2,829 Royalty-Free Audio Tracks for "Set"

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Puer nobis nascitur aus dem Moosburger Graduale 1360. Übertragung (R.F.): Heute kommt als Kind zur Welt Gott, der Herr der Herren. Stroh als Bett und Milch erhält, den alle Engel ehren. Ziel und Ursprung, A und O, lass dich jubelnd grüßen! Dein Erscheinen macht uns froh: Sei alle Zeit gepriesen. Herr, Dank sei dir erwiesen! In der Krippe liegt das Kind, das wir Heiland nennen. Weltvernunft ist für ihn blind, den Ochs und Esel kennen. Ziel und Ursprung, A und O, lass dich jubelnd grüßen! Dein Erscheinen macht uns froh: Sei alle Zeit gepriesen. Herr, Dank sei dir erwiesen! Den Maria heut gebar, Jesus, hör uns flehen, lass uns nach der Welt Gefahr die ewgen Freuden sehen. Ziel und Ursprung, A und O, lass dich jubelnd grüßen! Dein Erscheinen macht uns froh: Sei alle Zeit gepriesen. Herr, Dank sei dir erwiesen!
Author: Melody: medieval according to Capella antiqua München / Niederaltaicher Scholaren / Konrad Ruhland; setting & sound file: Rabanus Flavus (Peter Gerloff)
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01:35
Català: El desembre congelatEl desembre congelat, katalanisches WeihnachtsliedÜbertragung (R.F.): Frost und Stürme, Schnee und Eis, Winter ist entschwunden, denn es sprießt ein junges Reis, lässt die Welt gesunden, es ergrünt ein frischer Trieb aus der Himmelsblume lieb, einer zart, zart, zart, einer rot, rot, rot, einer zart, einer rot, zart und roten Rose, seht die makellose! Adams Sünde brachte Not über alle Wesen, Streit und Mühsal, Furcht und Tod, in der Welt zu lesen. Doch bei tiefster Mitternacht ist der Morgenstern erwacht, dessen Licht, Licht, Licht, dessen Strahl, Strahl, Strahl, dessen Licht, dessen Strahl, dessen Lichtstrahl blendet, alles Unheil wendet. Könige aus Morgenland folgten seinem Leuchten, bis sie ihm mit frommer Hand ihre Gaben reichten, knieten vor dem Gottessohn, vor der Krippe, seinem Thron: wahrer Gott, Gott, Gott, wahrer Mensch, Mensch, Mensch, wahrer Gott, wahrer Mensch, Gott und Mensch vereinigt, der die Erde reinigt.
Author: Melody: from Catalonia; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Good King WenceslasGood King Wenceslas, englisches Weihnachtslied (Stephanustag)Übertragung (R.F.): König Wenzel schritt hinaus an Sankt Stephans Tage. Schnee und Eis und Sturmgebraus machten bittre Plage. Da, im Mondschein, konnte er einen Mann erkennen; matt und zitternd suchte der dürres Holz zum Brennen. „Page, bring mir Fleisch und Wein und auch Holz zum Feuer! Beste Speise soll es sein und kein Trank zu teuer! Bring es her und folge mir zum Quartier des Armen; quält der Frost und frieren wir, wärmt uns das Erbarmen.“ „Herr, ich ehre dein Gebot, doch die Kräfte schwinden, werde fallen und den Tod hier im Schneegrab finden.“ „Page, bleibe hinter mir, tritt in meine Spuren, und das Winterfeld wird dir warm wie Sommerfluren.“ Treulich tat der Page so, wie Sankt Wenzel sagte, und verspürte alsbald froh, dass kein Frost mehr nagte. Wer in Christi Spuren tritt, Kraft und Güter spendet, wird beglückt mit jedem Schritt und in Gott vollendet.
Author: Melody: medieval; setting & sound file: Rabanus Flavus (Peter Gerloff)
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01:11
Eternal Father, Strong to SaveEternal Father, Strong to Save, englisches Kirchenlied, Gebet für die Seefahrer.Übertragung (R.F.): Gott Vater, der die Welt erschuf aus Chaosflut mit Werde-Ruf, der Strömen wies bestimmte Bahn und Grenzen gab dem Ozean: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. O Christus, der den Sturm gestillt, gezähmt die Wellen, tosend wild, der sicher durch die Wogen schritt zum Jüngerboot, das Seenot litt: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. Du Schöpfergeist, der Ordnung schenkt und Kräftestreit zum Frieden lenkt, Gestirn, das in der Nacht aufsteigt, Leuchtfeuer, das den Hafen zeigt: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. O Gott, dreifaltig, einzig, wahr, sei Schild und Helfer in Gefahr! Kein Fels, kein Sturm, kein Brand, kein Riff bedrohe Mannschaft, Kurs und Schiff! Dann steigt zu dir, allgüt'ger Herr, ein Danklied auf von Land und Meer.
Author: Melody: John Bacchus Dykes; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Härn Pastoor sien Kauh Kennt ji all dat nige Leed, nige Leed, nige Leed, wat dat ganze Dörp all weet, von Herrn Pastor sien Kauh?     Sing man tau, sing man tau,     von Herrn Pastor sien Kauh, jau, jau,     sing man tau, sing man tau, von Herrn Pastor sien Kauh! Ostern weer se dick un drall, dick un drall, dick un drall, Pingsten leeg se dod in’n Stall, den Herrn Pastor sien Kauh!     Sing man tau, sing man tau,     von Herrn Pastor sien Kauh, jau, jau,     sing man tau, sing man tau, von Herrn Pastor sien Kauh! As se weer in Stücken sneeden, Stücken sneeden, Stücken sneeden, het dat ganze Dörp wat kreegen, von Herrn Pastor sien Kauh!     Sing man tau, sing man tau,     von Herrn Pastor sien Kauh, jau, jau,     sing man tau, sing man tau, von Herrn Pastor sien Kauh!
Author: Melodie: trad.; Satz & Tondatei: Rabanus Flavus (Peter Gerloff)
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18:07
(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. Wow, this is a long one. . . But a good one. Let me set the scene for this audio because i am a nerd. . . Burbank, california. A large apartment/condominium complex with an open courtyard and a swimming pool and hot tub. Now, for some reason in la, nobody ever seems to actually use pools or hot tubs anymore so it's not hard to get clean audio. So, from beginning to end you will basically hear me turn the automatic shutoff dial on the wall, walk to the hot tub, get in the hot tub, and sit in various positions for extended periods of time. I was alone for the entire experience (wife was at work) and nobody joined. It's very clean audio and safe for all production. Recorded on 11/20/2018 in burbank, ca. Enjoy,. Christopher c. Courter.
Author: Courter
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03:28
Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause
Author: William Billings
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All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Aarontheonly__roar1. Wav, aarontheonly__roar10. Wav, aarontheonly__roar2. Wav, aarontheonly__roar3. Wav, aarontheonly__roar4. Wav, aarontheonly__roar5. Wav, aarontheonly__roar6. Wav, aarontheonly__roar7. Wav, aarontheonly__roar8. Wav, aarontheonly__roar9. Wav, aemyn__crashing-starship. Flac, barrypirro__beast-roar. Mp3, bevibeldesign__dragon-growl-sad. Aiff, bevibeldesign__dragon-roar-mild-1. Aiff, bevibeldesign__dragon-roar-short-2. Aiff, asdfmovie3, asdfmovie1, cylon8472__cthulhu-growl. Wav, d-jones__alligator-growls-02. Wav, dreeme__dragon-roar. Wav, heigh-hoo__drumroll. Aiff, icyjim__cloverfield-roar. Wav, icyjim__dragon-roar. Wav, joelaudio__dragon_roar. Wav, johnnie_holiday__triple-explosion. Wav, ljudman__grenade. Wav, noisecollector__dragon1. Wav, noisecollector__elephant. Wav, quadraslayer__monster-roar-slow. Wav, resaural__calls-beyond-earth. Wav, rhedcerulean__bigfootals-rendered. Aiff, rhedcerulean__biggrowl2. Aiff, rizzard__monster-growl. Wav, tetris rap animated! the long piece is the best piece!! - (animated by topspinthefuzzy and lady red). Mp3, schots__angry-tiger. Wav.
Author: Xdlxedgbrdkjgrunkk
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10:29
Individual gryphons, davis-schrimpf seep field, salton sea, california. Lat: 33. 20070326716746lon: 244. 42179501054162. The davis-schrimpf onshore seep field site in the salton sea geothermal system is the result of shallow magmatic intrusions in a sedimentary basin. The ssgs is situated in the salton trough in southern california, an area with abundant surface manifestations of hydrothermal activity. The hydrothermal system in the salton trough occurs in a pull-apart setting where rifting and associated magmatic intrusions are responsible for the strong heat flow. One of the most concentrated and well-expressed onshore seep fields is the davis-schrimpf field, where more than 50 individual seeps are located in this area. Gas venting from gryphons and pools is vigorous with a continuous bubbling activity. Water and mud mixtures are continuously expelled down the flanks of the gryphons. Carbon dioxide produced from de-volatilization reactions involving sedimentary carbonate is the main driver for the seep activity. The morphological features of the davis- schrimpf seep field are strikingly similar to seep fields on dormant mud volcanoes however, the davis-schrimpf seeps are not related to mud volcanism, as mud volcanism normally implies large-scale mud breccia eruptions and a low temperature seep stage. From the; journal of geophysical research, vol. 114, b09201, doi:10. 1029/2008jb006247, 2009.
Author: Rtb
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04:09
Mud volcano field, davis-schrimpf seep field, salton sea, california. Lat: 33. 20070326716746lon: 244. 42179501054162. The davis-schrimpf onshore seep field site in the salton sea geothermal system is the result of shallow magmatic intrusions in a sedimentary basin. The ssgs is situated in the salton trough in southern california, an area with abundant surface manifestations of hydrothermal activity. The hydrothermal system in the salton trough occurs in a pull-apart setting where rifting and associated magmatic intrusions are responsible for the strong heat flow. One of the most concentrated and well-expressed onshore seep fields is the davis-schrimpf field, where more than 50 individual seeps are located in this area. Gas venting from gryphons and pools is vigorous with a continuous bubbling activity. Water and mud mixtures are continuously expelled down the flanks of the gryphons. Carbon dioxide produced from de-volatilization reactions involving sedimentary carbonate is the main driver for the seep activity. The morphological features of the davis- schrimpf seep field are strikingly similar to seep fields on dormant mud volcanoes however, the davis-schrimpf seeps are not related to mud volcanism, as mud volcanism normally implies large-scale mud breccia eruptions and a low temperature seep stage. From the; journal of geophysical research, vol. 114, b09201, doi:10. 1029/2008jb006247, 2009.
Author: Rtb
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All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Aarontheonly__roar1. Wav, aarontheonly__roar10. Wav, aarontheonly__roar2. Wav, aarontheonly__roar3. Wav, aarontheonly__roar4. Wav, aarontheonly__roar5. Wav, aarontheonly__roar6. Wav, aarontheonly__roar7. Wav, aarontheonly__roar8. Wav, aarontheonly__roar9. Wav, aemyn__crashing-starship. Flac, barrypirro__beast-roar. Mp3, bevibeldesign__dragon-growl-sad. Aiff, bevibeldesign__dragon-roar-mild-1. Aiff, bevibeldesign__dragon-roar-short-2. Aiff, asdfmovie3, asdfmovie1, cylon8472__cthulhu-growl. Wav, d-jones__alligator-growls-02. Wav, dreeme__dragon-roar. Wav, heigh-hoo__drumroll. Aiff, icyjim__cloverfield-roar. Wav, icyjim__dragon-roar. Wav, joelaudio__dragon_roar. Wav, johnnie_holiday__triple-explosion. Wav, ljudman__grenade. Wav, noisecollector__dragon1. Wav, noisecollector__elephant. Wav, quadraslayer__monster-roar-slow. Wav, resaural__calls-beyond-earth. Wav, rhedcerulean__bigfootals-rendered. Aiff, rhedcerulean__biggrowl2. Aiff, rizzard__monster-growl. Wav, tetris rap animated! the long piece is the best piece!! - (animated by topspinthefuzzy and lady red). Mp3, schots__angry-tiger. Wav.
Author: Xdlxedgbrdkjgrunkk
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Go Down, MosesGo Down, Moses, Spiritual.Übertragung (R.F.): Als Israel im Frondienst schrie, – König, lass uns ziehn! – griff Gott ein und befreite sie. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Erst ängstlich zögernd, dann voll Mut – König, lass uns ziehn! – rief Mose: „Sieh, was Gott euch tut! König, lass uns ziehn!“    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Herz des Königs fror zu Eis. – König, lass uns ziehn! – Dann kam die Nacht des Wehgeschreis. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Volk zog sicher durch das Meer. – König, lass uns ziehn! – Ihm nach versank Ägyptens Heer. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Als Israel die Rettung sah, – König, lass uns ziehn! – unstillbar war ihr Jubel da. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“
Author: Melody: Spiritual; setting & sound file: Rabanus Flavus (Peter Gerloff)
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02:34
A late summer soundscape that is a favorite of mine. . Microphones set up in some mature woods about 60 feet from a large lake on labor day weekend. Most of the background is the insects, which are very obvious during this time of year. The swelling of their volume is nap-inducing (*at least to me in my opinion. )here is the midwest this swelling and subsiding of the insect wave tells me that summer is just about starting to go back downhill, after a feverish peak. Despite the covid-19 of the year, nature does not seem to have changed her soundscape. Life goes on in the forests. The birds, whose job of raising young is over, are still there. . . They're just resting and relaxing and listening to the insects as well i'm sure. Now of course you will hear a few prominent birds in this captured moment:(1) a great blue heron squawks out starting at 1:17 into this piece. (2) the alarm call of a red-headed woodpecker can be heard at 2:14. Other than that, just the insects singing their hearts out and the assortment of birds taking secondary place during this time of year. This was recorded on sunday september 6th 2020 at 8:30 in the morning in the forest in southern illinois. Equipment: zoom f4, microphone: sennheiser mkh 8060. Enjoy this audio snapshot of the subdued -- yet vibrant - sound color of late summer, finding comfort in the fact that, within four weeks, the colors of the leaves will be changing to oranges and reds and yellows. But, for now, there is still life to live in the insect and bird world.
Author: Kvgarlic
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00:50
Latina: O gloriosa Domina excelsa supra sidera qui te creavit provide lactasti sacrato ubere. Quod Eva tristis abstulit, tu reddis almo germine, intrent ut astra flebiles, sternis benigna semitam. Tu regis alti ianua et aula lucis fulgida, vitam datam per Virginem, gentes redemptae, plaudite. Patri sit et Paraclito tuoque Nato gloria, qui veste te mirabili circumdederunt gratiae. Du große Herrin, schönste Frau, Gotteslob (2013) 648Reimübertragung (R.F.): O Herrin in der Herrlichkeit, erhoben über Raum und Zeit, der dich zum Heil erschaffen hat, er wurd’ an deinen Brüsten satt. Die Sünde, die durch Eva kam, du trugst ihn, der sie von uns nahm. So bahnst du uns durchs Endgericht den Weg zum Himmel und zum Licht. Du bist die Tür, da Einzug hält der Friedenskönig in die Welt. Vom Leben, das die Jungfrau bringt, erlöste Völker, sagt und singt! Ruhm sei dem Vater und dem Geist und Gott dem Sohn, der dein Sohn heißt. Dem einen Gott, der dich erhob und krönte, ihm sei ewig Lob.
Author: Melodie: 1586; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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00:22
All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Aarontheonly__roar1. Wav, aarontheonly__roar10. Wav, aarontheonly__roar2. Wav, aarontheonly__roar3. Wav, aarontheonly__roar4. Wav, aarontheonly__roar5. Wav, aarontheonly__roar6. Wav, aarontheonly__roar7. Wav, aarontheonly__roar8. Wav, aarontheonly__roar9. Wav, aemyn__crashing-starship. Flac, barrypirro__beast-roar. Mp3, bevibeldesign__dragon-growl-sad. Aiff, bevibeldesign__dragon-roar-mild-1. Aiff, bevibeldesign__dragon-roar-short-2. Aiff, asdfmovie3, asdfmovie1, cylon8472__cthulhu-growl. Wav, d-jones__alligator-growls-02. Wav, dreeme__dragon-roar. Wav, heigh-hoo__drumroll. Aiff, icyjim__cloverfield-roar. Wav, icyjim__dragon-roar. Wav, joelaudio__dragon_roar. Wav, johnnie_holiday__triple-explosion. Wav, ljudman__grenade. Wav, noisecollector__dragon1. Wav, noisecollector__elephant. Wav, quadraslayer__monster-roar-slow. Wav, resaural__calls-beyond-earth. Wav, rhedcerulean__bigfootals-rendered. Aiff, rhedcerulean__biggrowl2. Aiff, rizzard__monster-growl. Wav, tetris rap animated! the long piece is the best piece!! - (animated by topspinthefuzzy and lady red). Mp3, schots__angry-tiger. Wav.
Author: Xdlxedgbrdkjgrunkk
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01:46
God Rest You Merry, GentlemenGod rest you merry, gentlemen, englisches WeihnachtsliedÜbertragung (R.F.): Seid froh, ihr Menschen überall, werft alle Trauer ab, weil heute Gott vom Himmel her den Sohn, den Heiland, gab! Er rettet uns aus Teufelsmacht, ruft Tote aus dem Grab. O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria ihren Sohn im Stall liebkost. Nach Bethlehem brach Josef auf und jene, die ihm lieb, damit man sie auf Roms Befehl in Steuerlisten schrieb. Maria aber trug ein Kind – o Hoffnung, die sie trieb! O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria ihren Sohn voll Glück liebkost. Und als das Kind geboren war um Mitternacht im Stall, da sangen Engel „Gloria“ und „Friede überall!“ Die Hirten und die Könige beseligte ihr Schall. O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria ihren Sohn, den Herrn, liebkost. Vernehmt auch ihr und alle, die das Weihnachtsfest begehn: Gott lässt uns in dem kleinen Kind die Macht der Liebe sehn, damit auch wir der Liebe traun und zueinander stehn. O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria Gottes Sohn im Stall liebkost.
Author: Melody: from England; setting & sound file: Rabanus Flavus (Peter Gerloff)
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05:02
This is one of a set of voices created to be mixed together to form background ambiance for parties and other events. The walla project is the creation of jule hoverson of 19 nocturne boulevard and public domain for all to use without attribution. Script. Party crowd:well, look who's here!i thought you weren't coming?oh, i see. Well, put your coat over there and grab a drink. So, where were we?oh yeah, so my boss says to me i need to work late, and i tell him that if he wants me to work late he's going to have to pay me to work overtime. You think he likes that?what he do?he told me that he can get a college grad to do my job for half the price. Well, i told him- try it!hey, are those snacks fresh?let me have one!mmmm. . . . Tasty!ow!what is this? a snail?i think i chipped a tooth!excuse me. I better go call a dentist!oh no! look who just walked in!can you believe her? wearing a dress like that?that's not his wife. Mmm-hmm. I'm so excited, this is my first time at a soiree {swa-ray} like this!isn't that too too adorable?who's got the glasses?isn’t there anything to drink?i hope you don't mind, but we're going to have to leave early. I'm here! the party can start!i definitely need another one. That was the babysitter. We need to go. [plus - feel free to ad lib anything else you want. ].
Author: Ultrarob
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01:05
Ein Loch ist im Eimer, lieber Heinrich, lieber Heinrich, ein Loch ist im Eimer, lieber Heinrich, was nun? Stopf es zu, du dumme Liese, dumme Liese, dumme Liese, stopf es zu, du dumme Liese, dumme Liese, stopf es zu. Womit denn, lieber Heinrich, lieber Heinrich, lieber Heinrich, womit denn, lieber Heinrich, lieber Heinrich, womit? Mit Stroh, du dumme Liese, dumme Liese, dumme Liese, mit Stroh, du dumme Liese, dumme Liese, mit Stroh. Wenn das Stroh aber zu lang ist, lieber Heinrich, lieber Heinrich, wenn das Stroh aber zu lang ist, lieber Heinrich, was dann? Schneid es ab, du dumme Liese, dumme Liese, dumme Liese, schneid es ab, du dumme Liese, dumme Liese, schneid es ab. Womit denn, lieber Heinrich... Mit 'nem Messer, dumme Liese... Wenn das Messer aber stumpf ist, lieber Heinrich... Mach es scharf, du dumme Liese... Womit denn, lieber Heinrich... Mit 'nem Stein, du dumme Liese... Wenn der Stein aber zu trocken ist, lieber Heinrich... Mach ihn nass, du dumme Liese... Womit denn, lieber Heinrich... Mit Wasser, dumme Liese... Womit soll ich's denn holen, lieber Heinrich... Mit 'nem Topf, du dumme Liese... Wenn der Topf aber ein Loch hat...
Author: Text & Melodie: Volksgut; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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03:26
The United States Air Force Band joined with percussionists from the Marine Band, Army Band, and Coast Guard Band perform a percussion rendition of the American patriotic classic, "When Johnny Comes Marching Home". Arranged by USAF Band composer and staff arranger, Master Sgt. John Bliss. Done in celebration of Veterans' Day. Credits: Colonel Don Schofield - Executive Producer Master Sgt. Adam Green - Producer Chief Master Sgt. Dennis Hoffmann, Master Sgt Jeremy Koch - Videographers Technical Sgt. Tim Hilgert - Video Editor Technical Sgt. Jim Woolf - Audio Engineer Musicians: Master Sgt. Adam Green, The United States Air Force Band “Chief’s Own” - marimba, vibraphone, xylophone, orchestral bells, field drum Sergeant 1st Class Sidonie McCray, The United States Army Band “Pershing’s Own” - vibraphone, xylophone, orchestral bells Master Sgt. Kenneth Wolin, “The President’s Own” United States Marine Band - xylophone, shekere, vibraphone, orchestral bells, field drum Staff Sgt. Michael Hopkins, “The President’s Own” United States Marine Band - orchestral bells, cowbell, vibraphone, xylophone Musician Petty Officer 1st Class Nathan Lassell, The United States Coast Guard Band - drum set, vibraphone, xylophone, orchestral bells
Author: Composition: Patrick Gilmore Arrangement: Master Sgt. John Bliss Performance: Percussionists from the the United States Air Force Band, the United States Marine Band, the United States Army Band, and the United States Coast Guard Band Recording: United States Air Force
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Wer ist der bunte Mann im Bilde (Rattenfängerlied aus Des Knaben Wunderhorn) Alternativtext: In Hameln herrschte Rattenplage. Im Dunkeln und am hellen Tage, in Küche, Keller, Vorratsraum wimmelten sie – ein böser Traum. Da kam ein Wandrer aus der Fremde mit spitzem Hut und buntem Hemde. „Lasst mich nur machen“, prahlte der: „Bald seht ihr keine Ratte mehr!“ Die Bürger und der Rat berieten und wollten sich schier überbieten. „Nimm Gold, soviel du tragen kannst, wenn du die Brut verjagen kannst!“ Drauf in der ersten Morgenröte zog er durch Hameln mit der Flöte, und hinter ihm das Rattenheer: bald waren Markt und Gassen leer. Zum Fluss ließ er die Nager laufen und in der Weserflut ersaufen. Die Bürger staunten und der Rat: „Wie kinderleicht war diese Tat! Hab Dank und geh! Du magst noch essen, doch Geld und Gold musst du vergessen. Ein Flötenlied, was ist das schon? Dafür verdienst du keinen Lohn!“ Er schwieg und ging. Doch kam er wieder und blies noch einmal seine Lieder. Er blies sie frech und ungestüm – und Hamelns Kinder folgten ihm. Sie lachten, tanzten und verschwanden. Als ihre Eltern das verstanden, erhob sich Jammer und Gebet; aber die Reue kam zu spät. Was lernen wir aus der Geschichte? Dass niemand sich zu nichts verpflichte, was er nicht gerne halten mag: sonst kommt nur Leid aus dem Vertrag.
Author: Rabanus Flavus (Peter Gerloff)
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00:58
We Three Kings of Orient AreWe Three Kings of Orient Are, englisches DreikönigsliedÜbertragung (R.F.): Die drei Könige Könige aus Morgenland sind wir Drei und weit bekannt, ziehn von ferne nach dem Sterne durch Gebirg und Sand. Chor Fremder Wunderstern, du Stern der Nacht, Glanz des Königs ohne Macht, führ uns weiter, Wegbegleiter, bis du uns ans Ziel gebracht. Kaspar Nimm mein Gold, du Königskind, dessen Reich im Stall beginnt, Königszierde, Herrscherwürde, welche nie zerrinnt. Chor Fremder Wunderstern, du Stern der Nacht, Glanz des Königs ohne Macht, führ uns weiter, Wegbegleiter, bis du uns ans Ziel gebracht. Melchior Mein Geschenk ist Weihrauch, sieh, Gott, vor dem ich niederknie, mög er steigen, duftend zeigen, dass ich von dir glüh. Chor Fremder Wunderstern, du Stern der Nacht, Glanz des Königs ohne Macht, führ uns weiter, Wegbegleiter, bis du uns ans Ziel gebracht. Balthasar Myrrhe ist's, was ich dir schenk, da ich an dein Sterben denk. Rett uns Stolze einst am Holze: uns zum Himmel lenk. Chor Fremder Wunderstern, du Stern der Nacht, Glanz des Königs ohne Macht, führ uns weiter, Wegbegleiter, bis du uns ans Ziel gebracht. Die drei Könige Herr, der uns zu heilen kam, König, Gott und Opferlamm, welcher ringend, Welt bezwingend Sieg und Krone nahm: Chor Fremder Wunderstern, du Stern der Nacht, Glanz des Königs ohne Macht, führ uns weiter, Wegbegleiter, bis du uns ans Ziel gebracht.
Author: Melody: John Henry Hopkins (1820-1891); setting & sound file: Rabanus Flavus (Peter Gerloff)
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02:55
Br-laser vector synthesis reel for make noise morphagene. These sounds have visuals encoded into them at high frequencies. The vector synthesis reel for the make noise morphagene is a collection of different xy samples, to show off morphagene's stereo sampling capability. The sample material can be displayed on oscilloscopes, modified vectrex game consoles, ilda laser displays or oscilloscope simulation software in xy mode. Some splices on the reel can be used as seamless loops. Here is a video to give a basic idea of the reelhttps://youtu. Be/cxxb9veyq6w. The collection of vectors was arranged by bernhard rasinger and includes vector contributions from artists listed below. An important part of this reel is to put the spotlight on working and performing artists utilizing sound signals to draw images as vector art. Alberto novellohttp://www. Jestern. Com. Andrew duffhttp://andrew-duff. Co. Uk/. Bernhard rasingerhttps://www. Br-laser. Com/. Chris kinghttp://videocircuits. Blogspot. Com/. Derek holzerhttp://macumbista. Net/. Douglas nunnhttps://vectorhackfestival. Com/guests/nunn/. Hansi raberhttp://youtube. Com/hansiraber. Ivan marušić klifhttp://i. M. Klif. Tv. Jerobeam fendersonhttp://oscilloscopemusic. Com. Jonas bershttp://jonasbers. Com. Joost rekveldhttp://www. Joostrekveld. Net. Philip baljeuhttp://instagram. Com/pbaljeuhttps://www. Youtube. Com/channel/ucudrl_q3_cnsj0ta2k7saha. Philipp haffnerhttps://www. Instagram. Com/philipp_haffner/. Robert henkehttp://roberthenke. Com/. Roland lionihttp://www. Akirasrebirth. Com. Ted davishttp://teddavis. Org. Vector hack festivalhttps://vectorhackfestival. Com/. All of these artists, working in the vector synthesis realm are creating these vectors with a different set of tools. These tools include pure data, max4live, oscistudio, axoloti, modular synthesizer, video synthesizer. Https://oscilloscopemusic. Com/oscistudio. Phphttp://write. Flossmanuals. Net/pure-data/introduction2/http://www. Axoloti. Com/https://www. Ableton. Com/de/live/max-for-live/. For introductory oscilloscope and technique tutorials please enjoy jerobeam fenderson´s tutorial series. Https://www. Youtube. Com/playlist?list=plfgouhnvmlro45p9uur18wofljeavcfvv.
Author: Makenoisemusic
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01:58
Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.
Author: Gis Sweden
00:00
02:14
I've recorded the first chapter of a story created in a manner called one-word-at-a-time in freesound forums. Read the original here:http://www. Freesound. Org/forum/off-topic/34658/. Captured using a zoom h2, edited with audacity. Compressed with sc4 and eqd with audacity's built in rich eq. The compiled text without commentary:. 1 - once. . . 2 - upon3 - a time4 - in a small town called pandora5 - there was a database. 6 - containing vital information7 - collected and controlled by the government. 8 - nobody knew what the database, called pandorabox, contained, yet the popularfolklore went thus:9 - that every word, written, spoken or thought was in the database. 10 - though the question still remains,. . . 11 - how does one12 - hack the database? more importantly, why does one, or who intends to, hackthe database?13 - the question puzzled many but one young outcast searched for the answer forhis special organization called the. . . . . 14 - chaos code. 15 - within this organisation one thing was certain. . . 16 - , they were all looking for the same thing. For all they knew pandoraboxcould hold vital information for there cause that they could use against thecapital or it could hold deep dark secrets about them and the capital that wouldneed to be destroyed and taken advantaged. 17 - but,18 - nothing is ever easy19 - for20 - the chaos code. 21 - now time is running short as few are left to face the enemy22 - , although without even knowing who the enemy really was, the "crusaders" -the hackers - knew they were against something big. . . And that something wasagainst them as well. The first step, then, was to know whom or what they wereup against. 23 - they set to prepare some reconnaissance - to better equip their knowledge. 24 - when they got there they secretly spied the territory and discovered thatit was worse then they predicted and it would be hard getting in and out withoutbeing noticed, they will probably have to fight there way in and out or sneak inand then fight there way out. 25 - since they knew that either outcome meant the destruction of their plansbefore even starting, they decided they'd have to retreat and find an insiderfirst.
Author: Unfa
00:00
01:22
O store Gud Du großer Gott, wenn ich die Welt betrachte Du großer Gott, wenn ich die Welt betrachte, die du geschaffen durch dein Allmachtswort, wenn ich auf alle jene Wesen achte, die du regierst und nährest fort und fort, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Blick ich empor zu jenen lichten Welten und seh der Sterne unzählbare Schar, wie Sonn und Mond im lichten Äther zelten, gleich goldnen Schiffen hehr und wunderbar, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Wenn mir der Herr in seinem Wort begegnet, wenn ich die großen Gnadentaten seh, wie er das Volk des Eigentums gesegnet, wie er's geliebt, begnadigt je und je, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Und seh ich Jesus auf der Erde wandeln in Knechtsgestalt, voll Lieb und großer Huld, wenn ich im Geiste seh sein göttlich Handeln, am Kreuz bezahlen vieler Sünder Schuld, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Deutsche Nachdichtung: Manfred von Glehn (1867-1924)
Author: Melody: Swedish traditional; setting & sound file: Rabanus Flavus (Peter Gerloff)
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01:03
Pidmanula, pidvela, ukrainisches VolksliedÜbertragung (R.F.): Du versprachst: Am Montag wandern wir zu zweit, fern von den andern! Ich war da, doch du kamst nicht. Grausam, wer sein Wort so bricht! Du spielst verlogne Spiele, täuschst meine Glücksgefühle, lockst mich und zeigst nur Kühle: Herzverrat im Wechselbad! Du versprachst: Am Dienstag reite ich ins Feld an deiner Seite. Ich war da, doch du kamst nicht. Grausam, wer sein Wort so bricht! Du spielst verlogne Spiele, täuschst meine Glücksgefühle, lockst mich und zeigst nur Kühle: Herzverrat im Wechselbad! Du versprachst: Am Mittwoch müssen wir uns lang und innig küssen! Ich war da, doch du kamst nicht. Grausam, wer sein Wort so bricht! Du spielst verlogne Spiele, täuschst meine Glücksgefühle, lockst mich und zeigst nur Kühle: Herzverrat im Wechselbad! Du versprachst: Am Donnerstage sag ich Ja auf deine Frage. Ich war da, doch du kamst nicht. Grausam, wer sein Wort so bricht! Du spielst verlogne Spiele, täuschst meine Glücksgefühle, lockst mich und zeigst nur Kühle: Herzverrat im Wechselbad! Du versprachst: Am Freitag bringe ich das Kissen für die Ringe. Ich war da, doch du kamst nicht. Grausam, wer sein Wort so bricht! Du spielst verlogne Spiele, täuschst meine Glücksgefühle, lockst mich und zeigst nur Kühle: Herzverrat im Wechselbad! Du versprachst: Am Samstag kleide ich mich ganz in weiße Seide. Ich war da, doch du kamst nicht. Grausam, wer sein Wort so bricht! Du spielst verlogne Spiele, täuschst meine Glücksgefühle, lockst mich und zeigst nur Kühle: Herzverrat im Wechselbad! Du versprachst: Am Sonntag zeigen sich die Himmel voller Geigen. Ich war da, doch du kamst nicht. Grausam, wer sein Wort so bricht! Du spielst verlogne Spiele, täuschst meine Glücksgefühle, lockst mich und zeigst nur Kühle: Herzverrat im Wechselbad!
Author: Melody: from Ukraine; setting & sound file: Rabanus Flavus (Peter Gerloff)
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00:19
guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.
Author: Syntheway
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00:14
El furruco o furro es un tambor con cuero y una varilla, suele utilizarse en la música tradicional navideña, así como en la gaita zuliana y los aguinaldos. Tambien se utiliza, en algunos pueblos, en la parranda. Está constituido por una caja de madera, cilíndrica y ligeramente cónica, está cubierta por una membrana de cuero seco, vibrante. Fijada al tambor con tirantes metálicos, de modo de poder templarla de acuerdo a las necesidades y gusto del intérprete. En el centro de la membrana va fijada una espiga de madera, de poco más de un centímetro de diámetro, cuyo extremo, romo, va engastado en el cuero, y es atado fuertemente por el lado opuesto de la membrana. Dicha espiga de madera, de unos 7 centímetros de longitud, tiene forma cónica, y va aguzada en la punta. Esto tiene por objeto el que en el extremo libre va colocada una varilla de caña, de unos 125 centímetros de longitud. Esta caña es la pieza que apropiadamente manipulada por el ejecutante vibra con la caja de resonancia, produciendo un sonido ronco, profundo, de registro grave, de gran sonoridad. Pudiera decirse que el furro es el bajo en la ejecución de la gaita y de la parranda. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the furruco or furro is a drum with leather and a rod, it is usually used in traditional christmas music, as well as in the bagpipes of zulia and christmas bonuses. It is also used, in some towns, in the parranda. It is made up of a wooden box cylindrical and slightly conical, it is covered by a vibrant, dry leather membrane. Fixed to the drum with metal braces, so that it can be tempered according to the needs and taste of the interpreter. At the center of the membrane is fixed a wooden dowel, a little more than one centimeter in diameter, the blunt end of which is set in the leather, and is tightly tied on the opposite side of the membrane. Said wooden dowel, about 7 centimeters long, has a conical shape and is pointed at the tip. The purpose of this is that a cane rod, about 125 centimeters long, is placed at the free end. This reed is the piece that appropriately manipulated by the performer vibrates with the soundboard, producing a hoarse, deep, low register sound, with great sound. It could be said that the furro is the bass in the execution of the bagpipes and the party. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.
Author: El.Papa
00:00
00:01
Start sound of mac ii iix iicx iici se/30. Create by dissessemble rom code and use wave table algorithm write c program write wav file. C program below:. /* mac_ii. C *//* boot beep mac ii *//* 2558/09/06 */. #include. #define knumber_samples 30000#define kdelay_note 300#define kwave_table_value 0x30013f10#define ksample_rate 22257 // hz. Void preparewavetable( unsigned short *wavetable, unsigned int value );void updatewavetable( unsigned short *wavetable, unsigned short chiso );void savesound( char *filename, short *sounddata, unsigned int numberframes, unsigned int samplerate );. Int main () {. // ---- wave tableunsigned short wavetable[256];// ---- sound data, stereoshort sounddata[knumber_samples << 1];// ---- increment array (16/16 bit fix point integer)int arrayincrement[] = {3 << 16, 4 << 16, (3 << 16) + 0x2f2, 6 << 16};// ---- prepare wave tablepreparewavetable( wavetable, kwave_table_value );. // ---- array phase (16/16 bit fix point integer)unsigned int arrayphase[] = {0, 0, 0, 0}; // set all = 0. Unsigned int samplenumber = 0;while( samplenumber < knumber_samples ) {. // ---- calculate sampleunsigned int channelleft = 0;unsigned int channelright = 0;unsigned char notenumber = 0;while ( notenumber < 4 ) {// ---- see if should update phase for note, only do if play noteif( samplenumber >= notenumber*kdelay_note ) {// ---- up date phase beforearrayphase[notenumber] += arrayincrement[notenumber];// ---- not let out of range [0; 255]if( arrayphase[notenumber] > 0xff0000 ) // 0xff0000 == 255 << 16arrayphase[notenumber] -= 0xff0000; // return to begin of wave table}unsigned short mauvat = wavetable[arrayphase[notenumber] >> 16];. // ---- add sound componentsif( notenumber < 2 ) // ---- first 2 notes left channelchannelleft += mauvat;else // ---- last 2 notes right channelchannelright += mauvat;// ---- next notenotenumber++;}// ---- save left and right samplessounddata[samplenumber << 1] = (channelleft << 9) - 0x8000; // use << 1 for 16 bitsounddata[(samplenumber << 1) + 1] = (channelright << 9) - 0x8000; // use << 1 for 16 bitupdatewavetable( wavetable, samplenumber & 0xff );samplenumber++;}// ---- save wav filesavesound( "mac ii. Wav", sounddata, samplenumber << 1, ksample_rate ); // multiply 2 because stereo. Return 1;}. Void preparewavetable( unsigned short *wavetable, unsigned int value ) {. // ---- prepare wave tableunsigned short index = 0;unsigned short wavetablevalue = value & 0xff;while( index < 64 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}. Wavetablevalue = (value >> 8) & 0xff;while( index < 128 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}. Wavetablevalue = (value >> 16) & 0xff;while( index < 192 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}wavetablevalue = (value >> 24) & 0xff;while( index < 256 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}}. Void updatewavetable( unsigned short *wavetable, unsigned short index ) {// ---- get value from wave tableunsigned short value = wavetable[index];// ---- calculate new value for wave tableif( index == 255 ) { // careful at last element of wave tablevalue += wavetable[0];value = (value >> 1);wavetable[0] = value;}else {value += wavetable[index+1];value = (value >> 1);wavetable[index+1] = value;}. }. #pragma mark ---- save wavvoid saveheader( file *filename, unsigned int samplerate );void savesounddatainteger16bit( file *filename, short *sounddata, unsigned int numbersamples );. Void savesound( char *filename, short *sounddata, unsigned int numberframes, unsigned int samplerate ) {// ---- open filefile *file = fopen( filename, "wb" );if( file ) {// ---- "riff"fprintf( file, "riff" );// ---- length sound file - 8unsigned int lengthsoundfile = 32;lengthsoundfile += numberframes << 1; // một không có một mẫu vạt cho kênh trái và phải// ---- save file lengthfputc( (lengthsoundfile) & 0xff, file );fputc( (lengthsoundfile >> 8) & 0xff, file );fputc( (lengthsoundfile >> 16) & 0xff, file );fputc( (lengthsoundfile >> 24) & 0xff, file );// ---- "wave"fprintf( file, "wave" );// ---- save headersaveheader( file, samplerate );// ---- save sound datasavesounddatainteger16bit( file, sounddata, numberframes );// ---- close filefclose( file );}else {printf( "problem save file %s\n", filename );}}. Void saveheader( file *file, unsigned int samplerate ) {// ---- name for header "fmt "fprintf( file, "fmt " );// ---- header lengthfputc( 0x10, file ); // length 16 bytefputc( 0x00, file );fputc( 0x00, file );fputc( 0x00, file );// ---- method for encode, 16 bit pcmfputc( 0x01 & 0xff, file );fputc( (0x00 >> 8) & 0xff, file );// ---- number channels (stereo)fputc( 0x02, file );fputc( 0x00, file );// ---- sample rate (hz)fputc( samplerate & 0xff, file );fputc( (samplerate >> 8) & 0xff, file );fputc( (samplerate >> 16) & 0xff, file );fputc( (samplerate >> 24) & 0xff, file );// ---- number bytes/secondunsigned int numberbytessecond = samplerate << 2; // multiply 4 because short (2 byte) * 2 channelfputc( numberbytessecond & 0xff, file );fputc( (numberbytessecond >> 8) & 0xff, file );fputc( (numberbytessecond >> 16) & 0xff, file );fputc( (numberbytessecond >> 24) & 0xff, file );// ---- byte cho một khung (nên = số lượng mẫu vật * số lượng kênh)// ---- number bytes for sampleunsigned short bytesoneframe = 4; // short (2 byte) * 2 channelunsigned char bitsonesample = 16; // shortfputc( bytesoneframe & 0xff, file );fputc( (bytesoneframe >> 8) & 0xff, file );. Fputc( bitsonesample, file );fputc( 0x00, file );}. Void savesounddatainteger16bit( file *file, short *sounddata, unsigned int numbersamples ) {fprintf( file, "data" );unsigned int datalength = numbersamples << 1; // each sample 2 bytefputc( datalength & 0xff, file );fputc( (datalength >> 8) & 0xff, file );fputc( (datalength >> 16) & 0xff, file );fputc( (datalength >> 24) & 0xff, file );unsigned int sampleindex = 0;while( sampleindex < numbersamples ) {short shortdata = sounddata[sampleindex];fputc( shortdata & 0xff, file );fputc( (shortdata >> 8) & 0xff, file );sampleindex++;}}.
Author: Sieuamthanh
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