210 Royalty-Free Audio Tracks for "Presets"

A set of two types of beep. A singular beep, and then a double-note beep. Either one could be used on their own, or they can be combined to create abnormal patterns. These beeps can be used for various electronic items like alarms, transmission equipment, or hospital equipment. Created through beepbox, using the preset chiptune sample instrument.

This is a reel for the make noise morphagene. It was created using the chord preset from mutable instruments plaits. The chords gravitate around c. I twiddled the knobs while recording and the results were fed through valhalla shimmer before i cut a few sections up and rearranged the audio to make a reel. Have fun!.

A drum loop with bass and a bass line separate. Made in fl studio. If you want the bass preset for sytrus email me paulstitz316@gmail. Com enjoy!!. This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

Opening a sliding door to a lot of chatty morning birds. You can hear a some fire truck sirens far in the background. After a few minutes, door is closed, i let you hear the difference, and we’re done. Recorded with a tascam dr-05 at about 5 am. Converted to mp3 with command “lame --preset extreme” since it’s rather huge. Not normalized; lame reports a playback gain of +21 db.

Just a big room drop loop with different variations and such. The percussion sound was made in sytrus by me :) if you want, i can send you the preset or flp, email me at paulstitz316@gmail. Com. This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

This is a sequence of bass notes created using vst instrument alchemy on preset dancetrance/ leads/ higher states. Run through ohm boys lfo delay and sequenced at 102bpm at a#3. Works well with my 'break away 102' breaks. The best way to loop this is to take the last two breaks of the sequence and loop those as the effects roll nicely into each other. I've left the ending part in if you want to let it fade out smoothly into your sequence as the bassline ends.

While attempting to create a sick ass dubstep wob noise in rob papen's albino synth plugin, i managed to stumble across a telephone-like sound while pitching the filter cutoff on a weird shaped wave oscillator. I then put down the dubstep tune, and exported the noise with a gradual huge reverb at the end just for fun. I hope you enjoy it and i'd love to hear if someone uses it and in what context!. If you're interested in hearing my music (shameless plug) you can do here:. Https://soundcloud. Com/damnd_music. If you'd like the preset this sound was made using, i have saved it here:. Https://dl. Dropboxusercontent. Com/u/7506813/telephone%20bleeps. Aupreset.

This sounds as if it were staged by hollywood, but it actually did happen, i swear! birds chirp away to set the scene, but a beefy thunder roll intrudes. Soon after, raindrops begin to fall as if on cue. Theres a little handling noise click in the begining that is easy to crop out if you like. The recording is unedited. At 1:35 i move the mics closer to the deck so you can hear the splashing. At about at 3:10 i you’ll hear a different timbre as i move away from the rain and under an awning. About 3:45 the rain settles down and the birds start chirping again. Hopefully there are some useful segments in here. Recorded with a dead cat on a tascam dr-05 at 48khz 24 bit, then compressed with “lame --preset insane --scale 10” to make up for the low gain i used (i was afraid a thunderclap would engage the limiter). Cheers.

Vigorous picked bass sound. Preset #4 from bassesland vsti software. Notes starting from c5 produce harmonics. Http://syntheway. Com/bassesland. Htm. Bassesland is a virtual bass software that covers a wide range of sounds, from an electric bass guitar or an acoustic double bass, to the vintage bass synthesizers. Features. - rotary switch selector to change between the following basses:. 01 electro acoustic bass02 fretless electric bass03 jazz electric bass04 fingered bass and harmonics05 picked bass and harmonics06 muted bass and harmonics07 slapped electric bass08 bass slides (glissandos)09 fuzz bass overdrive10 minimoog sub-bass11 moog prodigy bass12 moog system 55 modular synth13 moog taurus pedal preset14 moog taurus bass pedal preset15 roland jx-3p juicy funk16 roland jx-8p synth bass17 roland juno-106 fat bass18 clavia nord lead acid bass19 oberheim ob-xa buzz bass20 arp 2600 bass (arp instruments, inc)21 oscar bass (oxford synthesiser company)22 kawai k3 resonance bass23 upright bass (acoustic double bass)24 upright bass pizzicato.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).