161 Royalty-Free Audio Tracks for "Quarter"

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

This is me dropping various coins into a handful of other coins. Recorded with a behringer b-2 pro.

My brother put a put that i won't upload my singing in the shower, and i needed the 20 dollars to get some mcdonalds so here it is! don't judge.

This is a simple recording of the passing crowd in the heart of the latin quarter of paris, france, on a wednesday evening between christmas and new year's eve. The recording was made at the corner of the pedestrian xavier privas and huchette streets, with the mics aimed diagonally across the street, about 4. 5 feet above ground. By a happy coincidence (i'd like to say that i engineered it, but i didn't), this sound file loops seamlessly. The clip includes the sounds of many people passing by (the area was very crowded), and some snippets of conversation, mostly in french, with a few other languages thrown in. Some faint traffic noise can be heard on the left, from the busy quai saint michel street along the south bank of the seine river, at the north end of the xavier privas street (left of the mics in this recording). Recorded with a hand-held zoom h4n, stereo, 96 khz / 24 bits, built-in mics.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of octuple whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Several sounds of coins being spun, dropped or counted on a wooden table. Recorded with a zoom h2n.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

Various coins dropped on a table. Sounds like coins dropping into a machine. Thanks to Willem Hunt for the donation.

Erratic scraping of a wooden spoon around a quarter-full porcelain canister of sugar. Small and large strokes and scrapes. Recorded using a tascam dr-40x.

Me messing with a handful of united states coins over my wooden deskdropping them, moving them, generally messing around with them in my hands.

Brobigdinian Gigue from Telemann's Gulliver Suite. Notated in 12/8, dotted quarter = 90.

Lilliputian Chaconne from Telemann's Gulliver Suite. Notated in 3/4, quarter note = 120.

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

Some coins spilling out onto a table. Raw audio recorded with a sennheizer e935. Might be useful for money exchange clips in games or videos.

Opening a till sorting through the change and closing again.

*(Lesser) undecimal neutral second on C = D↓ (Ben Johnston's notation). 12/11 = 150.64 cents.

*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

*Neutral sixth on C = A. Equal-tempered: 217/24:1 = 850 cents. MIDI pitch bend: 0,80 Preceded by:File:Fifteen quarter tones on C.mid

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.

Midnight celebration of new year´s eve in a residential quarter of prague. Fireworks, explosions, fire-crackers, rockets, loud sounds. Ambience. Recorded by zoom h4n and normalized.

*Subminor seventh on C = B. Equal-tempered: 219/24:1 = 950 cents. MIDI pitch bend: 0,80 Preceded by:File:Seventeen quarter tones on C.mid

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.

This is the sound of a coin being dropped into a pile of coins (recorded for a game i was making). I used australian coins. Recorded with a microsoft lifecam hd-3000 using audacity. September, 2016.

Opening comments to sermon delivered by george r. Brunk ii, mennonite preacher from virginia, in kitchener, ontario, canada, on october 22, 1962. Quarter-track 7" tape found in kensington market, toronto. Transferred from a körting mt156 at 3. 75ips.

110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Compressed a bit to give ti the full sound. Useful for games or music.

First upload. Recorded with zoom h4n. It's flax seed in an empty plastic spice container. It's a 16th note rhythm amd it loops perfectly at 130 bpm. It has some fairly subtle panning effects. Eight quarter notes long, but also works really well every 4 quarters, every three etc. I. E. When doubled and even tripled on itself in a sequencer.

*Neutral second/three-quarter tone on C = D. Equal-tempered: 21/8=3/24:1 = 150 cents. MIDI pitch bend: 0,48 Preceded by:File:Quarter tone on C.mid

Walking thorugh the islamic quarter, near damaskus gate in the old city of jerusalem. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

*Greater undecimal neutral second on C = D↑♭- (Ben Johnston's notation). 11/10 = 165 cents. Limit: 11-limit. MIDI pitch bend: 103,84 on m2

Walking thorugh the islamic quarter, near damaskus gate in the old city of jerusalem. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

*Subminor sixth on C = G/A. Equal-tempered: 215/24=5/8:1 = 750 cents. MIDI pitch bend: 0,80 Preceded by:File:Thirteen quarter tones on C.mid

Somewhere in the islamic quarter in east jerusalem. The call to prayer from several mosques. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Pavane (Belle qui tiens ma vie) of Thoinot Arbeau (Renaissance composer), played on a grand piano in meantone temperament Vierstimmige Pavane (Belle qui tiens ma vie) des Renaissance-Komponisten Thionot Arbeau, gespielt auf einem Konzertflügel in mitteltöniger Stimmung

Me juggling and fooling around with a handful of coins. At the beginning inside a purse, then directly in my hands. Recorded with a rode nt1000 through a focusrite saffire.

Coin dumping drop sound. Hello friends, hope this sound can help you with your project. Check out more of my sounds on my channel and join our community of sharing free creative ideas. Thanks!. Click here: https://www. Youtube. Com/watch?v=aeq7cktaevy.

There are nearly 3000 files here with the tag "thunder". . This is one of them. This one had the strike maybe a quarter mile / half km away, spring storm on the south end of denver, co. , usa. Recorded with a zoom h4n, internal mics at 120'. Raw file, no processing.

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

A field recording in the evening of 3 dec 2011, while walking along bloor st w in toronto's koreantown. Sounds of traffic, and pedestrians. Recorded with a roland r05 using the unit's built-in omnidirectional stereo mikes screened with a home-made wind screen made from faux-fur.

Night stroll in xining's restaurant quarter. We hear street-food sellers as we walk up the street in qinghai's capital city (western china). People chat in the background while ordering and eating their meals. Some cars honk their horns. Recorded with sony pcm-d50.

There is a man in besiktas ferry port. He sits and plays trumpet between üsküdar port and kadıköy port. I saw him there couple times. So he belongs that place in a sense. I added flanger at two point just for my taste :) recorded by zoom h6 with internal xy mic on last quarter of 2019.

This is a file that uses multiple files from this website put into one. I wanted to make a semi realistic gunfight and found a few clips to use. There is a lot of gunfire in the beginning. A quarter or halfway through the audio, the gunfire peters out to a few weapons and background noise firing with the occasional sniper fire.

nothing to wear. it's a phrase used sometimes by those wishing to make a point, and some, like me, wouldn't see any risk involved. Really was nothing, maybe a bad habit. Once again, not even socks. A huge hand clenching a bottom cheek and i was through the front door. Underestimated partner. Bluff called. No quarter. No turning back. . .

This track was developed in east harlem new york city during the 2nd quarter of 2018. It was developed via apple's logic pro x via a macbook pro 2017. The mixing process employed the usage of stictly logic pro x plugins (e. G. Compressors, equalizers). Monitoring the audio was performed via the presonus eris e4. 5 monitors in a bedroom home studio. This developement was actually a practice mix session. You may reach the engineer via twitter: @harlemdaw.

Accordion player on a sidewalk of the japanese quarter liberdade, sao paulo, brazil. He plays and sings a popular tune of the interior region of north-eastern brazil, the so-called sertão, using a sound system with a strong echo effect. In the background one can hear the traffic sound of a big city, pedestrians walking by and talking.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

I composed a fairly long midi loop of chord progressions & let each section repeat twice. Then i layered a bunch of return tracks of the same line with arpegiated outputs played with straight, quarter note swing eight note swing, 16th note swing, & 32nd note swing all played together. The output was then compressed, heavily chorused through multiple fx devices, and stereo panned into the nonsense you hear. If you use this please comment a link, i don't need/want credit i'd just be super curious to see what you did with it!.