2,370 Royalty-Free Audio Tracks for "Tracks"

Ambient synth piece in which every musical element is a pitch palindrome. I used it to experiment with some new softsynths I'd just bought - Korg Gadget. My first track for the disquiet junto... More on this 344th weekly Disquiet Junto project (Careful Symmetries: The Assignment: Explore palindromes in musical form) at disquiet dot com.

One ruffle and flourish and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 15 from Esprit de Corps (1997).

Four ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 14 from Esprit de Corps (1997).

An acoustic loop i recorded and added some slight effects too. Kind of reminds me of a lick that might be used for a mobb deep style hip-hop track.

Battle Hymn of the Republic (slow) performed by the Concert Band of the United States Air Forces in Europe Band. Track 69 from To the Colors (1999).[1][2]

Bach's Prelude and Fugue in G minor (BWV 558) performed by the United States Air Force Academy Band. Track 10 from American Fanfare (2009).

Makes me picture some sort of detective. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Core 'ngrato performed by the Singing Sergeants of the United States Air Force Band. Track 5 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson.[1][2]

Three ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 17 from Esprit de Corps (1997).

Sousa's "The High School Cadets" (1890) as performed by the United States Marine Band. Track 40 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

Lord Guard and Guide (instrumental) performed by the Concert Band of the United States Air Force Band. Track 49 from Esprit de Corps (1997).

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Keeping Step with the Union" (1921) as performed by the United States Marine Band. Track 94 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Pride of Pittsburgh" (1901) as performed by the United States Marine Band. Track 60 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from America's Shield (1996).

My Country 'Tis of Thee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Songs of America (2008).

John Philip Sousa's "The Pride of Pittsburgh" (1901) as performed by the United States Marine Band. Track 60 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The New York Hippodrome" (1915) as performed by the United States Marine Band. Track 72 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Hail to the Spirit of Liberty" (1900) as performed by the United States Marine Band. Track 58 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Reveille performed by the Concert Band of the United States Air Force Heritage of America Band. Track 7 from disc 1 of Ceremonial Music (2005).

Charge performed by the Concert Band of the United States Air Force Heritage of America Band. Track 27 from disc 1 of Ceremonial Music (2005).

Drill performed by the Concert Band of the United States Air Force Heritage of America Band. Track 12 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's "The Washington Post" (1889) as performed by the United States Marine Band. Track 38 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Semper Fidelis" (1888) as performed by the United States Marine Band. Track 34 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

The Nutcracker Suite, Op. 71a: VIII. "Waltz of the Flowers" performed by the Concert Band of the United States Air Force Band. Track 6 from Christmas on Stage and Screen (1996).

Fatigue performed by the Concert Band of the United States Air Force Heritage of America Band. Track 13 from disc 1 of Ceremonial Music (2005).

A big spooky tubular bell hit. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

What Does It Mean performed by the Silver Wings of the United States Air Force Band. Track 5 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

Product of Fear performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 10 from Blue Shadows (2010).

Christmas Oratorio, BWV 248, Part I: "Jauchzet, frohlocket, auf, preiset die Tage" performed by the Stellar Brass of the United States Air Force Academy Band. Track 13 from Fireworks for Brass and Organ (2007).

Idea for a base for a radio bumper. I found another track in which someone had said, "du bist der hörer. Wir sind das radio. " so i recorded myself repeating these sentences, which translate from german into english as, "you are the listener. We are the radio. " i also overlaid it over a track of generated sine waves, one in each channel (l-r), chosen to be discordant (like a radioactive effect). Sine waves are 10. 5 seconds, i left 4. 5 seconds at the end to overlay your content (maybe an ident or whatever). Have fun!. Created for my online radio station (sscr tampa), but released in the public domain/creative commons zero/"copyleft" to the maximum extent allowed by law. Voice is my own, tones generated on my computer.

This is something i made with audacity using the generate>risset drum option. After i generated one long risset drum, i made a short one below it, copied it & added a delay to the track with the short decay risset drum. After that, i just leveled everything a couple times. :).

Fresh new beat with the good sound, one clear and one is with added drums. Please feel free to download the whole pack. I would love to see your track, using my sounds, please when you release it, send me a link!.

This is a dirt track in alabama (monster mountain, i think). I didn't realize my recorder kicked on as i was carrying it around in my pocket. The result was some really good audio of a dirt bike race, along with a little bit of small crowd sounds.

My clap for a film timing mark and my cat charlotte reacting. Sadly, and with a lot of tears shed, charlotte had to be put to sleep in february 2019. We miss her so much. Recorded with my yamaha pocketrak and edited with sony vegas. Track also duplicated. Please comment on what you may use it for. Thanks. :^).

A beat box i did for a drum n bass track i'm working on. This one i had to quantize. Recorded in audition, edited and rex'd in recycle, quantized and amp'd in reason. 170 bpm. 楽しみにしてフリップアウトしてください。.

I recorded this sound with zoom h1 in 2015 spring, ibiza, sant mateu. Audio recorded is in 96khz 24 bit wav quality. You can hear it in my latest work https://leonorabeyou. Bandcamp. Com/track/body-scanning-meditation. Feel free to use it in your projects. Cheers!.

Ambient looping synth with electronic ambient sound over the top, some drums for depth, could be useful as an intro or spacer in a track. I make other sfx and short musical compositions for games/apps, i release all sounds here under creative commons no restrictions to do as you wish with, so check out my other sounds.

I sat on the steps of "old new york" on the backlot of fox studios in los angeles on december 20th and recorded this ambience track. Not lots going on, but a few crew people walking by and some forklifts, etc. Recorded with: sanken cs-1e, sound devices 702t.

I tried to follow that hoverfly with an olympus ls-10 recorder and it even landed on it! : ). A bit too loud at times and not a really long track. To see one, you can follow this link:. Http://www. Youtube. Com/watch?v=9_ogws4-zuw&feature;=youtu. Be. But it is not the one i recorded here.

An ambient sound, best experienced ina quiet environment, as the sound isbest enjoyed at a moderate volume level. Completely manufactured or created withaudacity with a basic noise file. There are very slight nuances ordiscrepancies with the sound; it it nota perfect monotone track, given theinitial sample is not a tone but a whitenoise sample.

A short clip of of a screaming electric guitar lick i made on my 1982 gibson les paul custom with marshall amp. It was recorded on a multi track music program, i then added chorus effect, the microphone was hooked directly to the desktop computer with reverb from a 50 watt marshall amp. This lick was played by me on my guitar.

A re_edit of this sound::. Https://freesound. Org/people/mattc90/sounds/203532/. Put it in the sample machine of caustic 3. Pitched it to match 133 (for this break beat track im doing). Added a type of volume lfo, then also pitch-preserved it so it wouldnt be so high pitched.

A sound for a science fiction background or for a trance/electronic track. It is a slowed down, distorted recording of a high-speed machine with other rackets inside. Recorded on zoom h2 on highest settings for wav files. (chirping sound heard on freesound disappears on full downloaded version. ).

Drops, track with nice and warm sound. It can be perfectly used in cinematic projects. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9. 8 midi channels. You will have fun. Project file here: https://evaluationrecords. Com/shop/ regards andrew kn.

One of a series of recordings of me snapping my fingers. I've recorded myself finger snapping with one, two, and three fingers. These work nicely for certain kinds of ui buttons, and they might sound great as hand percussion in a music track. Recorded with a tascam dr-40x.

Jingle Bells performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 3 from the ensembles' 2020 album The Spirit of the Season.

John Philip Sousa's "The Stars and Stripes Forever" (1896) as performed by the United States Marine Band. Track 53 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Nearer My God to Thee performed by the Concert Band of the United States Air Force Band. Track 51 from Esprit de Corps (1997).

Taps performed by the Concert Band of the United States Air Force Heritage of America Band. Track 15 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.