1,234 Royalty-Free Audio Tracks for "Sequence"

A subtle, almost distant blast off sound. Good for layering or as the end sound to a longer sequence.

Opening car door with keys sequence (1999). Minidisc recorder with sony ecm-ds70p.

Generated using fibonacci sequence on chuck programming language.

Drumbeat composed step by step in fl studio sequencer (patterns)+ dbglitch vst effect.

A chilled out chord sequence i created in jeskola buzz at 103bpm.

A siren with some effects added. Great for an alien world or escape sequence.

Another 102bpm clean unaffected break created in jeskola buzz :).

Car starting foley.

Using a home built fm synth with sequencer. Two triangle waveforms, two voices. Changing some parameters during the sampling.

Engine control unit ecu atv utv shutdown rack shell security process configuration rebuilding action script sequence lens focus beam battery energy jitter wavelength iso synchronous paradigm shelf reload processor revival.

Part 9 ("The Star-Spangled Banner") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 19 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 4 (one ruffle and flourish and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 14 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 7 (four ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 10 (a drum cadence followed by "National Emblem") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 20 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

Part 5 (two ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 15 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Part 6 (three ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Sequence of e1 notes played on an 8-string guitar with drop-e tuning and distortion effect. Open string, muted string, ghost note.

Retro audio logo for start-up sound / old-school os boot up sequences.

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

A simple sequence played on a korg volca modular sequeced by and recorded on an akai mpc touch. Volca is a little out of tune as usual. :).

A percussive edm loop made using fl studio's step sequencer and stock samples included with the software.

Engine control unit ecu atv utv shutdown rack shell security process configuration rebuilding action script sequence lens focus beam battery energy jitter wavelength iso synchronous paradigm shelf reload processor revival.

Random sound which i've given in my sequencer ) i made it with melda phaser vst + arturia pigments vsti. 61 bpm.

Hi-hat drum fill from from an old public domain film. Jazzy or crime genre. For film or videos.

A quiet slow processed looping sound with rare rising notes. (description help appreciated d:).

A sequence of war drum sounds that can be used to set off a battle scene or to evoke suspense. Built with audacity 2. 04.

On the train platform in jakarta, indonesia. Portable cassette recorder. March 1994.

A short 170bpm rhodes jam with plenty of space either side for cutting and looping. Made using the mrray vsti with added delay and reverb effects and sequenced in madtracker ii.

4 measures 100bpm 4-4 electronic drum beat. Made with native instruments battery and massive. A moog modular sequence was also used.

A looped snippet of a moving elevator taken from julien matthey's jm_amb_int_lift 01 - sequence. Wav file (http://freesound. Org/people/julien%20matthey/sounds/112354/).

Analog monosynth recorded in my studio. Applied some light reverb, delay, and sidechain compression.

Synth loop. Student back home. Fl studio.

An amazing and great sounding orchestra hit for your music!. Samples and instruments created with the soundfont sgm v2. 01. Software = audacity. Sequencing device: midi creating software.

I was playing a pattern with my sequencer and the midi notes went over to my microkorg which i didn't really want bug it nmade a cool sound anyway.

Spacey synth phrase made in fl studio.

This music clip can best be used as an action movie or gaming sequence. Very dramatic and intense. Was made with music maker jam.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

An interpretation of the classic old-school dreamlike tremolo vibes effect commonly used for dream sequences, flashbacks, and general dramatic impact. Second half speeds up to build tension. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Each accidental pattern was mined out of a much longer recording. I noticed these interesting sequences of noises while editing other samples over the years and threw them into a catch-all folder. All of these were recorded with a usb-stick mic so they have a nice lo-fi distorted quality. Try looping any of these patterns and you'll hopefully understand why i selected them.

Another 102bpm break using free individual hits sequenced in jeskola buzz. Enjoy :).

A sequencing of Scott Joplin's Searchlight Rag. Original work is in the public domain.

Created with samplisizer 1. 2 @szymalixhttps://youtu. Be/7iqdqhrdtj4.

A foley recording made for the sound design for an animation sequence where objects magically appear.

Two "open and close" sequences of a metal filing cabinet drawer.

On subway platform, lots of people like a party, train comes, riding train, alerts, announcements, ttc, toronto (2011). Sony m10.

2 breaks, produced in jeskola buzz with individual percussive hits, back to back at 126 bpm.

Typical 303 line made with rubber duck. Bottom end rolled off and a bit of filtering. Makes a nice driving sequence. Try automating a filter with some delay. 8 bars long,150bpm.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.