333 Royalty-Free Audio Tracks for "Plate"

This was recorded on an iphone 6 at a small and crowded seafood restaurant in dallas, texas. The table where the recording device was located was near the opening of the kitchen.

A meaty glass impact with some cracks forming afterward. Perfect sound for when the glass object breaks, or is nearly broken by some heavy metal object. Made by hitting a porcelain plate with a metal spoon, then crushing up some aluminium foil and ice chunks in my hand. The sound files were then pitch shifted and merged in audacity.

This is my new rotary-valved cornet with german valves and a 1913 holton bell all plated in gold and white rhodium. The sample was recorded in a large church in north carolina. With the help of bill jones i designed this horn and dr. Jones built it. It starts loud at a forte but then plays some quieter phrases around a mezzo piano.

The sound of a creaky door, recorded with my zoom h5. Processing: noise-removal (reafir), mild compression/coloration (molot vst), and convolution reverb (reverberate core; factory preset: medium plate ts).

Small light splash & trickle sounds, recorded by interacting with water in various ways, light hit with closed fist, loose fist, flat palm, swishing about, assorted timings. Water in a large bowl, small, bowl, and a plate on a towel in my bathroom, recorded on a zoom h4n. Clean unedited raw audio.

Recorded this from my 2nd floor balcony in lisbon, portugal. It closely overlooked a small street in which restaurants had set up outside dining. Many people were out this evening, eating, talking and laughing.

Wav-file recorded with the zoom h1 with internal microphone. A german restaurant in the heart of berlin, people are eating, drinking and chatting. Glasses and plates are being handled. A chair moves and someone gets up. Bonny orbit sound library.

This siren whistle sound is often used as a comical cartoon sound effect where something is sent flying through the air. The acme siren is a chrome plated whistle that is often found in the percussion section of orchestras. Recorded in my home studio using a rode nt1a through a focusrite liquid saffire preamp and protools 12.

For those who like a vintage sound, this impulse response tries to be the most faithful in the type of spring reverb used in the 60s, on vocals, on guitars, and mainly as a mixing reverb as an alternative to plate reverb if do you want the sound of a garage rock or dub. Depending on the context, you can leave the reverb in mono which reinforces the vintage character.

The chocalho de platinela ('rattle/shaker with little plates') is a large and very loud metal shaker, with jingles similar to a tambourine, mounted in three long rows on an aluminium frame. They are used en masse in samba bands, usually playing a simple but very fast rhythm. A back (towards the body) shake.

Hitting a metal can with my finger. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

This is a foley recording i did for a cinematic nature documentary. In the scene you see lions pulling the guts out of a recently killed bison. As the sound assistant didn't want to get too close, i simulated the sound by mushing up a plate of lasagne in front of a pair of rode nt5's. Very suitable for zombie movies - have fun! :).

Unbranded needlegun scaler started once against a metal plate. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

The Star-Spangled Banner (the American national anthem) being performed in 1915 by Margaret Woodrow Wilson, daughter of American President Woodrow Wilson. This recording was made as a souvenir for the Panama Pacific International Exposition and part of its profits were given to the American Red Cross. The record plate is Columbia Records number 1685 (39764). Originally manufactured by Columbia Graphophone Company.

The landscape stereo field is an analogue atonal synth played with the touch-plates. This is a sound from the stereo field being panned left and right with reverb, delay and freeze.

The Star-Spangled Banner (the American national anthem) being performed in 1915 by Margaret Woodrow Wilson, daughter of American President Woodrow Wilson. This recording was made as a souvenir for the Panama Pacific International Exposition and part of its profits were given to the American Red Cross. The record plate is Columbia Records number 1685 (39764). Originally manufactured by Columbia Graphophone Company.

The moment you know you should have been somewhere else. This, my friends, is why they make you put a licence plate on your car. File is slightly abridged for acceptable presentation. Anyway they were looking for someone else, and seemed remarkably understanding. And decidedly amused. . .

Ingersoll rand riveting hammer started once against a metal plate. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

This collection of kitchen sound effects was captured on a tascam dr-07. I carried the recorder around the kitchen opening and closing drawers, the refrigerator, and clattering/clanking plates and silverware. I even did a water pour into a drinking glass. After recording i edited the sounds in protools using a variety of compression and limiting plugins. I hope you find this useful.

Http://www. Myspace. Com/capashen2note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. Made with : white noise filtered, drum layering, big plate reverb. . . I use it all the time hehe. Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

Http://www. Myspace. Com/capashen2 note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. It sounds a bit electric with an sound effect made with synth. I use it all the time hehe. Made with : white noise filtered, drum layering, big plate reverb. . . Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

3 hits over a wooden kitchen table with dishes, glasses and cutlery on it. I forgot to properly clean and fade some undesirable background noise in the last one, sorry. Gear: zoom h6 with xy capsule. Format:. Wav 48khz 24bit stereo. Please, notice this sound is licenses under cc by-sa (aka "copyleft") which means you can use it, adapt, and build anything upon it even for commercial purposes as long as you credit me. Thanks!.

Sound made by a small electric motor cranking and reversing a lever (on an infant's glider/sleeper). This is one repeat of the sound taken from a larger sound i've provided in this archive (which has repeated takes). If you pitch-shift this down about six steps and add a metal/plate/hall reverberation effect, it sounds remarkably like a sound you hear in the carbonite chamber scene in the empire strikes back :). This was recorded with a sony icd-st voice recorder held next to the glider, then noise removed with an audio tool, then normalized. I request but don't demand credit to me (richard alexander hall) for any use of this sound.

Sound made by a small electric motor cranking and reversing a lever (on an infant's glider/sleeper). This take has multiple repeats of the sound (a different take i have here provides just one repeat of the sound). If you pitch-shift this down about six steps and add a metal/plate/hall reverberation effect, it sounds remarkably like a sound you hear in the carbonite chamber scene in the empire strikes back :). This was recorded with a sony icd-st voice recorder held next to the glider, then noise removed with an audio tool, then normalized. I request but don't demand credit to me (richard alexander hall) for any use of this sound.

Does freesound really need another recording of someone washing their dishes? maybe not, but this is a longer take i recorded for a film project - because when you're editing, it's frustrating to find a good recording that's not long enough!. Includes plenty of dish movement, running water, scrubbing, etc. Some limiting was applied to tame the biggest peaks. Mics: schoeps cmc6 mk4 stereo pair in xy configurationrecorder: sound devices mixpre 3 directly into reaper. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Footsteps. . . Note:. These are no field recordings but handmade walking sounds in different speeds and manners intended for game creation. Most of them you can loop. They are recorded as dry as possible so you should add the ambience you like. How to make these:. 1. First empty two bottles of the famous spanish brandy lepanto. 2. Keep the korks - they have a very special sound different from the korks of wine bottles. 3. Then, if you're still able to hit (maybe you shouldn't drink the brandy alone and at once), fill things in a flat bowl or a plate - f. E. Pepper grains or salt. 4. Step the korks in the bowl and record it. You may also - as i did - step the korks on other things like a ventilator. 5. Compress the sounds hard but limit them to -4 db (as they sound not naturally if they are to loud).

Just discovered this recording i had from 2016, and thought i'd upload it to complement my other diner recording on here (https://freesound. Org/people/edlundart/sounds/501025/). This is 4 and a half minutes of background noise from a new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff. Crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in 2016 with an iphone — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Warmly,bard edlund, edlundart. Com.

En algunas manifestaciones de la parranda venezolana se utiliza un plato de peltre golpeado con un tenedor. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "in some manifestations of the venezuelan parranda, a pewter plate struck with a fork is used. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

Cafe/cafeteria (with permission), calm & relaxed, porcelain, sound of people talking, and children in the background. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a cafeterian during lunchtime in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

Over 5 minutes of background noise from a well-known new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff, and in the second half of the clip, radio ads playing faintly in the background. But crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in january 2019 with an iphone x — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Update: i just uncovered a similar recording i made in 2016 at a different diner, and uploaded that here: https://freesound. Org/people/edlundart/sounds/515719/ pick whichever one you prefer, or use a combination of both!. Warmly,bard edlund, edlundart. Com.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

The Japanese anthem Kimi ga yo being performed in 1930. The source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. Català: Kimi Ga Yo (君が代), l'himne nacional japonès, tocat el 1930 per la Banda Militar de l'Acadèmia Militar Toyama. Čeština: Kimi ga jo (君が代), státní hymna Japonska, na nahrávce z roku 1930. (君が代), die Japanische Nationalhymne gespielt 1930 von der Militärkapelle der Toyama Armeeschule. Kimigayo (君が代), the Japanese National Anthem, as performed in 1930 by the Toyama Army School Military Band. Kimi ga yo (君が代, El reino de nuestro emperador), el himno nacional de Japón, ejecutado por la banda de la academia militar "Toyama" (1930) Suomi: Kimi ga yo (jap. 君が代), Japanin kansallislaulu, esitys vuodelta 1930. Kimi ga yo (君が代), l’hymne national du Japon, interprété par l’orchestre de l’école militaire Toyama. Italiano: Kimi ga yo (君が代, Il regno del nostro imperatore), l'inno nazionale del Giappone, nell'esecuzione della banda dell'accademia militare "Toyama" (1930) 日本語: 日本の国歌『君が代』。1930年、陸軍戸山学校軍楽隊の演奏。 Македонски: Химната на Јапонија насловена како „Кимигајо“ (君が代) во изведба на оркестарот на воена академија во Тојама (1930 г.) Кими га ё (君が代), японский национальный гимн, исполненный в 1930 году Toyama Army School Military Band. Tiếng Việt: Kimi Ga Yo (君が代), Quốc ca Nhật Bản, do Đội nhạc Quân đội của trường Quân bị Toyama trình diễn năm 1930.

Street noises recorded while walking through the most touristy area of montmartre, in paris, france. Streets visited include rue des saules, rue norvins, rue du mont cenis, rue du chevalier de la barre, rue du cardinal guibert, rue azais, rue saint eleuthere, in that order. Highlights include:. 00:00-00:30-> walking south along the relatively quiet saules ("willow") street in montmartre; footsteps and squeaking boots. 00:42-01:02-> street-cleaning truck passing on the same street. 01:02-01:30-> piano playing inside a restaurant on norvins street. 01:30-01:36-> rock music in some other shop. 01:44-01:46-> kids running past. 01:56-01:58-> barely audible music somewhere, under heavy crowd sounds. 01:56-02:59-> crowd noises, clinking silverware and plates in the restuarants i'm passing, increasingly heavy crowd. 03:00-03:21-> passing van, followed by another bus. 03:21-04:06-> ill-behaved young males ruining my take with strange ape-like cries. 04:06-04:17-> i think this was a passing taxi. 04:20-05:08-> someone playing a steel drum on the ground in mont cenis street. 04:43-------> someone closing a gate, i think. 05:16-05:18-> american tourist exclaiming at close range in chevalier de la barre street. 05:53-06:18-> street portrait artists talking and joking with each other. 06:30-07:25-> someone playing the harp on cardinal guibert street next to the basilica, partially drowned out by a passing car. 07:25-08:23-> someone singing on the steps in front of sacré-coeur. He had a powerful but distorted amplifier--the bad sound quality was like that in real life. I turned around in front of the basilica on this dead-end street and that's why the music switches sides. 08:23-08:40-> yes, that's a chainsaw. The city was trimming some large trees. 09:33-09:47-> more chainsaw noise as i walked past the workers on azais street. 10:00-11:00-> increasing crowd noise as i walk back north to the busiest part of montmartre along saint eleuthere street. Recorded with a hand-held h4n at 96 khz / 24-bits, stereo, compressed into 160 kbps / 44. 1 khz / 16 bits mp3. Recording date march 16, 2012, in the early afternoon.