345 Royalty-Free Audio Tracks for "Texting"

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This is the ambience inside the elevator in a shopping center that's going up 2 floors; there's 2 women riding it besides me: one is carrying a full shopping bag and the other is texting on her iphone. I recorded this with my pocket digital voice recorder.
Author: Wkg
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00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
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01:58
This is the second result of fastica applied on this audio:. Https://freesound. Org/people/vollkornbrot/sounds/380165/. Full details about the process are in this scikit-learn tutorial i've written (the text is in brazilian portuguese):. Https://github. Com/danilobellini/notebooks/blob/master/2017-10-26_scikit-learn/mini-curso_scikit-learn. Ipynb.
Author: Danilobellini
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03:13
Futuristic mechshop atmosphere created inside flstudio with filtered white noise generators, flstudio wasp, pitch envelopes, channel gain automation plus lashings of reverb for effect. Each one of the nonsensical announcements at the start are entirely synthetic. They're text to speech, done on-the-fly, with pre-fader pitch modulation embedded in automation track. No synths were harmed in the making of this cacophany.
Author: Diboz
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Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
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00:02
A brief "pickup" or "get" sound effect, which could be played upon acquiring an item or perhaps pressing a menu button. Made in audacity. Feel free to credit should you use this, but there's no obligation whatsoever. This was made for my text-based western "six shots," which can be found here: https://banzaibonsai. Itch. Io/six-shots.
Author: Banzai Bonsai
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Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
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01:04
An'im Zmirot (Shir Hakavod), Jewish traditional melody An'im Zmirot (Shir Hakavod), überlieferte jüdische Melodie; im Gotteslob (2013), Diözesanteil Hamburg-Hildesheim-Osnabrück, mit dem Text "Herr, mache mich zum Werkzeug deines Friedens" (Nr. 868)
Author: Melody: Jewish trad.; setting & sound file: Rabanus Flavus (Peter Gerloff)
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00:55
Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:4:4
Author: Untitled
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01:16
This was a request. I did a few voice samples and fighting/battle/noises and also the sentence "where am i? i don't know where i am. Sister? are you there? sister, help me. "the sound starts after 20 seconds in order to make it easier to edit and remove white noise.
Author: Bluesiren
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00:12
I used audacity and text-to-speech to recreate a voice line spoken by the cybermen from the 1967 doctor who episode "the moonbase". The video clip is available in the public domain. Transcript:. Cyberman 1: they have blown up the accessways to the moon base. Cyberman 2: the machine from earth must first be destroyed. There are 14 minutes left.
Author: Chungusa
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01:49
Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.
Author: Makemi/Wipo of Burgundy
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00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
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00:30
Jd requested i do a dry take of these phrases:. 1: "evaluate your mind"2: "dance with me"3: "love is the key"4: "it's inside you"5: "love"6: "trance"7: "return to the source"8: "all this energy"9: "you create the light". If you have a request, send a message!.
Author: Honest Cactus
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00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
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00:31
Slapping a punching bag with palm that is laying on the floor. There is reverb in the recording. This is a pretty hard slap. Mic: rode ntg3rec: zoom h5cleaned the audio in isotope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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00:18
Recorded myself typing on our old desktop computer's now garbage keyboard likely over a decade ago with my old nokia e66 smartphone. I then edited this recording yesterday to find out how much i would be able to improve the already decent quality. I may upload more keyboard and keypad sounds, and you may contact me to request more.
Author: Sonically Sound
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00:01
To me, this just sounded like some kind of notification you might get on your phone or something - just use it however you like, though! it sounds like some kind of chime, with a high pitch and all. Enjoy!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.
Author: Jofae
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00:08
Man asking for help via walkie-talkie. Recorded with distortion and reverb effects. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.
Author: Danlucaz
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00:26
Opening and closing a scion tc 2015 model. Recording using internal xy mic from zoom h5 a couple of inches from the door handle. Cleaned the background noise with izotope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:04
Short brushes with my hand on small rocks. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
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01:28
Mandoline, mélodie composée en 1882 par Claude Debussy (1862-1918) sur un poème de Paul Verlaine (1844-1896), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Mandoline, a melody composed in 1882 by Claude Debussy (1862-1918), text by Paul Verlaine (1844-1896), performed in 1913 by Nellie Melba (1861-1931).
Author: Claude Debussy (1862-1918), Paul Verlaine (1844-1896), Nellie Melba (1861-1931)
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04:39
1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet
Author: Hugo Wolf (1860-1903), Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564)
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Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:24
Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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02:34
Por una cabeza, meaning "By a Head [of a horse]" in Spanish, is a famous and popular tango song performed by Carlos Gardel."Por una cabeza" (spanisch für "um den Kopf [eines Pferdes]"), Tangolied aus dem Musicalfilm "Tango Bar" (1935), komponiert und gesungen von Carlos Gardel, Text: Alfredo Le Pera.
Author: Carlos Cardel and Alfredo Le Pera
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00:39
German folksong from the 19th century. This midi file was created in 2014 with the claim, to be in accordance with the original. This includes mistakes in the original. Deviations are unintentional or software related. Modification of this file should follow this claim or become a clearly marked fork. Deutsches Volkslied aus dem 19. Jahrhundert. Titel: "(Die) Teutoburger Schlacht". In Liederbüchern häufig verzeichnet mit dem beginnenden Vers "Als die Römer frech geworden". Diese Midi-Datei entstand durch einfaches setzen der Noten in einer Midi-Software in 2014 mit dem Anspruch, dem Original (bzw. der Quelle) möglichst genau zu entsprechen. Dies schließt Fehler im Original mit ein. Abweichungen sind unbeabsichtigt oder softwarebedingt. Modifikationen an dieser Datei sollten diesem Anspruch entweder folgen oder eine deutlich gekennzeichnete Abspaltung darstellen. Charakteristische Inhalte der Midi-Datei: Der Text der erste Strophe ist in der Midi-Datei enthalten (auslesbar mit entsprechende Software) (Text gemäß der Quelle). Zwei Tracks sind enthalten: Nur Melodie, sowie Melodie mit Begleitkomposition (beides gemäß der Quelle) Ein Kommentar ist hinterlegt der inhaltlich weitgehend diesen Angaben entspricht
Author: Titel(/title): "Teutoburger Schacht"; Ursprungstext(/text): Joseph Viktor von Scheffel (*1826 / †1886); Ursprungsmelodie(/melody): Ludwig Teichgräber (*1840 / †1904); Komposition von 1875 als Variation von "Kriegers Lust" und "Liedes vom Bürgermeister Tschech"; Ursprungsdatierung(/dating): Originalversion aus dem 19. Jahrhundert; Erstellung der Midi-Datei: Sappalott (talk)
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Scraping a worker's boot against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:13
Scraping a worker's boot against some small rocks. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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01:39
Il Canto degli Italiani, Italian national anthem (also known as Fratelli d'Italia and Inno di Mameli), music by Michele Novaro on text by Goffredo Mameli.Italiano: Il Canto degli Italiani, inno nazionale italiano (conosciuto anche come Fratelli d'Italia e Inno di Mameli), composto da Michele Novaro sul testo di Goffredo Mameli.Il Canto degli Italiani, Himno nacional de Italia (también conocido como Fratelli d'Italia y Inno di Mameli), composición: Michele Novaro, texto: Goffredo Mameli.
Author: Michele Novaro (1818 – 1885), The original uploader was Angelsh at Spanish Wikipedia.
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01:51
This good boy is not good player. I think he used bad keyed text recorded in keying memory. I heard him more times and always with the same punk keying. "the rl was founded 1937 and we are proud to celebrate our 75th anniversary". . . Says web http://www. Rlx. Lu/lx_awards_files/rl_75. Htmbut operator cannot be proud of his keying. Old good radio luxembourg 208 m use to be much better radio http://www. Offringa. Nl/radioluxembourg. Htmlater i found that lx7rl is station of lx amateur radio society anniversary celebration.
Author: Okhas
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02:14
1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)
Author: Hugo Wolf (1860-1903), Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564)
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02:09
Romance, mélodie composée en 1883 par Claude Debussy (1862-1918) sur un poème de Paul Bourget (1852-1935), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Romance, a melody composed in 1883 by Claude Debussy (1862-1918), text by Paul Bourget (1852-1935), performed in 1913 by Nellie Melba (1861-1931).
Author: Claude Debussy (1862-1918), Paul Bourget (1852-1935), Nellie Melba (1861-1931)
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Placed a thick sweater fabric on a pillow and recorded me slapping it with an open hand. Great sweetener for punches. Cleaned recording with rx4. With a little bit of limiting, compression, and bass enhancement i'm sure this will sound great for your needs!. Equipment: zoom h5 and rodes ntg3. No processing. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:13
This is my naked voice. I didn´t modify anything. It doesn´t have much amplitude, maybe it sounds sad. . . This is a german poem "das gemeinsame schicksal" ("the shared fate"),written by friedrich schiller(1759 - 1805), a great german poet, a friend of goethe. Original text : " siehe, wir hassen, wir streiten, es trennet uns neigung und meinung, aber es bleichet indes dir sich die locke wie mir. "my translation : "look, we hate, we argue, our affectations and opinions drive a wedge between us. In the meantime your hair turns grey. Mine as well. ".
Author: Nilsb
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04:22
1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem
Author: Hugo Wolf (1860-1903), Walter Robert-Tornow (1852-1895) and Michelangelo Buonarroti (1475-1564)
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00:25
Stomping on a big cement ground as hard a possible with a contact mic attached to the ground. The contact mic provides lots of bass so you can use this for punches, kicks, impacts, anything that can use a sweeter for impacts. I handmade my contact mic and recorded that into a h5. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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01:19
Parts from edgar allan poe 'the tell tale heart' spoken by a dark amber voice. ----------------- full text ----------------if still you think me madyou will think so no longer. I describe the wise stepsi took for hiding the body. I worked quickly,but in silence. He cried once -- once only. Without delay. First of all, i took apart the bodyi cut off the head, the arms and the legs. There was nothing to wash outno mark of any kind. No blood whatever. I had been too smart for that. A tub had caught allha! ha!---------------------------------------------.
Author: Deepwater
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00:05
This is an audio concept for the flash vs quicksilver video from ismahawkhttps://youtu. Be/vwcqy-d0i_g. Jet rockets are the main element for the flash. A dentist drill is the main element for quicksilver. I used the waves doppler plugin and added reverb and delay to make it fit in an acoustic environment. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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02:45
A stereo recording of rain falling on my car window. Recorded inside my car with 2 nt5's positioned about 1/2 foot from the window. The rain drips harder at the end. Pluged into sound devices mixpre-6. The recording is pretty raw and i love it!. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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03:51
I recorded my small house dog being scared. She's always scared for whatever reason and decides to whine. It is a very interesting sound because it almost like she's growling. I recorded her using my rode ntg3 plugged into my h5. Cleaned a bit of ac noise using rx5. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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02:56
O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413
Author: Weir, Robert Stanley, 1856-1926
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00:20
This is a beatboxing clip i made using an open-sourced klatt text to speech engine. This version of the clip was modified for a mashup i created called nostalgia heaven. You don't have to credit me if you don't want to, but if you do want to, i'll give you a big hug! :-)klat engine (command line application): https://www. Dropbox. Com/s/0qvsqwrlfeqxyrc/klatt. Exe?dl=1the klatt engine was compiled by philip bennefall of blastbay studios: http://blastbay. Comphilip's youtube channel: https://www. Youtube. Com/channel/uccxndm8oilkzzjorvjizmfgnostalgia heaven: https://youtu. Be/zl3f419-pzc.
Author: Brogar
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00:42
I grabbed a metal mallet (mini sledgehammer) and dropped in on cement in various ways. Lightly and a bit harder. Recorded into my ntg3 in a garage sectioned off. Signal to noise ratio was really good because it was a loud sound. H5 was my recorded. Cleaned some hum using rx4. Boom!. Pretty please, post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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01:40
Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!
Author: Melodie: Leopold Hörlezeder (1824-1894); Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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20:49
The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.
Author: Bull of Heaven
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05:08
This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.
Author: Klangfabrik
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02:18
.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Maria Stader (soprano), Sieglinde Wagner (contralto), Helmut Krebs (ténor), Josef Greindl (basse), Chœur de la Cathédrale Sainte-Hedwige, Orchestre Philharmonique de Berlin, Igor Markevitch (dir.)
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