africa; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874802

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Plate 41- Fireworks display in city square with Ferdinand watching from a balcony at right; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874819

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Plate 8- Ferdinand on horseback crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874814

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Plate 20- Charles V and Ferdinand on Horseback; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874805

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Plate 16- Battle of Achilles against the Trojans; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874807

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Plate 22- Emperor Charles V, victory at Pavia; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874803

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Plate 15- Ferdinand as Hannibal crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874808

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Plate 19- Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand and royal ancestors; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874823

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Plate 18- Procession of the Spanish Prince Ferdinand into the city of Ghent, January 28, 1635; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874788

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Plate 13- Cybele in her chariot, drawn by lions; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874810

artworks with known accession number artworks without wikidata item

Plate 28- Mars on horseback at center, and Romulus and Remus with the wolf at lower left; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874799

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Plate 29- Germany conquered by Drusus; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874798

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Plate 3- Portrait of Ferdinand Cardinal Infante of Spain, in military armor; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874816

artworks with known accession number artworks without wikidata item

Plate 31- The triumph of Scipio Africanus; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874796

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Plate 33- Armorial trophy on a Tuscan column, surrounded by allegorical figures and cherubs bearing the armorial shields of Ferdinand; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874820

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Plate 30- Marcellus dedicating the spoils of war to Jupiter; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874797

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Plate 37- Triumphal ship with fireworks display to the right; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874793

artworks with known accession number artworks without wikidata item

Plate 38- Triumphal ship with the city of Ghent in the background; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874794

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Plate 17- Aeneas welcomed by King Euandrus in Italy; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874806

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Plate 14- Ferdinand on a voyage with the Argonauts; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874809

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Plate 35- Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874787

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Plate 25- Philip crowned King of Spain by his father, Charles V; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874800

artworks without wikidata item anton van der does

Plate 6- Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874815

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Plate 11- Ferdinand greeted by the Elector of Cologne; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874812

artworks with known accession number artworks without wikidata item

Plate 1- Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874817

artworks with known accession number artworks without wikidata item

Plate 10- The King of Hungary and Ferdinand on horseback; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874813

artworks with known accession number artworks without wikidata item

Plate 21- Emperor Charles V being offered the keys of Saxony and Hesse; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874804

artworks without wikidata item anton van der does

Plate 24- Charles V crowned Emperor by the Pope; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874801

artworks with known accession number artworks without wikidata item

Plate 2- Portrait of Philip IV, King of Spain, being crowned; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' MET DP874818

artworks with known accession number artworks without wikidata item

Escama de Infanti

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Sunzal

Mis amores...

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Het Perspectivum intocht van Ferdinand te Gent in 1635 (nr. 40) Ferdinando Hispaniarum infanti maiorum suorum lucem Belgio referenti (titel op object) Prospectiva sive moles dioptica, RP-P-OB-76.447, between 1635 and 1636

prints after rubens in the rijksmuseum amsterdam flemish baroque painting,baroque

Km 59

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Buenos Dias El Salvador

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