45 Royalty-Free Audio Tracks for "Western Music"

Western guitar music made with my gibson les paul. Donate doge: dbsbgyyumwjhd9xk8bthqqqaykhzlibdhp.

Western guitar music made with my gibson les paul. Donate doge: dbsbgyyumwjhd9xk8bthqqqaykhzlibdhp.

Goofy western guitar music made with my gibson les paul. I made this so it can be looped and played repeatedly. Donate doge: dbsbgyyumwjhd9xk8bthqqqaykhzlibdhp.

Goofy western guitar music made with my gibson les paul. I made this so it can be looped and played repeatedly. Donate doge: dbsbgyyumwjhd9xk8bthqqqaykhzlibdhp.

Goofy western music i made on gibson les paul. Donate doge: dbsbgyyumwjhd9xk8bthqqqaykhzlibdhp.

Me playing on my gibson les paul electric guitar. I made this so it can be looped and played repeatedly. Donate doge: dbsbgyyumwjhd9xk8bthqqqaykhzlibdhp.

Playing some doleful western style music in the streets of gulang yu. Nice ambience.

A song i made for an openra mod. Not very good but its my first song.

A very short musical sting that could play before a showdown or other grim happening. Made in audacity. Feel free to credit if you use this, but there's no obligation whatsoever. This was made for my text-based western "six shots," which can be found here: https://banzaibonsai. Itch. Io/six-shots.

With this song i try to integrate asian, arab and western music. The interaction between their various themes symbolizes my desire to build bridges between different cultures.

Jesse James is a 19th century American folk song. This version was recorded by typewriter salesman Bentley Ball in 1919. It is considered to be the first recording of the Western Music genre.

Free Man performed by Wild Blue Country of the United States Air Force Academy Band. Track 15 from Country Meets Western (2005).

Douce Dame Jolie, 1-part Virelai by 14th-century composer and poet Guillame de Machaut. After an edition in Timothy Roden, Craig Wright, Bryan Simms, Anthology for Music in Western Civilization, vol. 1, p.103.

Swing Low performed by Wild Blue Country of the United States Air Force Academy Band. Track 11 from Country Meets Western (2005)

O Canada, this recording contains the 1st and 4th verses of O Canada in French. Amicus No.: 31386358, Issue no.: E3979, Matrix no.: 84416, Distributor: Columbia Graphophone Company., New York, Recorded: May 1918, New York, NY, Columbia Graphophone Company, Released: September 1918, Discographical reference: disque; Ethnic Music on Records, Volume I, Western Europe, date d'enregistrement; Canadian Music Trades Journal, date de lancement

Night stroll in xining's restaurant quarter. We hear street-food sellers as we walk up the street in qinghai's capital city (western china). People chat in the background while ordering and eating their meals. Some cars honk their horns. Recorded with sony pcm-d50.

The erhu (chinese: 二胡; pinyin: èrhú; [ɑɻ˥˩xu˧˥]) is a two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a southern fiddle, and sometimes known in the western world as the chinese violin or a chinese two-stringed fiddle. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of china. A very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as in pop, rock, jazz, etc. And makes a calm sound.

Harp player from gambia, africa playing the chora, a typical harp used in gambia or senegal, in western africa, by the so called "griot", a singer, storyteller, singing songs and stories, thus beeing part of the oral tradition of his country and people. The recording was made during the berlin carnival of cultures in the summer of 2011, the harp player and the drummer (djembe) were sitting among the crowd of listeners open air at the bluecher platz. Zoom h4n.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .