2,829 Royalty-Free Audio Tracks for "Set"

I set my mics up just in time to catch this loud thunder crash during a recording session. I aimed a stereo-matched pair of akg 451s out the window in an x-y configuration and ran them into a universal audio 2-610 preamp. There are no effects at all.

Thunderstorm on the evening of 20 march 2017 in ohio. Recorded with tascam dr-05 with level control set to limiter and limit value at 38 which yielded peaks about -12db. Processed in sony vegas and saved with sound markers.

Opening the back door of a boiling insert. Then closing the door. Pop of the wood fire, metal crack. Close up. France, 2021. Recorded with ab set up of em127recorded with sounddevice mixpré6wave stereo, 24 bits, 48 khz.

An improvised stoner riff played on an archtop guitar passed through pharaoh fuzz then through an orange amplifier with overdrive enabled. After that the signal goes directly into the computer. Recorded using an alesis io/2 interface with input set to "line" and gain to the minimum.

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

Aus hartem Weh die Menschheit klagt; Gotteslob (1975) 109; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 727

Sei uns willkommen, Herre Christ, Gotteslob (1975) 131; Gotteslob (2013) Limburg 757

Nun bitten wir den Heiligen Geist (Gotteslob (1975) 248; Gotteslob (2013) 348)

Aus tiefer Not schrei ich zu dir, Melodie von Wolfgang Dachstein, Evang. Gesangbuch 299, zweite Melodie

Kommt mit Gaben und Lobgesang (Ev. Gsb. 229), Text Detlev Block, Melodie Jamaica (trad.: Linstead Market Jamaican Folk Song , Calypso), Satz Peter Gerloff

Bis hierher hat mich Gott gebracht (EG 329); Wenn ich, o Schöpfer, deine Macht (EG 506; Gotteslob (2013) 463)

Ein Lämmlein geht und trägt die Schuld (An Wasserflüssen Babylon), Evang. Gesangbuch 83

I set up three mics in our flat and went out drinking. The sound is mostly traffic and drunk people.

Vom Himmel hoch, o Engel, kommt (Evangelisches Gesangbuch, Regionalteile; Gotteslob, Regionalteile)

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791

Die Jungfrau auserkoren; Gotteslob (1975) Hildesheim 872; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 904

Als ich bei meinen Schafen wacht (Gotteslob (2013) 246)

Aus tiefer Not schrei ich zu dir (Gotteslob (1975) 163; Gotteslob (2013) 277)

Traditional music from India. Disc 18 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

This a sound effect i created in acid pro for a play. It is intended to represent a conflagration with an explosive start, a fire alarm and then the approach of fire engines. The play was set in the eighties. It is made from a combination of sounds drawn from field recordings, freesound effects and purchased sound effects.

Minimalist beat captured in a natural setting, probably some siding on a building being replaced. Mixes metal rattling (like screws or coins) with hammering and a low background voice. Portions have been looped and mixed, could be cut and looped in various patterns.

A simple synth theme i made using arpeggio effect. Could be used in a 80's setting. [cc zero] it would be nice if you credit me, but it is not necessary for this sound. Enjoy!.

The buzzer sound from a carwash as one cycle ends and another begins, prompting the driver to move the vehicle forward. Basically the standard buzzer you hear in moves or factory settings when something has gone wrong or a sensor has been violated.

O Welt, ich muss dich lassen (Evang. Gesangbuch 521); Nun ruhen alle Wälder (Evang. Gesangbuch 477)

Just a small sound of me crushing a wrapper, then distorting it and adding so scale-shift & glotch. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.

This was recorded at the san giorgi in braida church along the adige river in verona, italy. I used a zoom h1 set on the top of a pew a few seats away from where i sat. The organist was practicing at nearly the other end of the church, hence the atmospheric and distant audio quality.

Wavefolded percussion raw with erbe-verb and mimeophon effects added. O-ctrl sequenced into mimeophon and partly held in places. Markers placed for morphagene. Enjoy and tell me about what you do with the set. Thanks.

18 people applauding. Recorded on a marantz pmd 661, 6 september 2019, with a rode nt4. Recording level okay, but the waveform is sometimes clipped due to the loud clapping overloading the pmd661’s input amp. The input attenuation for the pmd661 should have been set to -6db (or -12db).

Tauet, Himmel, den Gerechten, Gotteslob (1975) Hildesheim 809; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 723 II

Wo die Güte und die Liebe wohnt, Gotteslob (2013) 442; Gotteslob (1975) Köln 861

Christe, du bist der helle Tag (Erasmus Alber nach Christe, qui lux es et dies), Evang. Gesangbuch 469

Komm, Schöpfer Geist, kehr bei uns ein (Gotteslob (1975) 245; Gotteslob (2013) 351)

Für alle Heilgen in der Herrlichkeit (Gotteslob (2013) 548) Herr, mach uns stark im Mut, der dich bekennt (Evang. Gesangbuch 154; Gotteslob (2013) 552)

Dich liebt, o Gott, mein ganzes Herz, Gotteslob (1975) Osnabrück 860; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 750

Liebster Jesu, wir sind hier (Evang. Gesangbuch 161; Gotteslob (1975) 520; Gotteslob (2013) 149)

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Low note, bends upwards. Chillout guitar is an introspective set, heavy on reverb, inspired by the klf. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.

Young girls are practicing music in a room. There is a drum-set and a piano there. Recorded with olympus vn-120, which is basically designed for taking voice memo. Drum beats are compressed by a little electronic circuit built in vn-120's tiny body. The mere thought of it just impresses me.