2,308 Royalty-Free Audio Tracks for "Talk"

Lol i record my voice while playing video games now so that i can save certain things i say, you know, for real reactions to use for cartoons and stuff. A lot of my voice clips are from playing games with jumpscares, and that's where my screams and ooooooohs come from. I used to scream all the time when playing jumpscare games, but now it's turned into some weird growl thing or somethin, i dunno. So yeah, lots of clips. There are tons of clips that i'm not uploading though. They are exclusively mine!. And for those using my sounds, i am so thrilled xd.

(kinda loud). Lol i record my voice while playing video games now so that i can save certain things i say, you know, for real reactions to use for cartoons and stuff. A lot of my voice clips are from playing games with jumpscares, and that's where my screams and ooooooohs come from. I used to scream all the time when playing jumpscare games, but now it's turned into some weird growl thing or somethin, i dunno. So yeah, lots of clips. There are tons of clips that i'm not uploading though. They are exclusively mine!. And for those using my sounds, i am so thrilled xd.

Lol i record my voice while playing video games now so that i can save certain things i say, you know, for real reactions to use for cartoons and stuff. A lot of my voice clips are from playing games with jumpscares, and that's where my screams and ooooooohs come from. I used to scream all the time when playing jumpscare games, but now it's turned into some weird growl thing or somethin, i dunno. So yeah, lots of clips. There are tons of clips that i'm not uploading though. They are exclusively mine!. And for those using my sounds, i am so thrilled xd.

Lol i record my voice while playing video games now so that i can save certain things i say, you know, for real reactions to use for cartoons and stuff. A lot of my voice clips are from playing games with jumpscares, and that's where my screams and ooooooohs come from. I used to scream all the time when playing jumpscare games, but now it's turned into some weird growl thing or somethin, i dunno. So yeah, lots of clips. There are tons of clips that i'm not uploading though. They are exclusively mine!. And for those using my sounds, i am so thrilled xd.

(loud!). Lol i record my voice while playing video games now so that i can save certain things i say, you know, for real reactions to use for cartoons and stuff. A lot of my voice clips are from playing games with jumpscares, and that's where my screams and ooooooohs come from. I used to scream all the time when playing jumpscare games, but now it's turned into some weird growl thing or somethin, i dunno. So yeah, lots of clips. There are tons of clips that i'm not uploading though. They are exclusively mine!. And for those using my sounds, i am so thrilled xd.

This recording, encoded in vbr format, is one hour and 44 minutes long. Like the other recordings in this sound pack, the mother cat and her kittens are inside a nesting box in the garage. A small stereo microphone (olympus me51s) was placed inside the brooding area. After editing, they were exported to mp3 format. Sounds include mewing, purring, shuffling, and nursing. Some occasional heartbeats may be heard as the mother cat or kittens move inside. Other sounds include a rooster crowing, and people working outside, and some occasional people talking in the background. At this stage, the kittens are in week 3 of their life.

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.

Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".

A recording of a high school class. Students were working on a sound effects project on computers, but generally allowed to talk as they worked. This is maybe 18 students, with the mic about 10 feet away from the nearest student, mic towards one side of the room, pointed towards the middle. We also have ac on, and an av cart that has a fan on, plus a wall clock, some of which you may not be able to hear over the students. Mic was the zoom h1 set to record a wav file, record level manual, low pass filter engaged, with the quality settings at the highest values. It was then put through audacity to amplify it to the highest allowable levels without distorting, and spit out as a wav.

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Die Schwalben” („Jaskółki”) – trzecia z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 13:38, 4 February 2017 (UTC)), luty 2017. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

The eerily quiet soundscape of a small midwestern town during the covid-19 shutdown. . . This was recorded in town, on a friday night (april 3rd, 2020) at a time when there is almost always more traffic, people and families walking and talking on the sidewalks. . This recording started at 11pm at night. . . What a strange, weird eerie feeling of this track. You will hear a lot of steady wind gusts, dry leaves being moved around by the strong southerly flow. . Equipment: sony pcm-m10 recorder sitting on a small tripod about 3 inches from the ground. . . I had to really crank up the gain on this one because everything was so quiet---almost as if the neighborhood was holding its breath. . . . Hope you enjoy this unique ambiance.

This was all recorded in enumclaw, wa on july 4th, 2013. I used a yamaha pocketrak recorder throughout the day and into evening when the fireworks started. There's an old piano outside the music store and i just caught the end of a young guy playing some nice music. I then just walked down the street recording the sounds. You can hear me talking to a guy who's working for a local politician. The b-25 mitchell bomber flyover was totally unexpected and i was lucky to have had the recorder going. It made two passes right over me and i love the sounds of those engines. It was a great day. Please comment on what you will use it for. Thanks. :^).

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Ob du nun ruhst " (wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill.) Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 16:44, 10 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Ob du nun ruhst " - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski.

Noise of a radial saw in the ateneu popular de nou barris, a self-managed socio-cultural center born in 1977 with the occupation of an old asphalt plant. Dialogue of the mountain with the testimony of a neighbor talking about the class struggle and multiculturalism. Recorded with zoom h5. Soroll d'una serra radial a l'ateneu popular de nou barris, un centre socio-cultural autogestionat nascut el 1977 amb la ocupació d'una antiga planta asfàltica. Diàleg de la serra amb el testimoni d'un veí parlant de la lluita de classes i la multiculturalitat. Sons enregistrats amb gravadora zoom h5.

Català. 11 de març de 2023. La vida és bona si l'aigua sona. Passejada per les fonts de collserola en temps de sequera. Font de mina. Mesura de l'indret amb el sonòmetre a les 11:59 del matí d'un dissabte, persones passejant i fent esport que parlen. Min 25,10 dbmitjana 55,5 dbmax. 72,5 db. English. March 11, 2023. Life is good if the water sounds. Walk through the collserola springs on drought timemine source. Measurement of the place with the sound level meter at 11:59 a. M. On saturday, people walking and playing sports talking. Min 25. 10 dbaverage 55. 5 dbmax. 72. 5 db.

Boomerang is a steel shuttle roller coaster located at bellewaerde in ypres, west flanders, flemish region, belgium. Although it wasn't the first vekoma boomerang to be built, it was the first to be opened due to technical issues with the other roller coaster. This spectacular roller coaster takes you to a height of 32 m, before launching you forward and backward, like a boomerang, at over 80 km/h. There is a lot of nonsense in this file. Some belgian teenagers are talking about their families, their teachers, to fall out of the coaster, banana, carrot. . . You can even hear some flemish words. Recorded inside the roller coaster with tascam dr-100mkii onboard microphones.

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

We went to strasbourg to follow an invitation by an photographer to his vernissage! to bad that we got stucked into the traffic jam and arrived while the gallery was already closed! that was really a bummer because the drive took us four hours!lucky that i had my zoom h6 because strasbourg is by far an amazing city with so many street life. It is insane how many little streets with these tiny cafes and all the people around! it is like a magnet and you got sucked in. The french people know how to live life and i recorded in 3 parts of the city to give you a nice ambience feeling. This is part 1.

Request by andor for the following:. - "and the same, again and again and again. . . " (in a bored voice, kind of like a sigh)- "repetitive" (emotionless, 2 slightly different versions)- "this is repetitive. " (emphasize the "is", stretch it)- "frustrating. " (voice goes down at the end, otherwise emotionless). - "oooooh. Something changed. " (with childish amazement)- "but still. " (voice goes down at the end). As always, unless paid, my audio will be cc0!please feel free to use in both personal and commercial projects. Do not use this or any of my audio for political or religious propaganda, or to promote hate for any group or persons in any form. By using this this or any of my audio, you agree to these terms and will not use them as described prior. If you have questions about my terms of use or have a request, please message me!.

This is an alternate recording i took on 04/26/2014, on microcassette, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. This was taken at the same time as the cassette recording i uploaded previously; if asked by kelly or katz i will respectfully take both down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

A recording i took on 04/26/2014, presumably on cassette tape, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. To my knowledge, this is the only audio recording that exists of the soundscape, though if asked by kelly or katz i will respectfully take it down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

I'm trying to create a sound that resembles captain america's shield from the marvel movies. I took a recording of a metal garbage can ringing and brought it into iris 2. I cut the attack from the envelope and added light amplitude sine wave modulation. I also set a short decay. I also layered a clean sine wave underneath the recording sample in order to give the recording more umph and body when it resonates. This is the base of captain america's shield. Layer this with metal impacts and sub sonic stings and you're all set. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.

I get annoyed easily when i hear someone telling me what to do. It gets me in trouble. This was a while ago. I hadn't ever been caught at that point, and he was the one recording. He actually got me started on that. Of course, i had taken off the offending articles of clothing and kicked off my sneakers, and was locked outside my own front door that way. Of course i couldn't go anywhere, and the only unlocked window had an air conditioner in it. Yes i did. Right over the top of it, might have looked pretty clumsy, at least…i know it was risky but not as bad as standing out there. Luckily it was a back window. Unluckily, it was raining. Hard. Should have let him build that fence.

Just discovered this recording i had from 2016, and thought i'd upload it to complement my other diner recording on here (https://freesound. Org/people/edlundart/sounds/501025/). This is 4 and a half minutes of background noise from a new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff. Crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in 2016 with an iphone — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Warmly,bard edlund, edlundart. Com.

The sound of going on the bus, getting off and walking to entrance of a university. 0:01 - 0:15 - opening of bus doors and the beeping sound of the bus card. During the bus ride you will be able to hear the soundscape of inside the bus, the bus itself when stopping you could hear the sound of its brakes, you can also hear sound of vehicles coming from outside, there is also a low rumble sound in the bus and voices of people. 0:40 - the sound of the bus announcer telling the next destination in portuguese, cantonese and putonghua. 1:32 - bus door opens and people walking out and the sounds now is different in outside. On the way to university, you could hear vehicles, people talking, key chains, footsteps and the sound of the gates opening and closing. You will also hear at the someone pressing the button for the elevator. Key sounds: key chain, vehicles, people.

Creepy but sweet music i made in garageband for something called victors crypt!. It starts full on with drums, bass and guitars and more. I added strings, piano and key-instruments for an eerie yet groovy vibe. In the drumbreak i let a flute do the talking. I believe this could be used for and intro/outro, something a bit scary, spooky, weird, thrilling, horrific, cool or anything you can think of. You'll be the judge. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Sound transparency (first example on sound transparency and opacity). This sound sample is a companion to my talk and paper presented at foteo ("faire oeuvre, transparence et opacité") at université laval, visual art department, may 2008. The paper title is: "transparence sonore : acoustique physique; opacité sonore : un phénomène psychoacoustique; implications en création sonore". This nearly trivial example shows what i call "sound transparency". Since sound propagation is a linear phenomena, sound is transparent: the presence of a given sound (here a razor) does not modify the sound quality of an other sound (here a knife being rubbed). You can appreciate the sound quality, timbre, texture, dynamic of each sound even when an other one is present. The second part of the sample is the repetition of the first part, but the two sounds are presented on different channels.

A walk through ridley road market in dalston, east london. Lots of people chatting and music playing. As with many markets in london there are lots of languages being spoken. You can hear traders calling out what they're selling. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is some processing to this recording to ‘normalize’ the levels and light eq-ing. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

I think i used stereo mics that came with my h5. Recorded on top of a parking garage right next to the airport. I caught this great sound early in the morning before city traffic could get busy enough to ruin the recording. Enhanced with ozone 6 and removed some bassy wind noise with rx5. I think i actually used this sound for various whooshes for my flash sound in flash v quicksilver. Https://www. Youtube. Com/watch?v=vwcqy-d0i_g&t=49s. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Sample of a busker playing the accordion in a pamplona side-street in 1985. Recorded with a sony walkman using the in-built mics. Some background talking. Recorded onto tdk d90 cassette and stored since then in damp cellars, sheds, and long forgotten drawers. Just today transferred to digital using my fathers old decca legato tape player which we purchased in the early 70s to enable us to send messages to my uncle who had emigrated to australia. Dad says the player cost over £30 then which was more than a weeks wages at the time. I was inter-railing around europe at the time but the recording seems to stop in pamplona. Six weeks later all my money and passport was stolen while in crete and i made my way home via the british consulate in athens.

A hot summer afternoon in the swedish forest/mountains. Recorded with zoom h5 (xy) outside the cabin i rented. Recording mostly consists of birds and general life from people moving/talking as they arrive to their cabins with family. Its intended to represent a peaceful vibe with some human presence. I decided to not remove much movement/actions from the people such post because i felt it might suck out the soul of the recording. In post: in pro tools i removed some low rumble, and and trimmed the highs just a little bit. Added a "pro expander" to lower some noise, both generated by the h5 and the location. Ps. I have a version with 2 dpa 4060 in a ab stereo fashion of the same recording, abit noisy but its on my profile if you want to listen. Hope you like it.

A small sri lankan girl is singing one verse of a famous sinhalese song. This sound has been recorded with the h4n pro. You can use this sound in your project regardless if it is commercial or non-commercial but it would be awesome if you could tag my instagram account somewhere in the description:https://www. Instagram. Com/florianreichelt/. Leave a comment and tell me for which project you used it!! :). By the way - have you guys already checked out my latest travel video about sri lanka?if not you should definitely watch it: https://youtu. Be/raxikjo5x0othe nature, the people and the overall culture are absolutely outstanding and they inspire you to travel as well. Stock footage isn't dead! make 2000$/month via blackbox!register now: http://bit. Ly/stockblackbox.

Stereo ambience of people passing by at the kulturforum in berlin. This is a large open concrete space next to the berlin philharmonic hall. It's a warm summer evening and the berlin philharmonics have just finished an open air concert. The recording starts about 15 minutes after the end of the concert while everyone is leaving the place, maybe about 1000-1500 people. The crowd is generally in a happy and talkative mood. There are lots of international folks and tourists, so you'll not only hear german, but also english and lots of other languages. After six minutes or so there is also a police siren in the background. Recorded with a zoom h6 (xy mics). In the same pack there is also a second recording starting directly at the end of the concert with people applauding. It is can be found here.

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Clavier variante” i następujący po nim „Galopp” z II Aktu, str. 92-93. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Władysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.). Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:21, 4 February 2017 (UTC)) styczeń 2017, publikacja luty 2017.

The story begins by a music that i found. A open door, heels, then silence, a chair, computer sounds with mouse, retake of music and close of the door. , who is the ending of music too. To produce that, i choose audacity; i take recorded moments of life. For the technique, i choose a fade in and fade out for the music and the recorded sounds fit well together. For the moments of silence, when the work begins, i only let the recorded sound talk without music. I choose to work with two mono audio tracks: on for the music and the other for the daily sounds. Descriptif selon la typologie de schaeffer. 1. Masse : son dit “cannelés”2. Timbre harmonique :3. Grain : rugueux4. Allure : non vibrato5. Dynamique : abrupte6. Profil mélodique : tentatives de variations glissantes7. Profil de masse : son cyclique avec des moments doux puis un peu plus fort.

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Herangedämmert kam der Abend” („Co raz ciemniéj – zmierzchał wieczór – ”; „Wieczór zmierzchać tu chadzał”) – pierwsza z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Erklärung”, (tzn. „Wyznanie”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:14, 26 April 2017 (UTC)), kwiecień 2017. Akompaniament. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

Well, i was walking aloong in the riparian forest in leipzig, where you have to cross a small bridge. There is often a guy feeding te ducks. I was there with my mic in the backpack and asked him if he could continue to feed the ducks while i could place the mic in the middle of the feeding spot. At first the ducks were scared because of this strange microphon standing there. So i put some autumn leafs on it to camouflage it. So, this worked and the ducks started to walk around the mic and eat the bread. What you can hear ist the giggling of the mallards and the sonourus sound of the mandarin ducks. Also you have quite the rush of a near located highway in the back :-/ i had to cut a little bit, because the "duck man" was talking along and some passers-by, but i wanted to keep it clean from human voices. Thats also wy the duck take of in the middle is cutted off. But in the end you will have a clear complete take off again :-). Greetings and all the best.

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Herangedämmert kam der Abend” („Co raz ciemniéj – zmierzchał wieczór – ”; „Wieczór zmierzchać tu chadzał”) – pierwsza z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Erklärung”, (tzn. „Wyznanie”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:33, 26 April 2017 (UTC)), kwiecień 2017. Akompaniament z partią fortepianu zamiast głosu. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

A conversation that happened in the kitchen. Warm for the time of year, a man steps in to play basketball on a corner paved lot. Just one basket and no refs, the two free-throws he is offered are almost unheard-of. Maybe some of them didn't like his looks. Likely too they know what he does for a living. Likeliest of all he was playing well, but for sure the woody that won't quit had come to call, and they probably liked that least of all. So he steps up to the foul line and the first shot zips the net. So does the second one, but even before it gets there, someone jumps in behind him, grabs hard and and zips his pants all the way down. They aren't around his ankles, though. Close one, he's standing on them. Worse, a local crowd has gathered. Only the stunned aren't laughing or pointing or cheering. You put your pants back on and go home, what else can you do? game over.

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Im Traum sah ich das Liebchen” („Widziałem we śnie lubą”) – czwarta z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Im Traum sah ich die Geliebte”, (tzn. „Widziałem we śnie [u]kochaną”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 11:19, 29 April 2017 (UTC)), kwiecień 2017. Akompaniament. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

I found this old c-60 cassette labelled "xx" in a local thrift store. (i like to collect found sound recordings-- sometimes there's some pretty weird stuff!) well, it turns out i found some guy's old tape recording involving him having sex while blasting some awful anne murray cover album. . . The recording is the post-sex dialogue, right after that final song fades out. . . At the end, the woman asks something like "are you going to get your tape recorder?" and the guy seems to become flustered, saying something like "i wasn't recording, it's off!" (i'm paraphrasing. ) i guess he thought she realised he was recording it or something. Anyways, after this, the recording is cut off. You can also hear a toilet flush, and some sort of "squeaky toy" noise during the recording. Recorded direct to soundcard, playing back the tape on a cheap hand-held cassette player. Edited w/ compression to reduce peaking.

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Im Traum sah ich das Liebchen” („Widziałem we śnie lubą”) – czwarta z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Autorem wiersza „Im Traum sah ich die Geliebte”, (tzn. „Widziałem we śnie [u]kochaną”) który był literacką stroną pieśni był Heinrich Heine. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 11:39, 29 April 2017 (UTC)), kwiecień 2017. Akompaniament z pianinem w miejsce głosu. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

The office chair is a usual one with wheels and black, but been fixed and soldered and painted a lot for over 2 years (don't khow how long this chair was being used by the previous owner. To get the sound i just sit on it, put my phone on a tripod using the apk easy voice recorder pro by digipom, and then started moving with my feet trying for 30 minutes to get interesting sounds out of it, sometimes falling to get one continuous sound, but i never did that so my experience and technique is lacking also i dind't edit in audacity i just recorded send to email and uploaded here. The thing is that i got as a gift from a family friend and me and my dad soldered that thing probably 6 times to fix the sounds,pieces falling off, me geting in the ground after the entire base broked!( i wished i could show the picture in the center down of it) so before i went ahead to fix it again, i decided after talking to friends if i should record and upload, so here it is!. I hope is useful somehow to someone, now i can feel more at ease in repairing this chair again.

I was super inspired to post here again after an insane coincidence happened!. I was in an online class (thanks, covid) where we were supposed to redo all the sounds and music for an animation we chose. We were encouraged to use sound libraries and freesound. Org. In one classmate's animation, a sound he used seemed very familiar, and then it hit me. . It's my sound! from this site! the crazy part is he has my same first name. But anyway, thank you for taking a look and listen to this sound which is about 2 years old now, heh. I went to this exhibit about electronic and/or audio stuff. In the show they were doing on stage, they brought various tesla coils and things i forgot the name of. I decided to take a video. Within that video, is this sound! feel free to use this sound wherever, however, whenever you want. I ain't uploading on freesound for nothin'. ;d. The only processing i did was cutting out any talking during the raw recording.

Stereo recording incorporating 2 recordings made simultaneously on the web sdr (software defined radio) in north east pensylvania (fn21mh) at http://k3fef. Com:8901/and the one at raf hackgreen in nantwich in cheshire (io83ra) http://hackgreensdr. Org:8901/i used the filename of one of the recordings for part of this new dual receivers recording mixed in goldwave and time-synched by ear. Left channel is the pensylvania receiver, right channel is the uk receiver. Heard are various stations working or trying to work w1uuu in massachusetts including stations in the dominican republic, argentina, the ukraine, trinidad and tobago, colombia and florida. Some stations are heard better in pa, some better in the uk. Lots of static crashes heard from late spring lightning storms hundreds or thousands of kilometers away from both receivers. You can find over 100 receivers athttp://websdr. Org/most allow you to record, though some have a 15-minute timer.

The sound is coming from the fans of a server. By pulling out one of the fans, all other fans turn up to 100%. The microphone is located above the air duct exactly in the middle of the case and thus between two fan fronts. The soundfile starts with the fans on standard speed. After a few seconds the fans turn up to 100%. I left them there for a few seconds and then quietly plugged the removed fan back in. This fan now also switches to 100% - this is the single, delayed "speed up" that can be heard from second 35. About 10 seconds later, all fans return to normal speed. Unfortunately, a colleague came in at that time and ended up talking into the recording. Due to lack of time, i was unfortunately unable to repeat the audio that day, but will certainly do another re-recording in the future. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:røde lavalier microphonesound devices mixpre-3 ii. File:wavmono96 khz32-bit float.

I guess it's what (nearly) every hongkongers would like to make it as ringtone sound for everyday life, right? #hehe#. Recorded near dolce & gabbana kowloon shop, at canton road, tsim sha tsui, hong kong, during protesting against d&g;'s "blocking esp. Hongkongers to take photos outside their shops" behaviour on 8th january, 2012. The "無綫新聞．事事但但" (tvb news, absentminded (news reporting)) is a slogan which to satirize tvb that self-filtering unwanted news for china government, or specificity, the communist party of china. Their (sometimes actually talking about yuen chi wai's, the head of the news dept. Of tvb, who interviewed with li pang after "8964" tiananmen square protests of 1989, with no following the professional conduct of journalism, and being abused as dog after the report was broadcasted) behaviour lets many hong kong network users calling them cctvb, which means they are more likely to be the hong kong mirror of cctv in china. A man even made a board wrote "無綫新聞．事事但但" and shown on camera when tvb news was doing a live report. This slogan are being called by protesters on that event as they don't like tvb reports the event like a entertainment news.

I recorded this today (1/12/23) from atlanta, where we had a bunch of heavy rain and tornado warnings this afternoon. The radio station i recorded this from is am 750. The first part of the recording isn't very interesting, but the part where she started talking about how you can't see any tornados coming was really interesting to me. I think this would make for some really good ambience in like an environmental horror track. I decided to include the whole recording anyways in case anyone wanted it. Here's the backstory to this thingey if anyone really wants it:we were on tornado watch as i was speeding trying to get home from work, when the sirens started to go off. I had to pull into a disheveled looking parking garage, as that was the closest place i could get to. The garage only had one level, so i had no way of getting to lower ground. I sat there in my car, terrified that i might be stuck there, in a shitty parking deck, in the middle of a giant ass storm, with very little cell signal, for hours on end. I decided to turn on my radio and record it from my phone. Fortunately, i was only in there for 30 minutes, and i managed to get home after the rain cleared up a bit.