2,074 Royalty-Free Audio Tracks for "Op"

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Sonata No. 11 in B Flat Major Op. 22 - I. Allegro con brio by Daniel Veesey

Hector Berlioz - Symphonie fantastique, op. 14 - 5. Songe d'une nuit du Sabbat (Igor Markevitch, Orchestre Lamoureux, 1962)

Nederlands: Gabriel Fauré (1845-1924): Après un Rêve, op. 7. Van Mutopia, publiek domein. De oorspronkelijke compositie is van Gabriel Fauré, die al meer dan 70 jaar overleden is, en het voor 1880 geschreven heeft. Voorzover er auteursrechten rusten op de bewerking tot midifile, heeft de auteursrechtenhouder het zelf in het PD geplaatst, zie de link op de bestandspagina en [1]

Sonata No. 11 in B Flat Major Op. 22 - II. Adagio con molta espressione by Daniel Veesey

Klaviersonate Nr. 26, Les Adieux, op. 81a - I. adagio, allegro

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

01 - Columbia 33 FCX 140 Side A - Francescati, Ormandy - Paganini Violinkonzert Nr. 1 D-Dur op.6 - Allegro maestoso

Cello concerto no. 1 in a minor, op. 33 - i. allegro non troppo

Sonata No. 13 in E Flat Major, Op. 27 No. 1 - III. Adagio con espressione by Daniel Veesey

Klaviersonate Nr. 13 Es-Dur op. 27.1 Quasi una Fantasia - I. Andante - Allegro

6. Streichquartett, op. 18, 2. Satz String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - II. Adagio ma non troppo

Klaviersonate Nr. 31 As-Dur, op. 110 - IV. Fuga Allegro, ma non troppo

Klaviersonate Nr. 21 C-Dur, op. 53 “Waldstein” - III. Rondo - Allegretto moderato - Prestissimo

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Piano concerto no. 2 in c minor, op. 18 - i. moderato

Carl Maria von Weber - Sonates pour violon et piano-forte, op.10 (n°1, deuxième mouvement) interprété par Fritz Kreisler et Michael Raucheisen (1930). Carl Maria von Weber - Sonata for violin & piano, op.10 (n°1, second movement) played by Fritz Kreisler and Michael Raucheisen (1930).

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 1st movement (adagio sostenuto), performed by Paul Pitman for Musopen Italiano: Sonata n. 14 in do diesis minore "Chiaro di luna", op. 27 n. 2, I movimento (adagio sostenuto), eseguito da Paul Pitman per Musopen

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.

Sonata No. 13 in E Flat Major, Op. 27 No. 1 - I. Andante - Allegro - Tempo I by Daniel Veesey

Klaviersonate Nr. 15 D-Dur op. 28 Pastorale, IV. Rondo -Allegro ma non troppo

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Symphony No. 6 In B Minor, Op. 74, 'Pathetique' - I. Adagio, allegro na non troppo

Sonata No. 32 in C Minor, Op. 111 - II. Arietta Adagio molto semplice e cantabile by Daniel Veesey

Ogg file of Awadagin Pratt playing Alexander Scriabin's Étude Op. 8 No. 12

Sonata No. 32 in C Minor, Op. 111 - I. Maestoso - Allegro con brio ed appassionato by Daniel Veesey

Klaviersonate Nr. 15 D-Dur op.28 Pastorale - III. Scherzo (allegro vivace)

Klaviersonate Nr. 32 c-mollr op. 111 - I. Maestoso, allegro con brio e appassionato

Klaviersonate Nr. 4, Op. 7 E-Dur - I. allegro molto e con brio

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

Chant du menestrel, op. 71