2,639 Royalty-Free Audio Tracks for "Wave"

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Pulling a brush with a vacuum cup. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22894768376873lon: 10. 399385690689087. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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Running a microwave. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22890272635152lon: 10. 399396419525146. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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00:43
2 guys walking across the campus. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, outside. Lat: 53. 22930091897288lon: 10. 401102304458618. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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Writing on a flipchart. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22892199382159lon: 10. 39931058883667. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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01:58
A sound travel in space beetween earth and the international space ship, french announcer (ddo) in control room for countdown, verification of parameters, stowage and separation, entry into the international station, congratulations, release. . This sound story was made with neumann microphone for voices, shoeps microphone for originals acoustics sounds, kurzweil synthetizer, albino and sampletank plug in, waves and isotope on protools for modelisation and mix. Total use of bandwith, so take care of yours speakers. Enjoy.
Author: Didier
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Cais das colunas de dia, ambiente com rio tejo, ondas, algum bafo de trânsito. Gravado com o microfone sennheiser mkh-416 no gravador zoom f8n. Cais das colunas during the day, ambience with rio tejo, waves, some traffic noise. Recorded with the sennheiser mkh-416 on a zoom f8n recorder. Gravado para o viagem de bolso 2.
Author: Abomfim
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01:26
Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.
Author: Sim
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A classic movie punch sound recreated by hitting a leather car seat with a cricket bat. Recorded using a rode k2 tube mic and a schoeps cmc6, driving the preamps hard and compressing the input, then heavily compressing a number of takes using analog-emulation plugins (including a fairchild 660) and running the mix through waves maxxbass. Then limiting some more and finally adding the swoosh of a riding crop and a non-linear reverb noise tail.
Author: Thebondman
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02:44
Dark background sound in place of background music. I recorded this in my booth, using audacity and my cad e100s. The higher sound is a pen tapping on the bottom of a metal cup. I used various effects to stretch, raise pitch, and a few others. I also layered the higher sound 4 times to get the "harmony". The low sound was my voice. I lowered pitch, speed and stretched the wave, as well as a few other effects as well. Enjoy.
Author: Clawvo
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The churning white water of a rushing river cut into a perfectly seemless loop. Recorded on location during a video shoot using in camera microphone and then later processed in my daw. Proof i haven't forgotten you guys after all this time. Thanks again. I hope to have more stuff for you in the future. Enjoy.
Author: Thanksfortheinspiration
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04:06
Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .
Author: Gis Sweden
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00:29
Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.
Author: Laffik
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02:50
Around midday on a hot, 30 deg c sunday in the summer. Four recordings,the first recording starting next to the village where there are lots of people, children playing and boats. Each subsequent recording is further from human activity, so there are more birds around. Zoom h1, internal capsules20-08-09_115346_h1_hamble_river_summer4. Wav.
Author: Richwise
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I'm trying to get some character to my modular sounds. This is a sequence with a sawtooth wave mixed with noise and joined in a vca that can distort a little. It's a vca i bought used. Don't think a new vca of the same sort distortes. I really like that. I little reverb is added to the sound. The sound is analog until it reaches the reverb. Sometime i will buy a spring reverb. Promise. But here, on the internet, the sound is digital anyway.
Author: Gis Sweden
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03:22
Some birds and insects in the countryside in texas (recorded close to pampa, texas). Sound recorded by a ms setup schoeps ccm41+ccm8sound devices 788t recorder with cl8ms is encoded in stereo left-rightrecorded in may 2013 in texas, usa. Original recording in wave, 96khz, 24bitsound reference: @cd130530t014. More sounds on www. Felixblume. Com. Please rate or comment the sound if you like it!.
Author: Felix
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Another noise taken from a construction area close to building 16. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: leuphana university lüneburg, building 16. Lat: 53. 228286162730626lon: 10. 403215885162354. Date: 2013-12-04, 13:05h. Recorded by: julia rehfeldt, wiebke stein and laura medrowedited by: laura medrow. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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Hitting a metal plate on a door by hand. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22899906361599lon: 10. 399527847766876. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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Scratching on a ceiling of an elevator with a fingernail. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 228957317494185lon: 10. 399401783943176. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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00:22
A coffee machine in auto-clean-mode. Wave, 44. 1khz, 24bit, stereorecording device: zoom h6 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. 321lat: 53. 2287116568lon: 10. 3994768858. Date: 2013-11-06, 08:30h. Recorded and edited by: björn engelberg. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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Elevator door opening. Wave, 44. 1khz, 24bit, stereorecording device: zoom h6 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5 elevatorlat: 53. 22899424675693lon: 10. 399374961853027. Date: 2013-11-06, 08:10h. Recorded and edited by: björn engelberg. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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06:03
Here's some ambience i recorded in 2021 when i went to surf side beach, texas for a weekend vacation with family. This was recorded from the decking of the house we were staying in. The beach was probably around 50 yards away from us, give or take a few feet. The ambience was recorded with the sennheiser ambeo smart headset (no longer made) connected to an apple iphone 8 with an app called backpack studio acting as the actual recorder.
Author: Musicman
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Conte d’étéi generated 2 tracks of freesound. Audio track 1: import of the sound « beach waves close » audio track 2: import of the sound « seagull on beach ». I wanted to reproduce the atmosphere of saint-malo when the weather is gloomy in summer. I would like to give the impression that the sound is endless. For the audio track song of seagulls, i added several effects :⁃ echo effect (1%),⁃ phaser effect (2%),- duplicate,⁃ fade out closing,.
Author: Iut Paris
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Night vision turn on sound for video games. Made with rutgermuller's light switch sound https://freesound. Org/people/rutgermuller/sounds/51156/ and audacity generators and effects (three sine waves 1000hz/2000hz/4000hz, sliding pitch shift, fades, reverb, low pass filter, normalization in not that order and exact details i did forget).
Author: Qubodup
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I made this as a near ultrasonic sms signal. Created and edited with audacity, filtered with glame bandpass filter. If you hardly cut a pure tone, you introduce a whole lot of other frequencies to the signal at the cutting point. To avoid this after the cutting you need to filter the whole thing with a bandpass filter to ensure you have as little other frequency content as possible. It will audibly soften the start and the end of the sound. That's what i did here.
Author: Unfa
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