275 Royalty-Free Audio Tracks for "Oscillation"

Here's a basic example of working in subtractive synthesis: adding oscillators, changing waveforms, filtering, adjusting portamento.

A looping sequence on notes. Created with a thor synthesizer using one oscillator with lots of fm feedback.

Synthe lead done with a damaged korg polysix. Some oscilators had an error and did wired modulations.

Recorded at a playground in brisbane, australia. It was this weird tubular bell thing. Very interesting oscillating sound.

166bpm xenharmonic fm loop (no tuning system, tuning is determined through fm oscillator sync).

140 bpm, 7/8 meter. Dual oscillator synth lead sound. Repetitive 7/8 drop.

A noise, a harmonic, from somewhere beyond space. . . . Then an ugly sound.

Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).

Preset 24 dimensional sawtooth, lead sample of alphatron oscillion, a polyphonic subtractive synthesizer in vst, vst3 and audio unit plugin format for windows and mac.

My vfx synthesizer freaked out one day and started producing this sound on its own so i recorded it.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Interesting interference sound made with analog modular synth.

A low, buzzy, gurgling electronic sound with some phaser on it. Created in caustic 3 for android.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.

Making a switch with logic. Switching between quantized and sequenced cvand random for the oscillator.

This is the sound of an electric razor. Recorded with a sony pcm-d100 in stereo.

This is a sound i made using synth1 vst, it is in one of my songs: https://soundcloud. Com/reqqia/tecniche-efficaci-di-autocombustione.

Feedback texture created using soundtoys echoboy delay unit.

Bpm 140 rhythmic time signature 5/8. Made in lmms with triple oscillator and zynaddsubfx.

Sine wave, which amplitude and frequency are controlled by relevant dimensions of bezier curve. Mono 16bit, 44100hz.

A patch i dare to call krellish. . . Both oscillators are tuned to 140hz.

A kick created with my korg monologue (analogic synth); i've played with no oscillator, just with cuoff and resonance.

Abstract, ascending "tone"- one oscillator frequency modulated by a sample and hold module- done using synfactory/studiofactory software.

Some basslines done with a damaged korg polysix. The oscilator did some strange things i used to create this sounds.

Bass drum synthesized in chuck programming language. 3 resonance filter, 1 impulse and 2 sin oscillators.

Reaktor blocks build using the spacewalkers companion oscillator as drone source with some sequencers run by a clock divider.

A sample made with my home made soft synth: pigasso, a semi modular wave-draw oscillator synthesizer!.

. Sliding down through the entire auditory range. The sound that occurse after turning off the phantom power of a condencer microfone.

A sequence made with one saw tooth oscillator on a sequential circuits pro one mono synthesizer.

Just messing around with radio frequency and stuff on.

A regular stand up fan/ventilator panning towards and away from the microphone, enjoy!.

I ran this motor sound through audacity's phaser plugin to make an spaceship door opening sound.

This is two soliton combs (sech pulses) with a beat frequency for half-bar oscillation at 130 bpm. Use it in techno. It was generated directly from python code.

Dual, detuned oscillators are fed through 2 filters. One sweeps from beginning to end, the other is increased for each of the six samples in this set.

Useful for science fiction scenarios. A low oscillating hum, a rotating beam, a faint buzz of machinery. Loopable. Remixed from:. “motor” by sieuamthanh - https://freesound. Org/people/sieuamthanh/sounds/457574/ - cc0“sci_fi_machine 0” by sieuamthanh -https://freesound. Org/people/sieuamthanh/sounds/397674/ - cc0“beam 11” by sieuamthanh -https://freesound. Org/people/sieuamthanh/sounds/431732/ - cc0. (with thanks to sieuamthanh. ).

Excavator and trucks in a gravel pit. Created with the z3ta + waveshaping synthesizer. 4 oscillators, used pitch- and modulation wheel. .

Two washers oscillate on the steel threaded rod with the loweringthreaded rod 3: the microphone is on the bottom of the rod and the pads move towards it.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

Listen to all of it it will make you cry. This is one full minute of what may be the most annoying sound ever. Pulsing wobbling speaker sounds.

Now i have downsized my shift register. 2-steps.

Syncopated, fast, electronic clicks that pan back and forth twice in about 3 seconds.

I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

Synthesized sound of a flying helicopter. The patter is as follows:. Sound 1 || sound 2 || sound 3 || sound 4 || sounds 1+2 || sounds 2+3 || sounds 3+4 || sounds 1+3 || sounds 2+4 || sounds 1+2+3 || sounds 1+3+4 || sounds 2+3+4 || sounds 1+2+4 || sounds 1+2+3+4 || sounds 1+2 again || sounds 1+2 with phaser effect (pitch up and down). Each sound above is exactly 2 seconds long except the second-to-last sound (4 seconds long) and the last sound (8 seconds long). All sounds synthesized in propellerheads reason's thor polyphonic synthesizer. Here's how i did it: used two oscillators (one noise oscillator and another multiple-wave oscillator), and then passed them through two different filters. In each filter, i lfo'd the frequency knob at 2. 0hz (120bpm), and the pattern you see above is each oscillator-filter combination muted in different ways. For the last sound, i applied a phaser effect and automated the frequency knob or some other knob to give that pitch-up pitch-down effect.

A pitch shift sound on a synthesizer. Recorded from low to high pitch.

Big room type kick drum created by processing a recording of filter self-oscillation from roland sh-101.

Chromatic notes starting at c0. A blend of three oscillators + and additional wavetable. Not too shabby, but very wabby. Enjoy!.

A collection of noises and tones generated through the moog filtatron app. Can be used for drones and atmospheres or chopped up for sound effects and sampler instruments.

Mp3 version slightly longer than vfxfreak02. Wav. My vfx synthesizer freaked out one day and started producing this sound on its own so i recorded it.