3,255 Royalty-Free Audio Tracks for "Pitch"

Hearing aid type feedback generated by a small radio shack amp & speaker and a cheap mic. Recorded for use in the play "house of blue leaves" by john guare.

The sound created when scanning radio channels that sounds of a high frequency tone who's pitch changes from low, to high, to low as you scan over it.

Four synth sounds descending in pitch that sound like a cute anime girl bouncing up and down. :3 made in chiptone.

Recorded with canon xl1s built in mic pointing straight up to the canopy in the chimalapas mountain of san antonio chimalapas, oaxaca, mexico. March 2012.

Beat (source unknown) sampling with soundforge 7. Not quantized. . . . ,just cut looping + pitch (-) + dbglitch vst effect.

next message. cut from my cell phone voice message system. Noise reduced and amplified with pitch-shift and other effects.

Synth loop. Like broken opera robots. Adjust the pitch.

This sound is a low pitched sound, and a very rumbly type of sound too. The laundry machine also gives out a fast pace moving sound, kind of like a rotating drum sound.

Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.

Septimal minor triad on C (C,E7b,G or 6:7:9)

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

Just diminished seventh in just C scale: B and A♭.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Doorbell sfx, could be low-pitched for a better sound maybe. Recorded on my pc, edited with lmms and audacity.

Sounds recorded for a personal project. I recorded myself being curiously surprised and shifted the pitch to a more female voice range.

Toy tortoise walks across table. Hi pitched scrapey clockwok noise with clonking steps. Thew whole thing slows down. Mini disk recording.

A regular clear sigh. Recorded on blue snowball microphone 8. 10. 2017 - recording for my own animation series, mars tv. (voice of marty the goofball martian - pre-pitching).

Hitting the strings inside a grand piano with a hard plastic mallet. Played with sweeps and single hits that are stopped or left to ring out.

Created for a video project, though pitch shifted in the final product. These sounds were creating using 3 layers of water sloshing noises and processed in audacity.

The coins drop in, there's the high-pitched digital ping to count them, and then the suck of one of those commercial drive-up vacuum hoses starts.

The name almost says it all. Some synth attuned a certain pitching way, with some amount and rate lfo speed up and down.

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

My fingernails rubbing horizontally on a green chalk board. Possible uses:scraping chalk boardinsect buzzing wings. Recorded with a zoom h1 in a classroom.

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

Ratio between pitch and length of an organ pipe: octaves.

Square root of 5 on C. √5 : 1 = 1393.16 cents.

*Gamma scale step on C. (3 : 2)1/20 : 1 = 35.1 cents.

A scary, weird sound effect of me saying "huh?" and that word being dragged out. It has a high pitch, and sounds like a good sound for adding some horror or a creepy feeling to the background of a scene. Have fun with it!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

I made a waveshaper in the js audio language that applies random math operations to the signal. The original signal is liteon's (of reaper forums) lorenz attractor synth, which is then run through the waveshaper, then that signal controls the pitch of a soundwave. Later on i waveshape the resulting soundwave but i don't think it has the best results (dc offset city). A lot of the cooler sounds/series of pitches are made by changing the number of operations on the fly, or shuffling a new set of operations for the waveshaper to use.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Door buzzer or phone ringing. Small, high pitched, buzzy vibrating bell sound with lower tone underneath. Intermittent rings.

A synthesised ambience made using two sine oscillators, pitch automation and a reverb. Feel free to use the sound wherever.

A deep bass drone made with an guitar and some effects. Gives a creepy feeling. Enjoy.

Hearing aid type feedback generated by a small radio shack amp & speaker and a cheap mic. Recorded for use in the play "house of blue leaves" by john guare.

Made in fl studio with harmor. Takes advantage of the 'shephard tone' auditory illusion to make the rise in pitch go on seamlessly forever on the same note.

8 notes played on guitar in de-tuned pitched. Applied distortion chorus and reverb in flstudio using dvs vst.

Simple sci-fi blaster sound created by a pitch-shifted bass synthesizer and drums.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

This is a sound i created by using three different things. I recorded my bathroom fan and altered the pitch, added a few cents and overlayed them at 50%, and added a band-pass filter. I also recorded batteries rolling across the bottom of a drawer, lowered the pitch a bit, and added a high pass filter. And then lastly i added some wind that i created by blowing into my hands. That i did not adjust at all. It sounds just like a thunderstorm.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

Dark background sound in place of background music. I recorded this in my booth, using audacity and my cad e100s. The higher sound is a pen tapping on the bottom of a metal cup. I used various effects to stretch, raise pitch, and a few others. I also layered the higher sound 4 times to get the "harmony". The low sound was my voice. I lowered pitch, speed and stretched the wave, as well as a few other effects as well. Enjoy.

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

Sample of a metallic percussion hit. The sound is quite dark and muffled. I call it underwater drum, because it sounds to me like it's underwater. This sample is tuned to a1 but there is a very dominant overtone at b1, which is the musical interval of a minor second. The source of the sample was the platter of a dismantled hard disk drive, hit with a wooden mallet. It was then pitched down a lot. The sample is almost raw, i just added some slight eq. The sample was intended to be used with a sampler, you may want to add some reverb for this and filter the previously mentioned overtone, when you use it in combination with other tuned instruments. Also, the pitch is probably not perfectly tuned. Microphone: akq perception 120post-processing: pitch manipulation & eq.