739 Royalty-Free Audio Tracks for "Three"

Old style digital explosions, three very slow. Sounds like either depth charges or above ground explosions similar to those in the missile command video game, with long digitally crackled ringouts.

For "young frankenstein" i recorded three cast members howling. For play back, i'd vary speakers, delay, volume and echo effects to get a nice surround and spooky sound, that sounded a little different each time.

A sound for the tree dots displayed while someone is texting but hasn't sent the message yet. I made it from simple typing sounds, arranged and processed with delay, reverb and pitch changes.

It's not quite the macho man randy savage's "oh yeah!" nor is it exactly the kool-aid man's "oh yeah!" nevertheless, in a three-way "oh yeah!" battle our dj can hold his own.

Training in a muay thai gym in chiang mai, thailand. Three minutes of general gym ambience with a personal trainer speaking in thai with a student and training their technique with bag/pad work.

This is essentially a bass guitar with distortion with three layers of notes, merged together to make a "siren" of sorts. It can be used as a fire alarm, or maybe an alarm on a spaceship or ufo.

. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.

It's a recording of three motorcycles passing by on a dirt (and wet) road. Recorded with hand-held zoom h2. Originally a 24-bit 96khz wav file. Normalized, truncated and converted to flac using audacity.

I bravely snapped a pencil into three pieces. This is the sound it made when i broke the second bit off. Nobody lends me pencils anymore. Olympus ls-5, built-in mic capsules, no filtering.

Three barks from lottie, a small family dog. Mic: rode nt4recorder: tascam dat recorder. Processed using izotope rx 7 de-clip to improve clipping – some artifacts remain, but it should be usable.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

Foley recording of a envelope. Works great to use for picking up a note or something like that. Feel free to use :) there are three different paper sounds on my profile atm.

Foley recording of a envelope. Works great to use for picking up a note or something like that. Feel free to use :) there are three different paper sounds on my profile atm.

Three regular beeps of a smoke alarm, followed by one final slowly dying beep. Warning, this is super loud and ear-piercing compared to other sounds, turn your volume waaay down before testing out this sound.

Three birds singing in a suburban park with soft, distant traffic noise. Recorded with an h4n recorder and shure sm63lb omnidirectional mic. No need for attribution but if you like it leave a comment!.

Bagpiper practicing in high park august 2, 2021 afternooni separated it into three sections to get rid of some wind. There's a bit of wind, especially in the third part. Recorded with h4n.

Beethoven bird - self-explanatory. Three chirps: at beginning of recording, at -14 seconds and -4 seconds. Recorded with tascam dr-40 and reprocessed to remove background noise. If anyone knows the species for this distinctive call, please post.

This sound effect is played when the metal steel pinball hits the all three phobia drop targets (reskinned from space drop targets) and you hear this "cock-a-doodle-dooooooooooo!" sound effect. This sound effect can be heard anytime when you hit all three for field multiplier drop targets. Feel free to use this in your pinball game, and one more thing! don't forget to add left and right flippers, plus add left and right rebounds!.

Moth-organ is a forgotten instrument. Sad, because it's amasingly useful, and a professional (which i am not)can create many interesting variations. I play only three tones, but listen, it's a cool little thing. I used the best available: hohner 'rheingold'.

*Neutral second/three-quarter tone on C = D. Equal-tempered: 21/8=3/24:1 = 150 cents. MIDI pitch bend: 0,48 Preceded by:File:Quarter tone on C.mid

Jet semi-truck, recorded at skyview drags raceway, ny in 2005. Three engine jet dragster at full power, engaging afterburner and accelerating down track. Some crowd noises in background. Recorded on olympus digital cam, at 96kbps compression, medium quality.

record of Marcelle Meyer Playing 2 voices invention n°1 enregistrement de Marcelle Meyer jouant l'invention pour 2 voix n°1

Three takes of running water in a porcelain bathroom sink. Short drain gurgles at end of each run. Recorded with a sony ecm-ds70p on a samsung sc-d353 dvcam-noise reduction and mastering with audacity.

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.

The budolfi cathedral in aalborg, denmark. Three high pitch bells, followed by the clock striking 7 p. M. In a lower pitch bell, and finishing off with a traditional danish hymn. ( roland edirol rh09 ).

*un-used asset from project*. There are 4 of the same "sample" at different pitches are "random" granular position and spacing so each one is a little different besides pitch.

Foley recording of a envelope. Works great to use for picking up a note or something like that. Feel free to use :) there are three different paper sounds on my profile atm.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.

The Polka from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

I set up three mics in our flat and went out drinking. The sound is mostly traffic and drunk people.

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Uploaded for a sample request. Me humming a c note, and adding robotic c chord, and then modulating it a bit. Three different types of c note hums and effects in this sound.

Single gunshots with three different guns, 9 mm, 7,5 mm and. 22 mm. All recorded at close distance with an sony pcm m-10.

European tour snooker, recorded from studer vista 8 console into rme madiface. Two 416's hung above table, three mke-2's under table, some crowd reaction mics and a referee wireless mic. Occasional slow motion playback sound. 48khz. 16 bit for the sake of filesize.

Three weird hiccups of a 26 years old female. Noisy background (people laughing)recorded in the street with a tiny digital recorder in. Wma format and then edited with audacity to select just the hiccups. Exported then in. Wav 44. 100 khz 16 bits.

This was made as more of a sifi air rifle rather than a "laser" pistol. However it can still work both ways. The track has three sound effects. They all have a "similar" sound but some very in pitch or tempo.

My voice, three "moans" slowed down/pitch changed with reverb added to sound like a humpback whale. Might need to use noise reduction for the popping/clicking when you use it. I made this because icouldn't find a good clear whale song.

School: loyola high school of los angelesclass: music appreciationteacher: mr. Specialeassignment: sound project, using individual sounds recreated one minute of my original three minute recording of the naturally occurring sounds outside my house. Uploaded: 3:30:21, 10:02 p. M.

Bow of a metalic barge sailing. Water is clapping, close up, two or three smooth metalic noise from the barge. No motor, no voicearcachon, france, 2021. Recorded with schoeps msrecorded on sounddevice 633stereo wave, 24 bits, 48khz.

Three different sounds i have recorded, played together in a software sampelplayer. Sounds recorded with zoom h1.

Another series of unintelligible goblin-talk, chattering along in different moods. Recorded on zoom h2, only effect: raised voice by three semi-tones. Feel free to add any effects you need to make it a real goblinish experience!.

I made this sound with lmms. Just listen and decide if you like it or not. . . I used three synthaddsubfx plugins and some other like kicker too. You dont have to credit. Write in the comments for what you used it!.

A parisian fire truck passes about 150 feet away and briefly turns on its siren to make sure nobody overlooks it. Emergency vehicles in france have either two-tone or three-tone sirens. Vehicles to which one must yield the right of way, such as fire trucks, use the two-tone siren. The three-tone siren (not on this recording) is used for vehicles that do not require drivers to yield but should still be given some priority. Recorded with a zoom h4n hand-held, stereo 96 khz / 24 bits, built-in mics, about 150 feet away from the passing truck.

Mix-pre 10ii with ntg-2 microphone. Sounds of random slashing water in a pool. At the end, i took three different kinds of splashes in the water and water dripping sound. Has a light bird chirping in the background.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.