189 Royalty-Free Audio Tracks for "Mms"

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer:

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Motor da antiga camera 16mm do zé pintor rodando. Som captado na casa dele com microfone akg c568b posicionado no lado que produz um ruído mais grave.

Recorded with toner 3,5 mm klinkenstecker kondensator sound mikrofon for computer in adobe au cs6 (mac). Have recorded in my living room in november 2017(make sure your cats and dogs won't disturb).

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

This is a recording of the drive motor of a super 8 (canon 418 auto zoom). This was recorded with the hatch to the cartridge open, so the noise is clearer. There is also the effect noise of the trigger being closed.

Canon 310xl consumer 8mm film camera rolling, then making a click sound when it stops. The rolling part of the sound is loopable. This sound is licensed under creative commons 0, meaning you can use it in any work, for free, forever! however, i request that if you do use it in your project, you leave a comment below sharing what you used it for. You can use the sound regardless, but i would love to see what people use it for. Thanks, and happy mixing!.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Combinatorial all-trichord hexachords from Elliott Carter's Piano Concerto, mm.59-60. Hexachord I: 0, 1, 2, 4, 7, 8 (6-z17A). Hexachord II: 0, 1, 2, 5, 6, 8 (6-z43A).

Either:-i'm going to do something, or-you're gonna get it, or-i did sell your golf clubs, or-i'm ready for. . . Or anything else you can imagine. There's a world of that.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Severe thunderstorm arrived to pécel, hungary after the hot days on 8th of july 2015. It produced 15 mm of very intense rain and wind, and some lightning.

Sound of sticking a 6. 5 mm jack into a speaker. Cc0, so no need to give credit. If you want, let me know what you used the sounds for as i really like hearing about other people's projects :).

Tchaikovsky's "Cross"-motive, associated with the crucifixion, himself, and Tristan, a variation of which first appears in mm.1-2 of his Pathétique Symphony. Tchaikovsky identified with and associated the cross-motif with "star-cross'd lovers" in general, such as in Romeo and Juliet.

For mr. M's open source class mm 462 the audio book i chose to work on was two plus two makes crazy by walter j sheldon. Added was a bit of music and some sound effects throughout.

Canon eos 7d focus and high speed shutter sound (7 photo per second). Lens - tamron af 18-200 mm f/ 3. 5-6. 3 di ii xr ld aspherical (if) macro a14.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Sounds of an 1,5 mm aluminium sheet sized 2x1,5 meters. There's also some sounds of paper the sheet was covered with. The recording starts with me sayin "blacha aluminiowa" whitch means "aluminium plate" in polish. Captured with zoom h2 @ 96khz/24-bit.

How would a frightened galaxy feel when coming to close to a black hole? well, i can imagine it if i am 1 mm tall and am sitting on the edge of the washing bowl in my kitchen and see and listen to this sound.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:17:7

July 2013, rcording from setup pc in greenhouse. Extreme rain changing to hail (25 mm diamter)for a couple of minutes, then rain again. Last bit of recording is sound from pc fan. Did not cut it off, wanted to let listeners understand that i made a temporary installation in the greenhouse for capturing the immense noise.

Chromatic analysis of measures 5-9 of Cesar Franck's Variations Symphoniques (1885). Roman numeral analysis by Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. ISBN 0-396-06752-2.

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

Chldren were playing in the neighbour when a low lightning activity thunderstorm came to pécel and lasted for 1-2 hours. It produced 10 mm of moderate rain and bright intracloud lightning. Recorded by my sony stereo dictaphone. The storm arrival had a little disaster movie impression for me.

The apple plaintalk microphone jack used on some older macintosh systems is designed to accept an extended 3. 5 mm three-conductor phone connector; in this case, the tip carries power for a preamplifier inside the microphone. The sound a rather fast repeating beat i made using an apple plaintalk microphone in a rather modern windows laptop using audacity. I messed around with the jack, and took out all the silent parts.

This is a homemade sound recording. I used sound effects created by myself and put them together in this recording. It is supposed to represent a shooting range, with the sounds of a. 50 cal anti-materiel rifle, an m16 on 3-rounds burst, a desert eagle. 50 ae, and a 9 mm pistol. Features loading sounds as well.

Traditional biniou music from Brittany played by MM. Le Guennec et Le Bouc. Recorded by Edward Fowler and Douglas Larter. Gramophone record n° 237702. Matrixn° 2L-BFR 294. [1] Tradycyjna bretońska muzyka taneczna na dudach (binioù kozh). Македонски: Народен танц со гајда од Бретања, снимен во 1927 г.

I wanted to make a sound effect for a game i'm developing, and so i recorded a 100-mm artillery cannon at camp williams (utah national guard), then modified the sounds using audacity. The recording was done on an olympus digital recorder in the mid-2000s (first decade). It sounded a little to me like the tribute cannon from hunger games (the sound effect that signals the deaths of the tributes), thus the name.

Tibetan bells and sounds from outer space,a pathway to inner peace. Sounds for relaxation and meditation. 289,4 hz is attributed to mars, 841,68 hz is frequency of synodic moon. Hello,this is the very real horst from duisburg germany with another soundpiece of tibetan singing bowl attributed to planets of our solar system. The sounds of mars/synodic moon, were taken by me on february 25th, 2014 also as a modul used in our soundproject "tibetan bells and sounds from outer space" at youtube-channel :https://www. Youtube. Com/user/taochisoundthe singing bowl has frequency of mars/synodic moon [grundton: mars 289,4 hz / synodic moon 841,68 hz; durchmesser ca. 170 mm; höhe ca. 80 mm; gewicht ca. 790 gramm] and was treated with different mallets [drumsticks]. For more information about frequencies of the planets, please visit:. Http://www. Planetware. De/tune_in/frequenz. Htmlhttp://wiki. Astro. Com/astrowiki/de/planetenton. I share three excerpts of these pieces of 03 min, 07,45 min and variation with stretched sound 3,07 min here for you for your free usefor more information about tibetan singing bowls please visit:http://en. Wikipedia. Org/wiki/singing_bowlthanks for listening andfind true peace on your waythe very real horst. .

This is one of multiple samples i have recorded from short wave radio, and should, if i uploaded them properly be located in a pack of more radio samples. How the name is built up:sdr %yyyy-mm-dd%_%frequency% %description% (unfortunately i didn't get to put in the decimals of the frequency when i exported the samples t_t)i love you if you give me some credit, but it's not a must. Feel free to use it for whatever you'd like and by all means, link your work here so i can give it sum luuuuv.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, 250 mm above centre rear of projector, angled down at 45º. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, horizontally 250 mm from side of projector aimed at slide entry hole. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.