1,214 Royalty-Free Audio Tracks for "Movement"

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause

Handling of a plasticky canon 310xl super 8mm film camera, including rotation in the hand and movement of the zoom knob. This sound is licensed under creative commons 0, meaning you can use it in any work, for free, forever! however, i request that if you do use it in your project, you leave a comment below sharing what you used it for. You can use the sound regardless, but i would love to see what people use it for. Thanks, and happy mixing!.

[elevator_ping_02. Wav]. [ping. Wav]. [elevator. Wav]. Elevator-ping!. This sound can for example be used in films, for example when someone has reached the desired building-level via elevator - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

1st release date: 1936 1st recording date: 4 October 1935 Place of recording: London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor(s): Thomas Beecham (1879-1961) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 99 in E-flat major Content: 1st Movement - Vivace assai (Conclusion) Genre(s):Symphony

A swalloow's nest with young and adults. Last five minutes in the evening before they get quiet. Cries and call, wings, movement in the nest. They are going to sleep. A fly. The nest is in an old empty house, britany, france, jully 2020. Close up: microphones are not half a meter from the nest. Recorded with ab set up: 2 em127 with 40cm distance,recorded on sounddevice mixpre6smooth edited. Part of the work "un dimanche à st cry":https://soundcloud. Com/user-876924050/un-dimanche-a-st-cry96khz, 24 bits.

Som de do bairro ponta grossa/porto alegre - brasil. O ambiente não é muito lotado, apenas o movimento regular. Há vacas e galinhas eventualmente. Gravado com um tascam dr-40x. Sinta-se à vontade para usar como quiser. ***sound of a neighbourhood in porto alegre - brazil. The ambient isn't very crowded, just the regular movement. There some cows and chickens sometimes. Recorded with a tascam dr-40x. Feel free t use as you like.

I did some swishes myself using a spiral hose; i needed them for specific situations in video editing and the bamboo swishes i found here on freesound were too fast and strong. The flexible spiral hose made for some nice and slower swishes; some of the 16 sounds build up a little, some are very fast and strong, some soft and gentle. A whole pack for you to use. Recorded with a tascam dr-05 stereo (the movement always went from left to right); a little noise reduction in audacity.

Various zipping sounds. Great for cartoon animation vids. Uses: cartoon car driving off. Robot movements. Titles, words, and letters sliding from the side of the screen. Use the zipping sound of the beads being pulled to create a feeling of something moving from here to there by editing the sound. -[ recording info ]-. Created by pulling a long strand of christmas tree beads in my hands while in front of the mic. Studio mic: at4033recorded in: adobe audition 3mastered: using eq, compressed, noise gated, and normalized to -. 1. *no credit is ever needed to use my samples!*read my profile for further info.

A violin part i made in garageband for something called victors crypt. It's short and would be perferct for something spooky and mysterious i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

This was recorded as part of a tracking shot for a project i did a few years ago. It starts off from the exterior of a fancy london pub around the primrose hill area, walking in to a fairly packed establishment. It tracks movement into different parts of the pub. There's fairly prominent music for the first half but it eases off to barely audible later on in the audio. A few minutes in, you'll hear the bartender announce the price (6. 95) a couple of times. Recorded on zoom h6 with x/y capsule.

A plane before takeoff. Extracted from a video (http://img. Youtube. Com/vi/3gsq5wjjgh8/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

I use a bamboo stick to generate some wind *swoosh* sounds. Http://farm4. Staticflickr. Com/3022/2821170620_6e658b07a4_n. Jpg http://farm4. Staticflickr. Com/3487/3196022609_1b7b8da8d3_n. Jpgon flac and ogg vorbis formats. Find more similar sounds in the bamboo stick swosh, whoosh, whosh, swhoosh. . . Sounds pack. This recording was made with a zoom h2. Contact me if you have interest in specific sounds for open source or commercial purpose.

Truck or tank standing by. Mix of various humming sounds extracted from a video (http://img. Youtube. Com/vi/6mlde4z9mkw/2. Jpg) by a us government agency, thus public domain. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Som de do bairro belém novo/porto alegre - brasil. O ambiente não é muito lotado ou tem muitos carros, apenas o movimento regular. Perto de um rio e de algumas árvores. Gravado com um tascam dr-40x. Sinta-se à vontade para usar como quiser. ***sound of a neighbourhood in porto alegre - brazil. The ambient isn't very crowded or has too much cars, just the regular movement. Close to a river and some trees. Recorded with a tascam dr-40x. Feel free t use as you like.

[cow_bells_03. Wav]. Cow bells!. Each time a cow moves the head and/or the body - the cowbell, which is hung around the cow's neck, will bell. It seems that a cowbell is used on a roaming cow to easily locate the roaming cow. This sound can for example be used in agriculture simulations and farm games, for example triggered sometimes when the player clicks on a cow - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

An emergency alarm. Some movement noise (opening a hangar gate, moving some instruments) can be heard. Extracted from a video (http://img. Youtube. Com/vi/j0qjudof2la/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Does freesound really need another recording of someone washing their dishes? maybe not, but this is a longer take i recorded for a film project - because when you're editing, it's frustrating to find a good recording that's not long enough!. Includes plenty of dish movement, running water, scrubbing, etc. Some limiting was applied to tame the biggest peaks. Mics: schoeps cmc6 mk4 stereo pair in xy configurationrecorder: sound devices mixpre 3 directly into reaper. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Made this recording to share with the community. Please feel free to use it however you wish. No credit needed. Recorded what i was hearing outside my bedroom window. It's a combination of various sounds for about 33 minutes. I did normalize the track a little bit and added a low shelving eq filter. If you want the raw audio file to do your own clean up. . . Message me. There are mic bumps and movements that you'll need to take out or edit out. I hope it's may be useful for your project. The rustling sound coming from palm trees can be used for other types of trees blowing in the wind.

Movement I, "Chaconne", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band. 日本語: グスターヴ・ホルスト作曲『吹奏楽のための第一組曲』より第1楽章「シャコンヌ」。指揮：Frederick Fennell、演奏：米国海兵軍楽隊、録音：1997年4月24日Joseph Meyerhoff Symphony Hall（MD Baltimore）。

[cow_bells_02. Wav]. Cow bells!. Each time a cow moves the head and/or the body - the cowbell, which is hung around the cow's neck, will bell. It seems that a cowbell is used on a roaming cow to easily locate the roaming cow. This sound can for example be used in agriculture simulations and farm games, for example triggered sometimes when the player clicks on a cow - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[cow_bells_01. Wav]. Cow bells!. Each time a cow moves the head and/or the body - the cowbell, which is hung around the cow's neck, will bell. It seems that a cowbell is used on a roaming cow to easily locate the roaming cow. This sound can for example be used in agriculture simulations and farm games, for example triggered sometimes when the player clicks on a cow - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. This was recorded in the burbank town center food-court area. I was careful to avoid specific conversation for legal purposes. There was a cranky baby nearby, so you get an occasional frantic cry. This would be perfect for any project taking place in a large, public center with a tile or stone floor and lots of movement. Enjoy,. Christopher c. Courter.

A huge ice storm moves in to the back woods of north carolina on 01/30/2014. First it snowed. . . And then it sleeted. When all that sleet froze on the surface of the snow, walking in this winter-wonderland produced an amazing sound. So, i put on my boots, grabbed my zoomh4n and set out to record the magic!. This would be very useful as foley fx for walking in any frozen environment. I walked on various surfaces and depths of ice and snow throughout. I tried to leave enough space between steps so that the sounds do not overlap so that they can be cut for editing purposes. Enjoy!. - christopher c. Courter.

Retro, death! doesn't necessarily have to be death though!. This gives a retro-feeling, for example when the player character has been swallowed by the depths of the ocean, or has been dragged by a black hole, or fallen somewhere, or spiraled generally! in other words - gone and/or dead!. This sound can for example be used in games, for example in nostalgic/retro fantasy/adventure games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Military air vehicle flying. Loopable. Extracted from a video (http://img. Youtube. Com/vi/ttascwxumi8/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Military air vehicle flying. Loopable. Extracted from a video (http://img. Youtube. Com/vi/ugregfixe1c/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Movement III of "The Planets" by Gustav Holst, Mercury, the Winged Messenger. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. FrontiersFrançais : Troisième mouvement des Planètes, Mercure, le messager ailé, composé par Gustav Holst. Performance du US Air Force Heritage of America Band selon une transcription de Merlin Patterson, éditée par les Capt. Lang et MSgt Aldo Forte lors de la publication en 1998 de leur CD Frontiers. (Durée : 4 m 23 s)

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 3) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 1) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

[ping. Wav]. When you walk in to a place like a boss, head to the reception and tap the bell at the desk - but it gets stuck instead. This sound can for example be used in cozy christmas films, for example when a customer walks in to a reception and taps the bell at the desk - but it isn't working properly - you name it!. This sound sounds also like cutlery / tableware, or someone giving a toast, or a " locked " sound that can be used in games / apps. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 2) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

1. Brüder, zur Sonne, zur Freiheit, Brüder, zum Lichte empor! |: Hell aus dem dunklen Vergangen Leuchtet die Zukunft hervor. :| 2. Seht wie der Zug von millionen Endlos aus Nächtigem quillt, |: Bis eurer Sehnsucht Verlangen Himmel und Nacht überschwillt. :| 3. Brüder, in eins nun die Hände, Brüder, das Sterben verlacht: |: Ewig der Sklaverei ein Ende, Heilig die letzte Schlacht! :| 4. Brechet das Joch der Tyrannen, die euch so grausam gequält. |: Schwenket die blutigroten Fahnen über die Arbeiterwelt.:| 5. Brüder ergreift die Gewehre auf zur entscheidenden Schlacht. |: Dem Sozialismus die Ehre. Ihm sei in Zukunft die Macht. :|

Theme hand saw :. Production step :i reccord the sound of someone speaking. I copy this sound 4 times. One time on two i « invert » the sound for creating a contrast. So four speaking are on the « original sens » and four on the contrary. On a another track, i take another short recording of a men voice and copy this once. I add this new track to the middle of the first once. To finish i chang the pitch of all the track with a percent of change of -24. Description :this sound look like an old wood hand saw. We clearly distinguish the saw movement. Going on and going back. Add a different recoording on the middle allows the sound to be realistic. Because the hand saw sound is not regular. Typologie de schaffer :masse: son cannelétimbre harmonique: grinçantgrain: frottementallure: vivantedynamique: abrupteprofil mélodique: ascendant puis descendantprofil de masse: amincissement.

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 2nd Movement (Conclusion): Adagio non troppo Genre(s): Cello concerto Comments: RCM and ELP

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd movement (Conclusion): Allegro and 4th Movement (Part 1): Allegro Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

A hot summer afternoon in the swedish forest/mountains. Recorded with zoom h5 (xy) outside the cabin i rented. Recording mostly consists of birds and general life from people moving/talking as they arrive to their cabins with family. Its intended to represent a peaceful vibe with some human presence. I decided to not remove much movement/actions from the people such post because i felt it might suck out the soul of the recording. In post: in pro tools i removed some low rumble, and and trimmed the highs just a little bit. Added a "pro expander" to lower some noise, both generated by the h5 and the location. Ps. I have a version with 2 dpa 4060 in a ab stereo fashion of the same recording, abit noisy but its on my profile if you want to listen. Hope you like it.

This file was recorded on november 19 2013 at london's euston railway station quite close to the arrivals board. It was achieved using an olympus ls-100 digital recorder with cad m179 microphones attached to a jecklin disk (see wikipedia) to obtain the best sound possible. As opposed to quasi-binaural recordings where the user attaches small diaphragm microphones to his/her shirt collar (my usual recording method), the jecklin disk can be mounted on a semi-fixed object such as a floor-standing microphone stand which it was in this case, and left for a few moments for the best possible outcome. Using a jecklin disk means that there are no minute movements from a person trying to stand as still as possible, and for some unknown reason, this setup is able to differentiate in front and behind sound image although i personally do not know why this is the case.

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 3rd Movement (Jolly Gathering of Country Folk): Allegro (Conclusion)and 4th Movement (Thunderstorm): Allegro Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 2nd movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 1st movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

English. 1. With both hands i grabbed the rain stick vertically. 2. Lift it about 4 or 5 cm from the plastic mat on the floor3. I moved it up and then down until it hit a mat. The movement was fast, which causes the internal seeds to rise and fall, hit each other, between the walls of the stick and bounce when hit on the mat. The sound was captured with a condenser microphone. It was recorded with ardour 5. Español. 1. Con ambas manos agarré verticalmente el palo de lluvia. 2. Lo levánte unos 4 ó 5 cm del tapéte de plástico que se encuentra en el suelo3. Lo moví hacia arriba y en seguida hacia abajo hasta golpear un tapete. El movimiento fue rápido lo que produce que las semillas internas suban y bajen, golpearse entré si, entre las paredes del palo y rebotar cuando se golpea en el tapete. El sonido se captó con un micrófono de condesador. Se grabó con ardour 5.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

I videoed this sound of a subway train in glasgow scotland on the famous "clockwork orange" train as they are called. I used my canon powershot a460 digital camera to video this, i simply took the sound from the video. I was lucky enough to get a good run on this with just a few poeple on board, so there wasn't any other sound apart from the train, the only time you here some movement of feet is when the doors open. Please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

Movement I of "The Planets" by Gustav Holst, Mars, The Bringer Of War. Performed by the U.S. Air Force Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. Frontiers Primer movimiento, “Mars, The Bringer Of War”, de la suite orquestal “The Planets” (Los planetas, op. 32) compuesta por Gustav Holst en 1914-1916 « Mars, celui qui apporte la guerre », 1er mouvement de Les Planètes (Op 32), œuvre pour grand orchestre composée par Gustav Holst en 1914-1916. Italiano: Il 1° movimento, “Mars, The Bringer Of War”, della suite orchestrale “The Planets” (I pianeti, op. 32) composta da Gustav Holst nel 1914-1916 Македонски: Став I: „Марс, носителот на војни“ од оркестралната свита „Планети“ (Оп. 32) од Густав Холст (искомпонирана 1914-1916 г.) Первая часть “Марс, вестник войны” оркестровой сюиты “Планеты”, (Op. 32) композитор Гюстав Хольст, 1914-1916. Tiếng Việt: Phần thứ nhất, “Mars, The Bringer Of War”, trích từ tổ khúc dành cho dàn nhạc “The Planets” (Tác phẩm số 32) của nhà soạn nhạc Gustav Holst vào năm 1914-1916.