6,278 Free Artworks of Reverse

engravings in musée carnavaletgrandville (caricaturist)prints in musée carnavaletsymbolismvictor adamromanticismlithographs by achille devériaachille devériapaperbritish museum
Le Bien. Le Mal. 49, G.5733 (3 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Le Mal. Le Bien. 55, G.5739 (2 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Le Bien. Le Mal. 32, G.5716 (2 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Les métiers l'étude du procureur, G.14044, Abraham Bosse, between 1632 and 1633
prints in musée carnavaletprints by abraham bosse
Le Bien. Le Mal. 73, G.5757 (2 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Laeta deum Partu. (Laeta deum partu medicae hospes sive descriptio.), G.41220, Simon de Vlieger, En 1638
engravings in musée carnavaletprints by simon de vlieger
Le Bien. Le Mal. 41, G.5725 (2 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Illustrations de Walter Scott Histoires du temps des Croisades, chapitre XXV, G.6216(3), Achille Devéria, En 1829
prints in musée carnavaletromanticism
Le Bien. 76, G.5760 (3 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
J'ouvrais ordinairement le bal avec la plus jolie villageoise. caricature, G.8725(1), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Illustrations de Walter Scott Le Talisman, chapitre IV, G.6223(2), Achille Devéria, En 1829
prints in musée carnavaletromanticism
Illustrations de Walter Scott Le Talisman, chapitre V, G.6225(2), Achille Devéria, En 1829
prints in musée carnavaletromanticism
Le Bien. Le Mal. 10, G.5694 (1 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Illustrations de Walter Scott L'Antiquaire, chapitre XVIII, G.6226(3), Achille Devéria, En 1829
prints in musée carnavaletromanticism
Illustrations de Walter Scott Le Talisman, chapitre IV, G.6223, Achille Devéria, En 1829
prints in musée carnavaletromanticism
Le Mal. Le Mal. 53, G.5737 (1 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Le Mal. Le Bien. 74, G.5758 (3 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Illustrations de Walter Scott L'Antiquaire, chapitre XVIII, G.6226(2), Achille Devéria, En 1829
prints in musée carnavaletromanticism
Le Rat philosophe (caricature). G.8733 (3 of 3), En 1841
engravings in musée carnavaletgrandville (caricaturist)
Le Rat philosophe (caricature). G.8732 (2 of 2), En 1841
engravings in musée carnavaletgrandville (caricaturist)
A Harlot's Progress, Plates 1-6, William Hogarth, between 1732 and 1842
prints by william hogarth in the british museumrealism
Le Rat philosophe (caricature). G.8733 (1 of 3), En 1841
engravings in musée carnavaletgrandville (caricaturist)
A Harlot's Progress, Plates 1-6, William Hogarth, between 1732 and 1842
prints by william hogarth in the british museumrealism
Le Rat philosophe (caricature). G.8733 (2 of 3), En 1841
engravings in musée carnavaletgrandville (caricaturist)
Le Rat philosophe (caricature). G.8732 (1 of 2), En 1841
engravings in musée carnavaletgrandville (caricaturist)
Gevaren van rijkdom De ellende van rijkdom (serietitel), RP-P-1982-9, Maarten van Heemskerck, 1563
prints by philips galle in the rijksmuseum amsterdammannerism
Ascension of Mary Magdalene by Palma il Giovane (1610-1615, Pushkin museum), Palma il Giovane, between 1610 and 1615
paintings of saints by palma il giovanehigh renaissance
Le bureau des nourrices, G.20690(4), after 1813
prints in musée carnavaletbureau des nourrices
Le bureau des nourrices, G.20690(3), after 1813
prints in musée carnavaletbureau des nourrices
Le bureau des nourrices, G.20690(2), after 1813
prints in musée carnavaletbureau des nourrices
Exhibition of the Times, consisting of Emblems & Caricatures, original, political, humourous and satirical ... Plate the Second, William Dent, 1788
prints by william dent in the british museumsatirical prints in the british museum
Peines de coeur d'une Chatte anglaise (caricature). G.8729 (2 of 2), En 1841
anthropomorphic catssymbolism
The Man of Moderation, William Dent, 1784
prints by william dent in the british museumsatirical prints in the british museum
Un lion de Paris (caricature). vignette de gauche. G.8731 (2 of 2), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Un lion de Paris (caricature). vignette de gauche. G.8731 (1 of 2), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Le Bien. Le Mal. 27, G.5711 (1 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Voyage d'un moineau de Paris. G.8738 (3 of 3), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Mazeppa surpris par le comte, 3494, Achille Devéria, En 1839
collections of maison de victor hugoromanticism
Le Bien. Le Mal. 27, G.5711 (3 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Mazeppa racontant son histoire, 3495, Achille Devéria, En 1839
collections of maison de victor hugoromanticism
Voyage d'un moineau de Paris. G.8738 (1 of 3), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Les métiers le savetier, G.122(2), Abraham Bosse, between 1632 and 1633
prints in musée carnavaletprints by abraham bosse
Le Guide-Ane, à l'usage des animaux qui veulent parvenir aux honneurs (caricature). G.8726 (2 of 2), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Le Guide-Ane, à l'usage des animaux qui veulent parvenir aux honneurs (caricature). G.8726 (1 of 2), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Voyage d'un moineau de Paris. G.8738 (2 of 3), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Le Mal. Le Bien. 70, G.5754 (3 of 3), Victor Adam, Entre 1837 et 1840
engravings in musée carnavaletvictor adam
Les métiers le savetier, G.122, Abraham Bosse, between 1632 and 1633
prints in musée carnavaletprints by abraham bosse
Délivrance de Mazeppa, 3493, Achille Devéria, En 1839
collections of maison de victor hugoromanticism
Tau-tau-tau, battez chaud, du courage il faut du cœur à l’ouvrage, En 1832
collections of maison de balzacsymbolism
Plus on avance, moins on pénètre l'horrible mystère. (caricature). G.8727 (1 of 2), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
The Man of Moderation, William Dent, 1784
prints by william dent in the british museumsatirical prints in the british museum
The Man of Moderation, William Dent, 1784
prints by william dent in the british museumsatirical prints in the british museum
Le bureau des nourrices, G.17122(3), after 1813
prints in musée carnavaletbureau des nourrices
Le bureau des nourrices, G.17122, after 1813
prints in musée carnavaletbureau des nourrices
The Tea Tax Tempest, or the Anglo-American Revolution, 1778
satirical prints in the british museumamerican revolution cartoons
Le bureau des nourrices, G.17122(2), after 1813
prints in musée carnavaletbureau des nourrices
Victoires et conquêtes des français. La Bataille des Pyramides. Le 3 Thermidor, 23 Juillet, an VI 1798. G.29232, François-André Vincent, Entre 1821 et 1823
prints in musée carnavaletneoclassicism
Les études sont pénibles, coûteuses, mais les étudiants sont intrépides.(Caricature). G.8728 (2 of 2), En 1841
anthropomorphic crowssymbolism
A Kneeling Youth, style of Reza-i 'Abbasi, Persia, Safavid, circa 1635, Reza Abbasi, circa 1635
17th-century persian miniaturesmen of portugal in art
Naser al-Din Shah Qajar on horseback, by Isma'il Jalayir, mid-19th century
isma'il jalayirqajar art
Nous allons inciser les muscles, scier les os. caricature. G.8736 (2 of 2), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Peines de coeur d'une Chatte anglaise (caricature). G.8729 (1 of 2), En 1841
engravings in musée carnavaletsymbolism
J.J. Rousseau. G.18351(1), Jean-Jacques Rousseau, En 1833
engravings in musée carnavaletsocial contract,baroque music
Nous allons inciser les muscles, scier les os. caricature. G.8736 (1 of 2), Vers 1837 — 1847
engravings in musée carnavaletsymbolism
Les études sont pénibles, coûteuses, mais les étudiants sont intrépides.(Caricature). G.8728 (1 of 2), En 1841
engravings in musée carnavaletsymbolism
J.J. Rousseau. G.18351(2), Jean-Jacques Rousseau, En 1833
engravings in musée carnavaletsocial contract,baroque music
Peter I after Kneller (early 18th c., priv.coll.), Godfrey Kneller
peter i of russia in portrait miniaturespeter i by godfrey kneller
The Tea Tax Tempest, or the Anglo-American Revolution, 1778
satirical prints in the british museumthe tea-tax-tempest
L'écrivain public, G.14002(2)
prints in musée carnavalettableaux de paris (opiz)
L'écrivain public, G.14002(3)
prints in musée carnavalettableaux de paris (opiz)
L'écrivain public, G.14002
prints in musée carnavalettableaux de paris (opiz)
The loves of the fox and the badger, - or the coalition wedding., Thomas Rowlandson, 1784
thomas rowlandsonromanticism
34. North Carolina Monument Dedication Program July 3, 1929_Page_07
gettysburg national military park, adams county, pennsylvanianorth carolina monument, gettysburg
De omgekeerde wereld, RP-P-2004-896, Pieter van der Borcht
etchings of goatsetchings of ducks
Johanna Elisabeth of Holstein-Gottorp by A.R. de Gasc (1764, priv.coll.), Anna Rosina de Gasc, 1764
female portrait paintings by anna rosina de gascjohanna elisabeth of holstein-gottorp
A classical muse holding a scroll standing by a plinth, by the artist Sadiqi, after a 16th Century North Italian print, Mughal, dated 1609-10, Sadiqi Beg, between 1609 and 1610
muses in artsadiqi beg
"Portrait of a lady in a red silk dress and jewels", Gerard Soest, between 1675 and 1681
17th-century portrait paintings of unidentified womenfemale portrait paintings by gerard soest
Rukn al-Din Awhadi Maragha’i known as Awhad al-Din Isfahani (d. 1338); Jam-i Jam (the cup of Jamshid) the text signed Shir ‘Ali, the illustrations signed by Bihzad, Timurid Herat, dated 1459-60, between 1459 and 1460
timurid miniaturesart of herat
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