601 Royalty-Free Audio Tracks for "Scale"

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

Sweeping sound effect rich with high frequencies and stereo imaging. Works within any scale.

Translated assembly program. Https://ruslanas. Github. Io/8bit-assembly/.

Wrote a short piece in fl studio orchestra patch in la minor scale.

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Tritave dyad (interval)

Double bass.

Percussion sound in dminor scale,. . . Itz my first try to contribute, hope itz alright :).

Sampled handpan in e akebono, traditional japanese scale. Dry version.

Bizarre Limited scale piece played with a WiiMote controller over a drone. Source: Kevin MacLeod - Kevin MacLeod

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Email me foe specific sounds on the kalimba sfagergren@gmail. Com.

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58

A dream-like sound effect created from playing a whole tone scale with a synthesizer in zynaddsubfx. This is a downscale version of the original, which can be found here: https://freesound. Org/s/332409/. Requested by mariarugh: http://freesound. Org/people/mariarugh/.

Triad in Just Bohlen-Pierce tuning (0 4 7)

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

C Major scale played on an Ibanez RG120, with octave effect produced by a Peavey VYPYR 75 amplifier.

The result of a chuck programming session. I edit the program/script live while recording.

Sounds made by me on a tank drum tuned to a pentatonic scale.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Recently we purchased a scale from ikea, when we finally got around to using it we realized that it must be off, as i do not weigh 240 lbs. As we did not have a receipt, or the desire to drive 2 hours to return a $10 scale the only course of action left to me was to take the damn thing apart and record its insides. (what else?). I recorded and edited together around 7 and a half minutes of various configurations and performances of me making some sort of repetitive, engine-like sound. I can foresee myself using these sounds for an old-timey engine or car. Recorded with a rode ntg-3 at 96/24.

Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.

4-10 tetrachord on C. Four note segment of the minor scale.

Altered version of scarysound. Wav, which has been slowed down and reversed to hit a different pitch scale.

F major scale in thirds played on western concert flute. F-durskala i tertser spillet på tværfløjte

One of my favorite bell loops i've made. 139bpm in the scale of c natural minor.

Large scale operation (ambulance & fire trucks, germany). Recorded with mobile phone.

A quarz crystal rod placed on the glass plate of a scale.

A quarz crystal rod placed on the glass plate of a scale.

*Golden ratio on C. 1.6180339887498948482 (φ) = 833.0902963567409 cents. MIDI pitch bend: 75,74

An oboe playing the D dorian scale Norsk bokmål: En obo som spiller dorisk skala med tonika på D

This is field recording i took spontaneously as i walked by a large-scale sorority ritual. Some wind noise.

Slow, ambient and distorted bass. Scale- e blues majorbmp-120was made in caustic 3.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Synthesized with the sms-tools. Window: blackmanm: 1001n: 1024t: -80minsinedur: 0. 1nh: 50minf0: 140maxf0: 230f0et: 5harmdevslope: 0. 01stocf: 0. 4freq scaling factors: [0, 1, 0. 5,0. 4, 0. 7,0. 4,1, 3. 0]freq stretching factors: [0, 1, 1, 1] (no stretching)time scaling factors: [0, 0, 0. 5, 0. 3, 0. 7, 0. 6,1,2. 0].

A short piece of melody. . . Sound is an artifact extracted from one of test records in new audacity. It sounds like a saw. . . Or something? idk. This piece sounds kinda exotic because i used the second half of harmonic e-minor scale. So some people could use this combination (descending harmonic scale) before (even now i can remember two examples. ).

Melodic half step in Bohlen-Pierce tuning (Equal Tempered)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Solo trumpet improvisation performance recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

The vowel "o" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

Using a simple chuck script. It selects 4 tones from the 12 tone scale and repeats them.

Literally just me playing the first half of a scale on the low e chord and then reversed but it sounds cool.

The vowel “i" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “e" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.