347 Royalty-Free Audio Tracks for "Res"

Kid around 4 year old crying (tantrum) outside in the distance echoing among buildings. Some city rumble in background. I edited the sound to remove the mother's voice. Use an high-pass filter 120hz to diminish city rumble. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Long bicycle ride, very old bike, noisy breaks, city traffic, start/stop, changing gears. Mic was mounted under the seat designed for capturing the bike sounds as clean as possible. 48k24b - sound devices sd 688. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

City atmo inside a small pedestrian tunnel with roads around. Middle distance city traffic. Ambulance siren far away. Small construction/hammer nearby. Leaves and wind in foreground. Coimbra, portugal. Stereo l+r48k24bsound devices sd 688mic st km184metadata included. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Electric train arriving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Electric train halting and then leaving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Basic sound using reason 10. Modular. Edited and rendered in reaper. Loaded into morphagene. Output (left) into erbeverb to create stereo. This fed into dual lpg from buchla (thomas white eurorack version) voltage controlled by random wogglebug trigger into tempi and maths envelop and thence into mimeoophone and into mixer as stereo. Other stereo from morphagene direct through mixer to element 24 to re-edit and render in reaper. Mixer doepfer a-138bp (dual 4 track version). Please excuse the clicks - caused by the analog handling and slight clipping (i´ll do better next time, i promise :).

Recorded with a sennheiser mhk 416 through the zoom f8 in victoria, australia by benni knop. Benni knop is a re-recording mixer based in melbourne, australia. If you are a sound designer or editor working on a film, documentary or tv show and need a 5. 1, stereo or theatrical final mix, check out benniknop. Com and get in contact. I'd love to hear about the projects you use my sounds on. Send me some feedback.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Automated/computer controlled plasma cutting torch. Re-processed from open source wikipedia video courtesy of metaveld wijchen bv. Noise reduced, dynamics compressed and high/low frequencies resynthesized. I'm not that big a stickler about receiving credit for the use of my sounds on freesound. As a courtesy, i appreciate it but i do ask people to always credit freesound. Org and if their project ever sees any kind of profit to please consider making a donation to the website. It's a great resource and deserves our support. Good luck with your project.

Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.

A car engine startup recording with lom (slovakian microphone manufacturers) omnidirectional microphone ("ucho"). If by chance i gain access to stereo diaphragm mikes of good quality, the re-take of this will be of higher quality. I intended to use this for gta sound modding and for general car ignition noises. For anyone curious, this is a second-hand honda accord (2006) saloon's engine revving, the person revving this vehicle is one of my friends starting it up who i asked kindly if i could record it.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is the sound of a sheet metal that is under high tension, hitting it with a small key produced a laser fire type of sound. Recorded using a contact mic as the area is surrounded by a lot of noise, the contact mic cut out everything. The recording was taken at my place of work so it would be easy should anyone require the "shots" to be re-recorded at a different tempo. 96khz 24bit mono-mix.

A section of the recording at https://freesound. Org/people/nlux/sounds/620955/ re-purposed for use in the makenoise morphagene eurorack synthesizer module. A high-pitched, metal windchime, sent through some granular processing software. The reel is divided into two, long halves: one with the sound playing forwards and one with it playing in reverse. This means i can easily switch from forward to reverse without tuning issues, simply by applying cv to the morphagene's 'slide' control.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel with lfo routed to certin parts sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

Warning: files can not be undeleted, not even by administrators!i re-uploaded the sound because there was an error connecting to the https://freesound. Org server. Estimated start pitch: a♯/b♭1 (59. 940 hz)this is an impulse of 59. 94 fps video (see why tv is 29. 97 fps and the horizontal frequency is 15734. 266 hz). I created this in audacity!. Silence: 1001 samples at 60000 hz, except the first sample is of amplitude 0. 25. Attribution is not required, which means that i, therandomsoundbyte2637, need not be attributed to use this!. Sample rate is 60 khz because of the 59. 94 hz.

Inserting, reading, launching a program, and ejecting a dvd-r in a usb disc drive (repackaged "hp dvdram gu90n" laptop drive) with the occasional rumble of a 2tb 7200rpm internal hard drive (in an enclosure) and mouse clicks. Computer fan may be audible in background. Contains seek noises. Recorded on blue yeti in omnidirectional mode and denoised in rx 8 (drive whine re-enhanced though as noise removal made it quieter). Labels added to audio in fl studio edison.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

This is a singing glass with a cat meowing in the background. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

Title: Roland MC-202 Creator: Sven Buresch for Wikipedia Description: small looped example using the built in sequencer, filter and controls; no additional effects. Another MC-202 example can be found here. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:37, 31 May 2007 (UTC)

Recorded on june 29, 2012 near the exit at webster's department store. This features how the checkout area at websters sounded from june 2012 untill its closing on november 3, 2015. This is part of a pack of 4k sounds recorded over 17 years commemorating my friend's department store which she owned. It showcases how the sounds in the store have changed over the years as the technology of teh store changes. Each recording is done within a week after the cash registers are upgraded. As of the date of this posting, webster's is now closed, and will re-open as a walmart in january of 2016.

Chinese restaurant (portugal) about 10 x 10 mts large with 20 people inside. Sunday 9pm. Chatter (portuguese + other), chairs dragging, some noise from the street behind the big glass window in front; noise from the kitchen (cutting vegetables on wood, frying on wok, chatter in chinese). Mic pointing at the center of the room. In front a big avenue (door closed). On my right/behind is the kitchen on an open space. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.

I was fooling around with audacity and created this neat little sound. I have no clue how to lower the volume, and really, i mean it: this thing is loud. I keep my volume at 10% and i couldn't even listen to this thing with my headphones. I have tried to lower the volume (so that it doesn't hurt the ears) but to no avail. If you by chance know how (in audacity) then feel free to tell me in the comments and i'll re-upload a non-deafening version. If you use it i don't mind at all, though i am curious, if you do use it, what you'll use it for. Either way, i don't mind, but i'm curious by nature.

A group of 5 people - 4 guards and 1 nun (woman), walking fast from the distance until near the mic, stop, and then one man moves forward. Walking with boots on stone floor, sound of metal, swords, armours mixed with the steps. Two men and the nun carried a wireless mic. Recorded with sound devices at 48k 24bit in 6 channels. Channel 1: boom mchannel 2: boom schannel 3: boomchannel 4: man wireless micchannel 5: man wireless micchannel 6: woman wireless mic. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Created by anthony baldino for use in the make noise morphagene. "somehow making electronic music lead me to creating trailer music and sound design so it seemed fitting to make reel with a wide array of sounds from both types of music. This reel includes repurposed and re-mangled sounds that inspired music and sound design that have found their way into such trailers as interstellar, jurassic world , alien covenant, suicide squad, star wars: rogue one and others as well as glitchy beats and ambiences from upcoming electronic releases. In this reel you'll find impacts, processed orchestra, synth ambiences, modular beats and other noises that will hopefully inspire morphagene users to explore new music of their own. " - anthony baldino.

In 's-hertogenbosch in holland we have carnival every year. This is a recording in the centre of the city. A recording of several 'dweilorkesten' that is a band that plays musing in the street. 'literal' translation is 'mop band or mopping band'. The go trough the streets like someone mopping the floor. This recording at the market-place is made with hundreds of people around. The ambience here is totally different from other places in the town and the world. It complete different than the south american carnival. Recorded: march 7th 2011, markt, 's-hertogenbosch, holland. Rode svm > sony pcm d50 recorder. Re-uploaded as public domain.

One of my favorite spots to hike in illinois has this quite long, and beautiful and rock-lined beautiful creek. Now, even though this creek is in heavy forest, which often leads to very low water levels during the summer, this creek is spring fed so it always has a beautiful ribbon of pure water running 12 months out of the year. I've spent many minutes and countless hours beside this living, breathing water-course pondering the beauty of nature, and reflecting back on my childhood. A childhood filled with much love and many creek adventures. This was recorded on march 8 2021, at a time in the midwest woods when the mayapples are popping up-- lime green umbrellas spotting the forest floor. Recorded with sound device mixpe-6 and a sennheiser me66. Enjoy the stream of re-birth in illinois.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

Ostensibly, this is supposed to be a cleaned-up version of the famous radio transmissions recorded by the judica-cordiglia brothers in november of 1963, in which it appears that a female russian cosmonaut perished during a botched atmospheric reentry. What it actually is, is a combination of background sounds and a static-edited recording of a female vocalist (stellarcricket), featured in one of my completed audio projects. (if anyone finds a use for this transmission recording, please do let me know how it was used! i'm curious to see what others can do with it!). The background sounds were adapted from the following freesound creator samples:. "quindar tone" by jotliner (https://freesound. Org/s/200813/)licensed under cc0 1. 0. "transmission error (loop)" by julius_galla (https://freesound. Org/s/331337/)licensed under cc0 1. 0. "horror ambient factory #2. Mp3" by shortrecord (https://freesound. Org/s/516895/) licensed under cc0 1. 0.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

Trying to start a 1983 volvo 245 after a stop at a gas station. First we hear the seatbelt warning signal after the driver turns the ignition on. The first start attempt fails. The two following attempts fail because the starter fails to engage with the flywheel, creating a very loud and unpleasant sound. There is some reverberation from the metal roof of the gas station. At 00:24, the driver remarks "he's doing it again!". The fourth attempt succeeds in starting the engine after a rather long cranking. We then drive off and we also hear some squeaking from the steering wheel. Throughout the recording we hear breathing noises from the driver (80 year old man, smoker). The recording was made in the front passanger seat with the window open, that's why there a very noticable difference between the left and right channel. Recorder: edirol r-09, 48khz wave/24-bit, cropped with cool edit pro, re-saved as 48khz wave/24-bit and compressed with flac. No other pp. Edirol r-09 settings: low cut: off, mic gain: low, agc: off. Recorded on june 15, 2012 in åkersberga, sweden.

The sound is coming from the fans of a server. By pulling out one of the fans, all other fans turn up to 100%. The microphone is located above the air duct exactly in the middle of the case and thus between two fan fronts. The soundfile starts with the fans on standard speed. After a few seconds the fans turn up to 100%. I left them there for a few seconds and then quietly plugged the removed fan back in. This fan now also switches to 100% - this is the single, delayed "speed up" that can be heard from second 35. About 10 seconds later, all fans return to normal speed. Unfortunately, a colleague came in at that time and ended up talking into the recording. Due to lack of time, i was unfortunately unable to repeat the audio that day, but will certainly do another re-recording in the future. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:røde lavalier microphonesound devices mixpre-3 ii. File:wavmono96 khz32-bit float.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

Autumn is a time for slowing down and allowing yourself time for reflection and contemplation. The accomplishments and mistakes from the previous year. Especially if you make it a habit of getting out all year long and exploring nature, autumn can be a much-needed change in sensory soundscape. . . . After a busy spring listening to the many different warblers which come to visit and a busy summer immersed in the busy sounds of life----both human and natural----autumn's subtle, quiet muted soundscape can be almost like a re-birth for the ears and the soul. The insects, which had taken over center stage since august, are still singing---though now with a quieter volume and a more even sleep and though-inducing tempo. . . . . . . . Brisk winds from the north can be heard more clearly now----swishing, rustling the weedy, tan edges of fields. . . . . Hinting at the bite of much colder masses of canadian air waiting on deck for their turn in the months of november, december and january. . . I made this recording on the evening of october 4th 2014 at the edge of a field which was bordered by thick stands of oaks and pines of a major national forest. . . . . I couldn't help but pretend i was linus waiting in the pumpkin patch for the great pumpkin to arrive!. Recording made with my marantz pmd661 and a rode ntg-2 shotgun microphone on a tripod about 3 feet above the ground. My input volume was 6. I hope you enjoy this soundscape as much as i do.

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte